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Andy Lankshear
British Hills
Intentional Gestures
Intentional, pre-planned gestures done concurrently with speech
which:
 help convey meaning
 help support retention of common phrases and questions
 support phrasal syntax
 support prosodic performance (rhythm, intonation, stress)
 provide routine
 can be used in whole class teaching and one-on-one situations
to support recasting and rephrasing
 are fun
What are intentional gestures?
new
Total Physical Response (TPR)
a comprehensive system to
teach everything
the audio-lingual method
What they are not
“Gestures provide building blocks that can be used
to construct a language”
(Goldin-Meadow, S & Wagner Alibali, M., 2013, p. 257).
 emblemic, iconic or pantomimic
Multimodality - audio, visual and motor
 stronger impact than pictures
(see Marion Tellier, 2008)
 reduces the cognitive load
Gestures
sequence and consequence
(Riessman, 2004)
The sequence assists learners to recall the next
language by providing a structure.
e.g. A student’s day.
The consequences of the story are:
humour imagination links to own experiences
Story
Lexical Approach (Lewis, 1993)
 aids instantaneous production
 decreases cognitive load
“Fluent speakers do not create new sentences by
choosing one word at a time, but rather by using
strings of words that typically occur together.”
(Lightbown & Spada, 2013, p. 109)
For L2 learners, frequency of input determines
fluency. (Ellis, Simpson-Vlach & Maynard, 2008)
Chunking
‘Multi-word units’, ‘formulaic sequences’, 'standardised
phrases', 'lexical phrases’
“Items that are used together, fuse together.” (Bybee, 2003)
1. Do over half the phrases on first day (front-loading).
2. Repeat it every lesson and introduce a new phrase.
3. Conduct: gradually just do the gestures and don't
say anything.
4. Students do it in pairs.
5. Get a student to lead it.
6. Add modals and sentence starters to the phrases:
e.g. I can - ; May I - ; I want to - ; I have to -;
I want to ___ but I have to ____
7. Encourage them to use the phrases in role plays.
8. Introduce a new IG.
For example, ‘Trip to Mars’, ‘Going Shopping’
Methodology
www.intentionalgestures.weebly.com
Website
Bybee, J. (2003). Sequentiality as the basis of constituent structure. In T. Givon & B.F. Malle (Eds.), The
evolution of language out of pre-language. Benjamins, Amsterdam, pp. 109-132.
Ellis, N.C., Simpson-Vlach, R. & Maynard, C. (2008). Formulaic language in native and second language
speakers: Psycholinguistics, corpus linguistics, and TESOL. TESOL Quarterly, 42 (3), pp. 375-396.
Goldin-Meadow, S. & Wagner Alibali, M. (2013). Gesture’s role in speaking, learning and creating language.
Annual Review of Psychology, 64. pp. 257-283.
Laufer, B. & Nation, I.S.P. (2013). Vocabulary .In S.M. Gass & A. Mackey (Eds.). Routledge Handbook of Second
Language Acquisition. Taylor & Francis, Florence, pp. 163 – 176.
Lewis, M. (1993). The lexical approach: The state of ELT and the way forward. Hove, England: Language
Teaching.
Lightbown, P.M. & Spada, N. (2013) (4th ed.). How languages are learned. Oxford University Press. Oxford, UK.
Riessman, C.K. (2004) Narrative Analysis in M.S. Lewis-Beck, A. Bryman and T. Futing Liao (Eds.). The Sage
Encyclopedia of Social Science Research Methods. Sage, DOI: http://dx.doi.org/10.4135/9781412950589.
Tellier, M. (2008). The effects of gestures on second language memorisation by young children. Gesture 8:2
pp. 219 – 235.
Thornbury, S (2013). G is for gesture. Online resource.
https://scottthornbury.wordpress.com/2013/05/26/g-is-for-gesture/
References
Thanks for listening!

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Intentional gestures presentation

  • 2. Intentional, pre-planned gestures done concurrently with speech which:  help convey meaning  help support retention of common phrases and questions  support phrasal syntax  support prosodic performance (rhythm, intonation, stress)  provide routine  can be used in whole class teaching and one-on-one situations to support recasting and rephrasing  are fun What are intentional gestures?
