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Understanding the rules
What is copyright?
       It is a legal concept, enacted by most
governments, giving the creator exclusive rights to it.
       Generally, it is “ the right to copy”, but also
gives the copyright holder the right to be credited for
the work, to determine who may adapt the work to
other forms, who may perform the work, who may
financially benefit from it, and other related rights.
This is your right as a copyright owner

       The Copyright Act gives
 all authors a set of rights that
 only they may exercise.
 These include the right to
 make copies, to prepare
 derivative works, to publicly
 distribute, display and perform
 the work, and in the case of
 digital sound recordings, to
 perform the works over a
 digital network.
What you need to know about
copyright protection…

     Many people assume that everything posted
 on the Internet is public domain, probably
 because our law used to protect published works
 only if they displayed the proper copyright
 notice upon publication. The law, however, has
 changed: neither publication nor a notice of any
 kind is required to protect works today.
The facts
       Simply putting the pen to the paper or in the
electronic medium, putting the fingers to the save
key creates a copyrighted work. Once expression is
committed to a tangible medium (and computer
media is considered tangible), copyright protection is
automatic. So, postings of all kinds are protected the
same as published printed works.
Implied and express licenses to use
Internet materials
       You can easily give your works an express
 license by attaching a Creative Commons license to
 the materials you post on your Website, or upload
 to other sites.
 It's easy and it sends the message that you want
 your materials to be part of the flow of creativity.
License design and rationale
  using Creative Commons
All Creative Commons licenses have many important
features in common. Every license helps creators — we
call them licensors if they use these tools — retain
copyright while allowing others to copy, distribute, and
make some uses of their work — at least non-
commercially. Every Creative Commons license also
ensures licensors get the credit for their work they
deserve.
Creative Commons licenses
       Every Creative Commons license works around
the world and lasts as long as applicable copyright lasts
(because they are built on copyright).
       These common features serve as the baseline, on
top of which licensors can choose to grant additional
permissions when deciding how they want their work to
be used.
Liability for posting infringing works

 The proliferation of RIAA lawsuits against individuals for
 peer-to-peer file-sharing make clear that individuals can be
 liable for their own actions when they copy and distribute
 others' copyrighted works without permission.
Fair use and its role?
      Fair use is the right, in some circumstances, to quote
copyrighted material without asking permission or paying
for it. Fair use enables the creation of new culture, and
keeps current copyright holders from being private
censors. With the Washington College of Law, the Center
for Social Media creates tools for creators, teachers, and
researchers to better use their fair use rights.
Fair use role…
        Fair use plays a critical role in the analog
 world where duplicating technology is cumbersome
 and authors make money by controlling copies. It
 balances authors' rights to reasonable compensation
 with the public's rights to the ideas contained in
 copyrighted works.
Getting permission
 Assuming the work you wish to use is protected, the
 work has not been licensed for your use online, and
 your use is not a fair use or otherwise exempt from
 liability for infringement, you need permission.

 Check the Copyright Clearance Center("CCC") first.
 If the work you want to use is registered with the
 CCC, you can get permission instantly for most
 materials. If your institution subscribes to the
 academic license and your work is covered, you don't
 have to do anything -- your use is covered.
Mass Digitization of Library
Collections is revealing a treasure trove of heretofor
obscured works, works in the public domain that can be
shared broadly with the public, and orphan works, those
still protected, but whose copyright owners are
unknown, unable to be located, or unresponsive.
What you need to know about
orphan works and public domain
       Orphan Works are those
 books, records, images, compositions, manuscripts, mov
 ies, screenplays, painting and drawings, in short, any
 work protected by copyright whose owner cannot be
 determined or located or who does not respond when
 contacted.
The public Domain
         Public Domain is considered if a work is published
without proper notice (name of publisher and date) during certain
time frames (1923-1989), it becomes part of the public domain. If
it is not published, or if it is published after 1989 without
indication of the author is, its protection is automatic and lasts for
the life of the author plus 70 years in the U.S. (and longer in some
countries).
Conclusion
     When you use others’ creative
 expressions, set time aside to understand
 copyrights and licenses rules that are linked to
 their original creation.
End notes
The Copyright Crash Course © 2001, 2007 Georgia K. Harper

Copyright definition – http://en.wikipedia.org/wiki/copyright
Http://www.creativecommons.com
Http://fsymbols.com/computer/copyright
Http://www.clker.com/clipart-24923.html
Http://www.fotosearch.com/ilustration/knowledge.html
Http://pictogram-free.com/47emotion/201-emotion.html
Http://www. Webdesign-guru.co.uk/icon/web-browser-clipart/
Http://www.webdesign.lovetoknow/freeanimated_clipart
Alfredo Alvarado ppt_EDTC6340 by Alfredo Alvarado is licensed
under a Creative Commons Attribution 3.0 Unported License.

