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LAW SCHOOL
GOES TO THE MOVIES!
ALAN PANNELL
UNIVERSITY OF COLORADO LAW SCHOOL
Outline
Why Law and Film
Traditional Uses of Law and Film
Traditional Librarian Roles
New Uses of Law and Film
New Roles for Librarians
Resources
Why Law and Film?
“No art passes our conscience the way film does,
and goes directly to our feelings, deep down into
the dark rooms of our souls.” – Ingmar Bergman
Why Law and Film?
“Popular culture is not only entertainment. It covers
98-99% of American society today in one way or
another.” – James R. Elkins, “Reading/Teaching Lawyer Films”
Why Law and Film?
“The reason for teaching lawyer films is simply this:
we need vivid, compelling representations of lawyer in
action.” – James R. Elkins, “Reading/Teaching Lawyer Films”
Why Law and Film?
Storytelling Principles
Examples of Legal Issues
Student Engagement
Why Law and Film?
“I believe seminars like Law
and Literature and my own
film seminar are actually a
return to traditional
pedagogy.”
– Alan A. Stone, “Teaching Film at Harvard Law School”
Traditional Uses of Law & Film
Film Analysis
Classroom Screenings
Library Screenings
CLE Programs
Student Association Events
Traditional Librarian Roles
Copyright Issues
Copyright Issues
The Copyright Act
Classroom exemption:
(a) performances must be shown “in the course of . . . teaching activities” which involve
"systematic instruction [and] whatever their cultural value or intellectual appeal", do not
involve performances "given for the recreation or entertainment of any part of the
audience"
(b) performances must involve "face-to-face teaching activities" meaning that either an
instructor must be present in the room or "in the same building or general area"
(c) performances must take place “in a classroom or similar place devoted to instruction” such
as "a studio, a workshop, a gymnasium, a training field, a library, the stage of an auditorium
itself, if it is actually used as a classroom for systematic instructional activities."
Acquisition/ILL
Acquisition/ILL
Collection Development
“Your library’s films are some
of the highest –quality work
in your building, often
unjustly ignored, maligned,
and simply consigned to
“popular material” even
though there is so much
thematic and artistic richness
waiting to be mined in a
discussion format.”
– Alan Jacobson, “How to Offer More Than a
Movie”
Collection Development
Core Collection
Collection Development
Piecemeal
Collection Development
Donations
Collection Development
Top Checkouts at Colorado Law
New Uses of Law and Film
Interdisciplinary Scholarship
“Un-Dead Labor: China, Industrial Production, and the Zombie Apocalypse,” by Brynnar Swenson
(Presented at Southwest Texas Popular Culture Conference 2013)
Orientation
Errol Morris’ The Thin Blue Line
Orientation
Tim Burton’s Big Fish
Law School Movie Series
New Librarian Roles
Selection Committee
TRANSCENDENCE: Big Fish
JUSTICE: Capote, Compulsion, Philadelphia, Norma Rae, To Kill a Mockingbird
COURAGE: 12 Angry Men, North Country, Erin Brokovich, A Few Good Men, The Verdict
Companion Materials
Articles/Reviews
Bibliography/Further Reading
Discussion Questions
Viewing Guide
Marketing Materials
Faculty Support
Faculty Support
Film Clips
Faculty Support
Course Pages
Faculty Support
Assignments
Faculty Support
Article Retrieval
Legal Research and Film
Legal Research and Film
Library and Film Scholarship
New Directions
Clockwise from Top Left: The Walking Dead | The Descendants | Moonrise Kingdom | Win Win
Resources
SWALL Bulletin Fall 2012: Guide to Law and Film Resources + Updates
Law in the Reel World: http://lawinthereelworld.wordpress.com
Books
Resources
SWALL Bulletin Fall 2012: Guide to Law and Film Resources + Updates
Law in the Reel World: http://lawinthereelworld.wordpress.com
Websites
25 Greatest Legal Movies
http://www.abajournal.com/magazine/article/the_25_greatest_legal_movies
Law and Lawyers in Popular Culture
http://tarlton.law.utexas.edu/exhibits/lpop
“How to Offer More Than a Movie: Producing Film Discussions That are Serious Cultural Events,”
Alan Jacobson, American Libraries, July/Aug. 2011, 42
“Law & Film: Teaching Film at Harvard Law School, ” Alan A. Stone, 28 Vt. L. Rev. 813
“Symposium: Law in Film/Film in Law: Reading Teaching Lawyer Films,” James R. Elkins, 24 Legal
Stud. Forum 573
Resources
SWALL Bulletin Fall 2012: Guide to Law and Film Resources + Updates
Law in the Reel World: http://lawinthereelworld.wordpress.com
Articles
The End

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Law School Goes to the Movies

Notas do Editor

  1. Visual learning style of today’s studentsEthics most common issueEspecially useful for trial advocacy
  2. Visual learning style of today’s studentsEthics most common issueEspecially useful for trial advocacy
  3. Law & Film Scholarship took off in the 90s.
  4. Mimi Wesson Law & Literature class - Law & Film grew out of law and literature- Guest Speaker: Jim Palmer
  5. In Debt We Trust – Amy Spitz Consumer Law Class
  6. Discussion GroupsChoose discussable movies (SEE: Jacobson, How to Offer More Than a Movie)Consider name recognitionMore successful if required or recommended by faculty
  7. Shown at Military Law Society event
  8. Fair Use = Classroom setting / Speakers / No marketing to public
  9. Focus on classic law movies and well-known contemporary legal filmsSEE film lists/ filmographies in books: Movie Therapy for Law School/ Reel Justice/Celluloid Courtroom
  10. As needed/requested by faculty OR New titles through collection dev process
  11. Accept everything!
  12. Positive Psychology at the Movies: (1) The American Film Institute’s 100 most inspiring movies.(2) Positive Psychology movies, grouped by desirable character-building traits.
  13. Questions: Choose “discussable” questions (Jacobson, How to Offer More than a Movie)