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Bioart.
      !
 By Professor Andy Miah   !
            !
  http://creativefutur.es
                        !
ā€œFor over a century, science ļ¬ction has gripped the attention
of audiences and readers world-wide, with some of its most
successful achievements furnishing the world with utopian
and dystopian narratives on the progress of science and the
limit of humanity's ability to understand its own complexity
and place in the world. However, it is only in the last 40
years that ideas of transhumanism and posthumanism have
been integral to various forms of performing arts that engage
with similar subject matter. .ā€!
!
Professor Andy Miah, Director !
!
                              !
biological medium is principally a material
device through which to explore aesthetic
qualities, after which an ethical
interpretation may or may not follow.ā€!




      Artist Francesca Steele speaker at London 2012: The
      First Transhuman Games? @CCA 24 Jan, 2011!
Posthuman Art!
                 ā€œpractices that advocate the
                 transformation of humanity's biology as
                 transhumanist, while the scrutiny of
                 biopolitical relationships as posthumanist,
                 where the crucial difference is that the
                 latter is more neutral on the merit of
                 disrupting biological continuity via
                 science and technologyā€!
Deļ¬ning Bioart!
ā€œOne may deļ¬ne bioart, body art, and
biodesign as hybrid practices that have
drawn on each of these paradigms. Such
work is often made possible by collaborative
endeavour and the utilization of mixed
media, a modus operandi of the media art
genre to which many contributors in this
ļ¬eld are most closely associatedā€!
me artists may be seen as a somewhat satirical
que of how the media engage with science and
nology, both calling to attention the inadequacy of
  forms of scientiļ¬c journalism and the need for
 r debate beyond newspaper headlines and
 ationalized reportingā€!
ā€œsome bioart may be seen
          as a somewhat satirical
          critique of how the media
          engage with science and
          technology, both calling to
          attention the inadequacy
          of some forms of scientiļ¬c
          journalism and the need
          for wider debate beyond
          newspaper headlines and
          sensationalized reporting
          ā€œ!



9/22/11
ā€œsuch work is also a deļ¬ant
critique on society at large and
many       artists   ļ¬nd     their
contributions subject to vehement
criticisms from the popular press
who are confounded by the
propositions, labelling them as
'sick' or a waste of 'tax payers
 9/22/11
ā€œmany
          artists reject
          the term
          bioart as a
          coherent and
          distinct body
          of artistic or
          performance
          expressionā€ !



9/22/11
ā€œwhat distinguishes much
bioart is the performative
foundation of the work,
notably where the artist plays
a crucial role in its physical
manifestation, either as the
canvass of the work itself or
as the facilitator of critical
engagement with the
artworkā€!
ā€œThere is also a broader political
          interpretation to the work of many
          bioartists, which is that it forces a
          reconsideration of how original
          knowledge should be created and
          valued within societyā€ !




9/22/11
and biodesign  !
     Also scrutinize
      contemporary
    bioethical issues!
       and scientiļ¬c
practice, such as the
       utilization of
    embryonic stem
         cells, or the
    development of
transgenic species ā€œ !
ā€œartists are beginning to
experiment with cutting
edge scientiļ¬c applications,
such as stem cells, !
cosmetic surgery and
biotechnology generally ā€“
technologies that are at the
margins of human
experience and about !
which there is considerable
controversyā€ !
   9/22/11
ā€œthe work of
bioartists may be
seen as an attempt
to disrupt the
knowledge
economy, as many
such artists are not
interests simply in
their creative
means drawing on
the work of
scientistsā€ !
ā€œartists, curators and gallery managers are
part of a new kind of ethical terrain, what may
be called public bioethics ā€œ!




9/22/11
ā€œthe work of bioartists
may be seen as an
attempt to disrupt the
knowledge economyā€ !
ā€œbioart aligns with transhumanism insofar as such work pursues
the disruption of biological boundaries and this encompasses
experimentation with many new scientiļ¬c techniques, such as stem
cell or genetic manipulation, or even the creation of new life formsā€!
These quotes are taken from a book
  chapter by Andy Miah, due for
       publication in 2013.!

