SlideShare uma empresa Scribd logo
1 de 9
Master Traditional Indian
  Hand Block Printing




    www.atradeforatrade.com
Introduction                                              Materials
Adapt traditional Indian block printing               ●   Wood Block Stamp (also called a “wood
techniques with modern supplies stocked in your           print block”)
own cupboard. Make the process eco-friendly by
conserving water, using organic cotton, sourcing      ●   Fabric to be printed
fair trade wood block stamps, and using the sun to
dry your unique prints.                               ●   Fabric Dye (such as RIT liquid dye)
All materials can be sourced locally or online from   ●   A piece of cardboard as wide as your
US retailers, minimizing your carbon footprint.
Best of all, it decreases the use of toxic dye and
                                                          fabric
sweat shop labor practices in many Indian
factories.
                                                      ●   Small plastic container to hold the dye
                                                      ●   Paper Towels
                                                      ●   A bucket
                                                      ●   Vinegar (to set the dye)




                        www.atradeforatrade.com
Prep the Fabric
             1. Iron your fabric to remove all the
             wrinkles.

             2. Tape the fabric edges to the piece of
             cardboard. This has a couple of purposes:
             it keeps the fabric from flapping in the
             wind if you print outside. It ensures there
             are no wrinkles in your printing surface.
             And it gives a slight “cushion” for the
             stamp which makes a better print.




www.atradeforatrade.com
Make A Custom “Ink Pad”
3. Measure about 4 tablespoons of fabric
dye into your plastic container (or
tupperware).

4. Take 3 paper towels and fold them in
half so they’re doubly thick. Press them
into the dye. When they’ve soaked up
most of the dye, grab the ends and flip it
over. This is your ink pad.




                   www.atradeforatrade.com
Print Your Fabric
            5. Press your wood block stamp into the
            ink pad. Rock the stamp back and forth to
            make sure dye gets on all parts of the
            stamp. This is especially important for large
            stamps with a lot of detail - otherwise the
            peacock’s wings will be light and feathery
            while its tail and head will be dark black.
            (You may wish to wear a pair of rubber
            gloves.)

            6. Place the stamp where you want it on the
            fabric. To get the best impression, give it a
            sharp whack with the heel of your hand
            (Indian technique), tap it with a hammer
            (Montana-style) or lean on it with your
            whole body (kids’ version). This helps
            complicated designs print evenly, and is
            very important for large stamps.


www.atradeforatrade.com
Tips & Technique
            7. Traditional prints repeat over the entire
            length of the fabric. For larger, complicated
            stamps, the patterns might even overlap.
            Traditional Wood Block Stamps have
            “markers” (such as the peacock’s tail or
            flower’s stem) which are used to repeat the
            pattern. Indian print masters use these
            marketers to create symmetrical patterns.

            8. Re-apply ink after each print. Your ink
            pad will last for about 20-30 prints of the
            large stamps, and twice that many for the
            small stamps. When your print starts to get
            a little faint, flip the pad over. When you run
            out of dye on both sides, pour 1-2
            tablespoons of dye directly onto the paper
            towels to “refresh” your pad.



www.atradeforatrade.com
Finish It Up
9. After you’ve finished printing, spread
your fabric in the sun to let the dye dry. Do
NOT put it in the dryer - the dye is not yet
set and may leave a stain.

10. To clean up, wash the stamps in a
bucket of cold water. Rub them with your
hand (or a brush) to get off the excess dye.
Keep rinsing until the water you pour over
them runs clear. They will be permanently
“antiqued” the color of the dye, however
don’t worry - you can use a different color
dye next time. Make sure they are
completely dry before you put them away -
otherwise they will develop mold. Stored
dry they should last for years.




                      www.atradeforatrade.com
Set The Print
11. After the dye on your fabric dries, wring
your fabric in cold water to wash out any
excess dye. The water will turn the color of
the dye, so don’t let the fabric soak! Pour
out the dyed water and repeat the process
until the water is clear.

12. To set the print permanently, pour
about 2 cups of vinegar into a fresh bucket
of cold water. The water should be
completely clear. Let the fabric soak for 15-
20 minutes.