  • 3. new Total Physical Response (TPR) a comprehensive system to teach everything the audio-lingual method What they are not
  • 4. “Gestures provide building blocks that can be used to construct a language” (Goldin-Meadow, S & Wagner Alibali, M., 2013, p. 257).  emblemic, iconic or pantomimic Multimodality - audio, visual and motor  stronger impact than pictures (see Marion Tellier, 2008)  reduces the cognitive load Gestures
  • 5. sequence and consequence (Riessman, 2004) The sequence assists learners to recall the next language by providing a structure. e.g. A student’s day. The consequences of the story are: humour imagination links to own experiences Story
  • 6. Lexical Approach (Lewis, 1993)  aids instantaneous production  decreases cognitive load “Fluent speakers do not create new sentences by choosing one word at a time, but rather by using strings of words that typically occur together.” (Lightbown & Spada, 2013, p. 109) For L2 learners, frequency of input determines fluency. (Ellis, Simpson-Vlach & Maynard, 2008) Chunking ‘Multi-word units’, ‘formulaic sequences’, 'standardised phrases', 'lexical phrases’ “Items that are used together, fuse together.” (Bybee, 2003)
  • 7. 1. Do over half the phrases on first day (front-loading). 2. Repeat it every lesson and introduce a new phrase. 3. Conduct: gradually just do the gestures and don't say anything. 4. Students do it in pairs. 5. Get a student to lead it. 6. Add modals and sentence starters to the phrases: e.g. I can - ; May I - ; I want to - ; I have to -; I want to ___ but I have to ____ 7. Encourage them to use the phrases in role plays. 8. Introduce a new IG. For example, ‘Trip to Mars’, ‘Going Shopping’ Methodology
  • 9. Bybee, J. (2003). Sequentiality as the basis of constituent structure. In T. Givon & B.F. Malle (Eds.), The evolution of language out of pre-language. Benjamins, Amsterdam, pp. 109-132. Ellis, N.C., Simpson-Vlach, R. & Maynard, C. (2008). Formulaic language in native and second language speakers: Psycholinguistics, corpus linguistics, and TESOL. TESOL Quarterly, 42 (3), pp. 375-396. Goldin-Meadow, S. & Wagner Alibali, M. (2013). Gesture’s role in speaking, learning and creating language. Annual Review of Psychology, 64. pp. 257-283. Laufer, B. & Nation, I.S.P. (2013). Vocabulary .In S.M. Gass & A. Mackey (Eds.). Routledge Handbook of Second Language Acquisition. Taylor & Francis, Florence, pp. 163 – 176. Lewis, M. (1993). The lexical approach: The state of ELT and the way forward. Hove, England: Language Teaching. Lightbown, P.M. & Spada, N. (2013) (4th ed.). How languages are learned. Oxford University Press. Oxford, UK. Riessman, C.K. (2004) Narrative Analysis in M.S. Lewis-Beck, A. Bryman and T. Futing Liao (Eds.). The Sage Encyclopedia of Social Science Research Methods. Sage, DOI: http://dx.doi.org/10.4135/9781412950589. Tellier, M. (2008). The effects of gestures on second language memorisation by young children. Gesture 8:2 pp. 219 – 235. Thornbury, S (2013). G is for gesture. Online resource. https://scottthornbury.wordpress.com/2013/05/26/g-is-for-gesture/ References

Notas do Editor

  1. Gestures are not new, nor is their use in everyday communication or education. What differentiates Intentional Gestures is that they are a planned and systematic way to teach short language phrases using concurrent gestures to support their meaning, encoding and retention. They can be used in whole class teaching, and in one-on-one situations to support recasting, rephrasing and correcting of students' speech attempts. Intentional Gestures (IGs) are not Total Physical Response (TPR), a popular and effective way to convey meaning and promote comprehension through 'listen and do' activities . In TPR, the actions are a response to the spoken commands of the teacher or other students. In IGs, the gestures are enacted concurrently with the spoken language, which is then mimicked by your students in order to provide a physical mode, in addition to the aural mode, in which to retain and recall the target language in the students' heads.   IGs are not intended to be overused nor to provide a comprehensive system to teach everything.  I think there is a point at which all those gestures will get muddled and would then need to be systemically taught, to the point it may feel like you are teaching a sign language in addition to the target language.  I don't know when that point is, but I think it is reasonable to leave it up to your professional judgement on how many gestures are too many. Instead, I intend IGs to be an additional tool in your teacher toolkit, which you can use to provide further variety and interest for your students in addition to your current teaching practices.  