           @andymiah!
cf.
             !
 The Creative Futures Institute !
University of the West of Scotland!

     http://creativefutur.es
                           !

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Bioart

  • 1. Bioart. ! By Professor Andy Miah ! ! http://creativefutur.es !
  • 2. ā€œFor over a century, science ļ¬ction has gripped the attention of audiences and readers world-wide, with some of its most successful achievements furnishing the world with utopian and dystopian narratives on the progress of science and the limit of humanity's ability to understand its own complexity and place in the world. However, it is only in the last 40 years that ideas of transhumanism and posthumanism have been integral to various forms of performing arts that engage with similar subject matter. .ā€! ! Professor Andy Miah, Director ! ! !
  • 3. biological medium is principally a material device through which to explore aesthetic qualities, after which an ethical interpretation may or may not follow.ā€! Artist Francesca Steele speaker at London 2012: The First Transhuman Games? @CCA 24 Jan, 2011!
  • 4. Posthuman Art! ā€œpractices that advocate the transformation of humanity's biology as transhumanist, while the scrutiny of biopolitical relationships as posthumanist, where the crucial difference is that the latter is more neutral on the merit of disrupting biological continuity via science and technologyā€!
  • 5. Deļ¬ning Bioart! ā€œOne may deļ¬ne bioart, body art, and biodesign as hybrid practices that have drawn on each of these paradigms. Such work is often made possible by collaborative endeavour and the utilization of mixed media, a modus operandi of the media art genre to which many contributors in this ļ¬eld are most closely associatedā€!
  • 6. me artists may be seen as a somewhat satirical que of how the media engage with science and nology, both calling to attention the inadequacy of forms of scientiļ¬c journalism and the need for r debate beyond newspaper headlines and ationalized reportingā€!
  • 7. ā€œsome bioart may be seen as a somewhat satirical critique of how the media engage with science and technology, both calling to attention the inadequacy of some forms of scientiļ¬c journalism and the need for wider debate beyond newspaper headlines and sensationalized reporting ā€œ! 9/22/11
  • 8. ā€œsuch work is also a deļ¬ant critique on society at large and many artists ļ¬nd their contributions subject to vehement criticisms from the popular press who are confounded by the propositions, labelling them as 'sick' or a waste of 'tax payers 9/22/11
  • 9. ā€œmany artists reject the term bioart as a coherent and distinct body of artistic or performance expressionā€ ! 9/22/11
  • 10. ā€œwhat distinguishes much bioart is the performative foundation of the work, notably where the artist plays a crucial role in its physical manifestation, either as the canvass of the work itself or as the facilitator of critical engagement with the artworkā€!
  • 11. ā€œThere is also a broader political interpretation to the work of many bioartists, which is that it forces a reconsideration of how original knowledge should be created and valued within societyā€ ! 9/22/11
  • 12. and biodesign ! Also scrutinize contemporary bioethical issues! and scientiļ¬c practice, such as the utilization of embryonic stem cells, or the development of transgenic species ā€œ !
  • 13. ā€œartists are beginning to experiment with cutting edge scientiļ¬c applications, such as stem cells, ! cosmetic surgery and biotechnology generally ā€“ technologies that are at the margins of human experience and about ! which there is considerable controversyā€ ! 9/22/11
  • 14. ā€œthe work of bioartists may be seen as an attempt to disrupt the knowledge economy, as many such artists are not interests simply in their creative means drawing on the work of scientistsā€ !
  • 15. ā€œartists, curators and gallery managers are part of a new kind of ethical terrain, what may be called public bioethics ā€œ! 9/22/11
  • 16. ā€œthe work of bioartists may be seen as an attempt to disrupt the knowledge economyā€ !
  • 17. ā€œbioart aligns with transhumanism insofar as such work pursues the disruption of biological boundaries and this encompasses experimentation with many new scientiļ¬c techniques, such as stem cell or genetic manipulation, or even the creation of new life formsā€!
  • 18. These quotes are taken from a book chapter by Andy Miah, due for publication in 2013.! @andymiah!
  • 19. cf. ! The Creative Futures Institute ! University of the West of Scotland! http://creativefutur.es !