13. Finally, hang your fabric up to dry.
Make sure to wash your new fabric once or
twice by itself before combining it with your
clothes - you don’t want to accidentally tie-
dye your white undies. After that, wash and
dry normally.

                      www.atradeforatrade.com
Resources
●   Buy Wood Block Stamps online at
      A Trade For A Trade.com
●   For more tutorials and tips, join
    the monthly newsletter list.
●   For further questions, email
    info@atradeforatrade.com

Mais conteúdo relacionado

Destaque

Reduction Printmaking
Reduction PrintmakingReduction Printmaking
Reduction Printmakingthecrayonlab
 
Printmaking patterns
Printmaking patternsPrintmaking patterns
Printmaking patternsquicarroll
 
Job evaluation bb
Job evaluation  bbJob evaluation  bb
Job evaluation bbMona Singh
 
History of Printing for Kids - Mocomi
History of Printing for Kids - Mocomi History of Printing for Kids - Mocomi
History of Printing for Kids - Mocomi Mocomi Kids
 
Shelley ryde on approaches to teaching painting and printmaking
Shelley ryde on approaches to teaching painting and printmakingShelley ryde on approaches to teaching painting and printmaking
Shelley ryde on approaches to teaching painting and printmakingBev Towns
 
Design Printmaking Terms Pics
Design Printmaking Terms PicsDesign Printmaking Terms Pics
Design Printmaking Terms PicsRiverwood HS
 
Foss & novos materiais - Inside 3D Printing Brazil
Foss & novos materiais - Inside 3D Printing BrazilFoss & novos materiais - Inside 3D Printing Brazil
Foss & novos materiais - Inside 3D Printing BrazilEmanuel Campos
 
Aboriginal art presentation
Aboriginal art presentationAboriginal art presentation
Aboriginal art presentationAlberto Garrido
 
Roshni printmaking presentation roshni
Roshni printmaking presentation roshniRoshni printmaking presentation roshni
Roshni printmaking presentation roshniRebecca Jardin
 
International environmental legislation
International environmental legislationInternational environmental legislation
International environmental legislationmona verma
 
Japanese printmaking elementary lesson ppt
Japanese printmaking elementary lesson pptJapanese printmaking elementary lesson ppt
Japanese printmaking elementary lesson pptdandeliondandelion23
 

Destaque (20)

Ch10 printmaking
Ch10 printmakingCh10 printmaking
Ch10 printmaking
 
Reduction Printmaking
Reduction PrintmakingReduction Printmaking
Reduction Printmaking
 
Printmaking patterns
Printmaking patternsPrintmaking patterns
Printmaking patterns
 
Printing
PrintingPrinting
Printing
 
Job evaluation bb
Job evaluation  bbJob evaluation  bb
Job evaluation bb
 
History of Printing for Kids - Mocomi
History of Printing for Kids - Mocomi History of Printing for Kids - Mocomi
History of Printing for Kids - Mocomi
 
Masks
MasksMasks
Masks
 
Printmaking and pattern
Printmaking and patternPrintmaking and pattern
Printmaking and pattern
 
Printmaking
PrintmakingPrintmaking
Printmaking
 
Fashion
FashionFashion
Fashion
 
Shelley ryde on approaches to teaching painting and printmaking
Shelley ryde on approaches to teaching painting and printmakingShelley ryde on approaches to teaching painting and printmaking
Shelley ryde on approaches to teaching painting and printmaking
 
Design Printmaking Terms Pics
Design Printmaking Terms PicsDesign Printmaking Terms Pics
Design Printmaking Terms Pics
 
Foss & novos materiais - Inside 3D Printing Brazil
Foss & novos materiais - Inside 3D Printing BrazilFoss & novos materiais - Inside 3D Printing Brazil
Foss & novos materiais - Inside 3D Printing Brazil
 
Line symmetry
Line symmetryLine symmetry
Line symmetry
 
Casin fibres
Casin fibresCasin fibres
Casin fibres
 
Aboriginal art presentation
Aboriginal art presentationAboriginal art presentation
Aboriginal art presentation
 
Roshni printmaking presentation roshni
Roshni printmaking presentation roshniRoshni printmaking presentation roshni
Roshni printmaking presentation roshni
 
International environmental legislation
International environmental legislationInternational environmental legislation
International environmental legislation
 
Japanese printmaking elementary lesson ppt
Japanese printmaking elementary lesson pptJapanese printmaking elementary lesson ppt
Japanese printmaking elementary lesson ppt
 
Batik printing
Batik printingBatik printing
Batik printing
 

Último

Spiritual Life Quote from Shiva Negi
Spiritual Life Quote from Shiva Negi Spiritual Life Quote from Shiva Negi
Spiritual Life Quote from Shiva Negi OneDay18
 