  2. Gesture is non-verbal but that doesn’t mean it is non-linguistic. In fact, speech and gesture are inextricably linked, forming an integrated (or ‘coupled’) system. As McNeill (2012: 31) puts it, ‘gestures and synchronous speech are … co-expressive but not redundant: they express the same idea each in its own way – often each its own aspects of it’. Thus, gesture is not just an ‘add-on’, a way of ornamenting speech. Gesture and speech originate together, and are precisely synchronized. They may also help link language and cognition by activating mirror neurons: seeing you gesture makes me feel as if I’m gesturing, and hence I’m connected to the thinking that motivated the gesture (Thornbury, 2013).
  3. From a teacher's point of view, the learn-a-language-by-learning-its-rules strategy rests on the belief that rule learning makes language learning more efficient. The idea is: Learn a few score rules; learn a few thousand words; and presto!... You have mastered the language in the easiest way possible." But research in recent decades suggests that knowledge of rules is of help almost exclusively when... learners have time to prepare their thoughts before they communicate (e.g., before they make a presentation) or when they have time to self-monitor (e.g., when writing an essay at home). In contrast, when they engage in more spontaneous language production, language learners seldom seem to resort to their explicit knowledge of formal grammar. The reason for this is that it is extremely hard to focus on meaning and grammatical form at the same time. So, in real-time language production, learners' attention to formal accuracy tends to be sacrificed to their immediate need to convey meaning. So how is it that native-speakers can, in general, speak both fluently and accurately? The answer appears to be that spontaneous language production relies heavily on an ability to string together prefabricated, memorised multi-word expressions-that is, whole phrases which are stored in memory, and retrieved from it, as unbroken-up chunks. If people-even native-speakers-are in situations where they have little time to prepare their thoughts and if they try to speak completely originally with no use of memorised stock phrases, their fluency diminishes. Again, this is because the process of word by word mental assembly of wholly original grammatical discourse takes up too much of a person's limited capacity to concentrate simultaneously on speaking grammatically and on making sense. Interestingly, a large memorised repertoire of multi-word expressions also facilitates planned language production (e.g., making a presentation and writing an essay). Learners of English as a second or foreign language, almost by definition, are unlikely to have had the same massive exposure to English phraseology that native-speakers experience from babyhood on. Nevertheless, increasing numbers of researchers and teachers are coming to believe that the route to fluency we have just been discussing-committing multi-word expressions to memory-is very likely to be open also to learners in ESL and EFL settings. New language ten times at least.
  4. 1. Do over half the phrases on the first day.Teachers (and parents) will be surprised by how much English the students can produce on their first day! I call this front-loading. This is the concept of teaching a lot from the beginning, and repeating it many times so that the chances for the students' retention can be increased. This approach conflicts with many textbooks which typically teach a chunk, then another chunk with little or no repetition.  2. Repeat it every lesson. Surprisingly, the students don't get bored, as long as you are also introducing some new phrases each time and making it fun.  3.  Gradually just do the gestures and don't say anything. Be like a conductor of your class, so that while doing the gestures your students will say the associated phrases, and voila! You have evidence that the target phrases have been internalized. 4. Once proficient, get a student to lead it. 5. Get the students do it in pairs, with one student gesturing and the other saying the target phrases. Then they swap roles.   6. Add modals and sentence starters to the phrases: e.g. I can - ; May I - ; I want to - ; I have to -;         I want to ___ but I have to ____ ; Do you want to -         etc...