2. a unit in four sections
NATIONALISM
REVOLUTION
IN THE ARTS
INDUSTRIALIZATION IMPERIALISM
3. French Revolution and Napoleon spread
the ideas of liberalism
and nationalism across Europe.
Liberalism is founded on ideas of liberty and equality.
Nationalism is the
feeling of being loyal
to your own country.
a desire by people who
share the same culture,
history, language to form
a separate and
independent nation
#2
4. Nationalism: loyalty to nation of
people with common culture, history
Conservative
landowners,
nobles: want
traditional
monarchies
No
Liberal
wealthy merchants,
business owners:
want limited
democracy
Yes
Radical
believe in liberty,
equality
want everyone to
have a vote
Yes!
#1
6. Different: Revolutionaries can use various methods.
Similar: Ideas can inspire revolutions.
Similar: Oppressive conditions create a desire for change.
7.
8.
9.
10. Enlightenment ideas inspire
Latin American revolutionaries
Haiti is first Latin American
territory to gain freedom,
slave revolt (1791)
15 other nations follow
#4
11.
12. Napoleon invades
Portugal; royal family
moves to Brazil
(1807)
Congress of Vienna:
Portuguese court
returns to Portugal
after Napoleon’s
defeat
Portuguese prince
stays behind in Brazil
accepts Brazilians’
request to rule own
country
officially declares
Brazil’s
independence
(September 1822)
By 1830, nearly all
Latin American
regions win
independence
Why hide in Brazil?
17. Louis-Napoleon — Napoleon’s nephew — elected president, later
takes the title of emperor, promotes industrialization
France Accepts a Strong Ruler
new constitution calls for elected president and parliament
1848: Paris mob overthrows new monarchy, sets up republic
23. In 1815 the Congress of
Vienna established five
powers in Europe: Austria,
Prussia, Britain, France,
and Russia
By 1871, Britain and Prussia
(now Germany) have gained
much power: Austria and
Russia are weaker militarily
and economically
Editor's Notes
The painting's content, presentation, and emotional force secure its status as a groundbreaking, archetypal image of the horrors of war. Although it draws on many sources from both high and popular art, The Third of May 1808 marks a clear break from convention. Diverging from the traditions of Christian art and traditional depictions of war, it has no distinct precedent, and is acknowledged as one of the first paintings of the modern era.[4]According to the art historian Kenneth Clark, The Third of May 1808 is "the first great picture which can be called revolutionary in every sense of the word, in style, in subject, and in intention".[5]