Module-2-Lesson-2-COMMUNICATION-AIDS-AND-STRATEGIES-USING-TOOLS-OF-TECHNOLOGY...
Module-2-Lesson-2-COMMUNICATION-AIDS-AND-STRATEGIES-USING-TOOLS-OF-TECHNOLOGY...Module-2-Lesson-2-COMMUNICATION-AIDS-AND-STRATEGIES-USING-TOOLS-OF-TECHNOLOGY...
Module-2-Lesson-2-COMMUNICATION-AIDS-AND-STRATEGIES-USING-TOOLS-OF-TECHNOLOGY...JeylaisaManabat1
 
Authentic No 1 Amil Baba In Pakistan Amil Baba In Faisalabad Amil Baba In Kar...
Authentic No 1 Amil Baba In Pakistan Amil Baba In Faisalabad Amil Baba In Kar...Authentic No 1 Amil Baba In Pakistan Amil Baba In Faisalabad Amil Baba In Kar...
Authentic No 1 Amil Baba In Pakistan Amil Baba In Faisalabad Amil Baba In Kar...Authentic No 1 Amil Baba In Pakistan
 
Inspiring Through Words Power of Inspiration.pptx
Inspiring Through Words Power of Inspiration.pptxInspiring Through Words Power of Inspiration.pptx
Inspiring Through Words Power of Inspiration.pptxShubham Rawat
 
integrity in personal relationship (1).pdf
integrity in personal relationship (1).pdfintegrity in personal relationship (1).pdf
integrity in personal relationship (1).pdfAmitRout25
 
Virtue ethics & Effective Altruism: What can EA learn from virtue ethics?
Virtue ethics & Effective Altruism: What can EA learn from virtue ethics?Virtue ethics & Effective Altruism: What can EA learn from virtue ethics?
Virtue ethics & Effective Altruism: What can EA learn from virtue ethics?Mikko Kangassalo
 
(南达科他州立大学毕业证学位证成绩单-永久存档)
(南达科他州立大学毕业证学位证成绩单-永久存档)(南达科他州立大学毕业证学位证成绩单-永久存档)
(南达科他州立大学毕业证学位证成绩单-永久存档)oannq
 
南新罕布什尔大学毕业证学位证成绩单-学历认证
南新罕布什尔大学毕业证学位证成绩单-学历认证南新罕布什尔大学毕业证学位证成绩单-学历认证
南新罕布什尔大学毕业证学位证成绩单-学历认证kbdhl05e
 

Último (8)

Spiritual Life Quote from Shiva Negi
Spiritual Life Quote from Shiva Negi Spiritual Life Quote from Shiva Negi
Spiritual Life Quote from Shiva Negi
 
Module-2-Lesson-2-COMMUNICATION-AIDS-AND-STRATEGIES-USING-TOOLS-OF-TECHNOLOGY...
Module-2-Lesson-2-COMMUNICATION-AIDS-AND-STRATEGIES-USING-TOOLS-OF-TECHNOLOGY...Module-2-Lesson-2-COMMUNICATION-AIDS-AND-STRATEGIES-USING-TOOLS-OF-TECHNOLOGY...
Module-2-Lesson-2-COMMUNICATION-AIDS-AND-STRATEGIES-USING-TOOLS-OF-TECHNOLOGY...
 
Authentic No 1 Amil Baba In Pakistan Amil Baba In Faisalabad Amil Baba In Kar...
Authentic No 1 Amil Baba In Pakistan Amil Baba In Faisalabad Amil Baba In Kar...Authentic No 1 Amil Baba In Pakistan Amil Baba In Faisalabad Amil Baba In Kar...
Authentic No 1 Amil Baba In Pakistan Amil Baba In Faisalabad Amil Baba In Kar...
 
Inspiring Through Words Power of Inspiration.pptx
Inspiring Through Words Power of Inspiration.pptxInspiring Through Words Power of Inspiration.pptx
Inspiring Through Words Power of Inspiration.pptx
 
integrity in personal relationship (1).pdf
integrity in personal relationship (1).pdfintegrity in personal relationship (1).pdf
integrity in personal relationship (1).pdf
 
Virtue ethics & Effective Altruism: What can EA learn from virtue ethics?
Virtue ethics & Effective Altruism: What can EA learn from virtue ethics?Virtue ethics & Effective Altruism: What can EA learn from virtue ethics?
Virtue ethics & Effective Altruism: What can EA learn from virtue ethics?
 
(南达科他州立大学毕业证学位证成绩单-永久存档)
(南达科他州立大学毕业证学位证成绩单-永久存档)(南达科他州立大学毕业证学位证成绩单-永久存档)
(南达科他州立大学毕业证学位证成绩单-永久存档)
 
南新罕布什尔大学毕业证学位证成绩单-学历认证
南新罕布什尔大学毕业证学位证成绩单-学历认证南新罕布什尔大学毕业证学位证成绩单-学历认证
南新罕布什尔大学毕业证学位证成绩单-学历认证
 

Master Indian Hand Block Printing Using Traditional Wood Block Stamps (wood print blocks)

  • 1. Master Traditional Indian Hand Block Printing www.atradeforatrade.com
  • 2. Introduction Materials Adapt traditional Indian block printing ● Wood Block Stamp (also called a “wood techniques with modern supplies stocked in your print block”) own cupboard. Make the process eco-friendly by conserving water, using organic cotton, sourcing ● Fabric to be printed fair trade wood block stamps, and using the sun to dry your unique prints. ● Fabric Dye (such as RIT liquid dye) All materials can be sourced locally or online from ● A piece of cardboard as wide as your US retailers, minimizing your carbon footprint. Best of all, it decreases the use of toxic dye and fabric sweat shop labor practices in many Indian factories. ● Small plastic container to hold the dye ● Paper Towels ● A bucket ● Vinegar (to set the dye) www.atradeforatrade.com
  • 3. Prep the Fabric 1. Iron your fabric to remove all the wrinkles. 2. Tape the fabric edges to the piece of cardboard. This has a couple of purposes: it keeps the fabric from flapping in the wind if you print outside. It ensures there are no wrinkles in your printing surface. And it gives a slight “cushion” for the stamp which makes a better print. www.atradeforatrade.com
  • 4. Make A Custom “Ink Pad” 3. Measure about 4 tablespoons of fabric dye into your plastic container (or tupperware). 4. Take 3 paper towels and fold them in half so they’re doubly thick. Press them into the dye. When they’ve soaked up most of the dye, grab the ends and flip it over. This is your ink pad. www.atradeforatrade.com
  • 5. Print Your Fabric 5. Press your wood block stamp into the ink pad. Rock the stamp back and forth to make sure dye gets on all parts of the stamp. This is especially important for large stamps with a lot of detail - otherwise the peacock’s wings will be light and feathery while its tail and head will be dark black. (You may wish to wear a pair of rubber gloves.) 6. Place the stamp where you want it on the fabric. To get the best impression, give it a sharp whack with the heel of your hand (Indian technique), tap it with a hammer (Montana-style) or lean on it with your whole body (kids’ version). This helps complicated designs print evenly, and is very important for large stamps. www.atradeforatrade.com
  • 6. Tips & Technique 7. Traditional prints repeat over the entire length of the fabric. For larger, complicated stamps, the patterns might even overlap. Traditional Wood Block Stamps have “markers” (such as the peacock’s tail or flower’s stem) which are used to repeat the pattern. Indian print masters use these marketers to create symmetrical patterns. 8. Re-apply ink after each print. Your ink pad will last for about 20-30 prints of the large stamps, and twice that many for the small stamps. When your print starts to get a little faint, flip the pad over. When you run out of dye on both sides, pour 1-2 tablespoons of dye directly onto the paper towels to “refresh” your pad. www.atradeforatrade.com
  • 7. Finish It Up 9. After you’ve finished printing, spread your fabric in the sun to let the dye dry. Do NOT put it in the dryer - the dye is not yet set and may leave a stain. 10. To clean up, wash the stamps in a bucket of cold water. Rub them with your hand (or a brush) to get off the excess dye. Keep rinsing until the water you pour over them runs clear. They will be permanently “antiqued” the color of the dye, however don’t worry - you can use a different color dye next time. Make sure they are completely dry before you put them away - otherwise they will develop mold. Stored dry they should last for years. www.atradeforatrade.com
  • 8. Set The Print 11. After the dye on your fabric dries, wring your fabric in cold water to wash out any excess dye. The water will turn the color of the dye, so don’t let the fabric soak! Pour out the dyed water and repeat the process until the water is clear. 12. To set the print permanently, pour about 2 cups of vinegar into a fresh bucket of cold water. The water should be completely clear. Let the fabric soak for 15- 20 minutes. 13. Finally, hang your fabric up to dry. Make sure to wash your new fabric once or twice by itself before combining it with your clothes - you don’t want to accidentally tie- dye your white undies. After that, wash and dry normally. www.atradeforatrade.com
  • 9. Resources ● Buy Wood Block Stamps online at A Trade For A Trade.com ● For more tutorials and tips, join the monthly newsletter list. ● For further questions, email info@atradeforatrade.com