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Alfredo alvarado ppt edtc6340 modified_w3

  • 2. What is copyright? It is a legal concept, enacted by most governments, giving the creator exclusive rights to it. Generally, it is “ the right to copy”, but also gives the copyright holder the right to be credited for the work, to determine who may adapt the work to other forms, who may perform the work, who may financially benefit from it, and other related rights.
  • 3. This is your right as a copyright owner The Copyright Act gives all authors a set of rights that only they may exercise. These include the right to make copies, to prepare derivative works, to publicly distribute, display and perform the work, and in the case of digital sound recordings, to perform the works over a digital network.
  • 4. What you need to know about copyright protection… Many people assume that everything posted on the Internet is public domain, probably because our law used to protect published works only if they displayed the proper copyright notice upon publication. The law, however, has changed: neither publication nor a notice of any kind is required to protect works today.
  • 5. The facts Simply putting the pen to the paper or in the electronic medium, putting the fingers to the save key creates a copyrighted work. Once expression is committed to a tangible medium (and computer media is considered tangible), copyright protection is automatic. So, postings of all kinds are protected the same as published printed works.
  • 6. Implied and express licenses to use Internet materials You can easily give your works an express license by attaching a Creative Commons license to the materials you post on your Website, or upload to other sites. It's easy and it sends the message that you want your materials to be part of the flow of creativity.
  • 7. License design and rationale using Creative Commons All Creative Commons licenses have many important features in common. Every license helps creators — we call them licensors if they use these tools — retain copyright while allowing others to copy, distribute, and make some uses of their work — at least non- commercially. Every Creative Commons license also ensures licensors get the credit for their work they deserve.
  • 8. Creative Commons licenses Every Creative Commons license works around the world and lasts as long as applicable copyright lasts (because they are built on copyright). These common features serve as the baseline, on top of which licensors can choose to grant additional permissions when deciding how they want their work to be used.
  • 9. Liability for posting infringing works The proliferation of RIAA lawsuits against individuals for peer-to-peer file-sharing make clear that individuals can be liable for their own actions when they copy and distribute others' copyrighted works without permission.
  • 10. Fair use and its role? Fair use is the right, in some circumstances, to quote copyrighted material without asking permission or paying for it. Fair use enables the creation of new culture, and keeps current copyright holders from being private censors. With the Washington College of Law, the Center for Social Media creates tools for creators, teachers, and researchers to better use their fair use rights.
  • 11. Fair use role… Fair use plays a critical role in the analog world where duplicating technology is cumbersome and authors make money by controlling copies. It balances authors' rights to reasonable compensation with the public's rights to the ideas contained in copyrighted works.
  • 12. Getting permission Assuming the work you wish to use is protected, the work has not been licensed for your use online, and your use is not a fair use or otherwise exempt from liability for infringement, you need permission. Check the Copyright Clearance Center("CCC") first. If the work you want to use is registered with the CCC, you can get permission instantly for most materials. If your institution subscribes to the academic license and your work is covered, you don't have to do anything -- your use is covered.
  • 13. Mass Digitization of Library Collections is revealing a treasure trove of heretofor obscured works, works in the public domain that can be shared broadly with the public, and orphan works, those still protected, but whose copyright owners are unknown, unable to be located, or unresponsive.
  • 14. What you need to know about orphan works and public domain Orphan Works are those books, records, images, compositions, manuscripts, mov ies, screenplays, painting and drawings, in short, any work protected by copyright whose owner cannot be determined or located or who does not respond when contacted.
  • 15. The public Domain Public Domain is considered if a work is published without proper notice (name of publisher and date) during certain time frames (1923-1989), it becomes part of the public domain. If it is not published, or if it is published after 1989 without indication of the author is, its protection is automatic and lasts for the life of the author plus 70 years in the U.S. (and longer in some countries).
  • 16. Conclusion When you use others’ creative expressions, set time aside to understand copyrights and licenses rules that are linked to their original creation.
  • 17. End notes The Copyright Crash Course © 2001, 2007 Georgia K. Harper Copyright definition – http://en.wikipedia.org/wiki/copyright Http://www.creativecommons.com Http://fsymbols.com/computer/copyright Http://www.clker.com/clipart-24923.html Http://www.fotosearch.com/ilustration/knowledge.html Http://pictogram-free.com/47emotion/201-emotion.html Http://www. Webdesign-guru.co.uk/icon/web-browser-clipart/ Http://www.webdesign.lovetoknow/freeanimated_clipart
  • 18. Alfredo Alvarado ppt_EDTC6340 by Alfredo Alvarado is licensed under a Creative Commons Attribution 3.0 Unported License.

Notas do Editor

  1. Whenever an author posts anything on the Internet, he or she should reasonably expect that it will be read, downloaded, printed out, forwarded, and even used as the basis for other works to some degree. So, just by posting, an author impliedly grants a limited license to use her work in this manner.
  2. A Creative Commons licensor answers a few simple questions on the path to choosing a license — first, do I want to allow commercial use or not, and then second, do I want to allow derivative works or not? If a licensor decides to allow derivative works, she may also choose to require that anyone who uses the work — we call them licensees — to make that new work available under the same license terms. We call this idea “ShareAlike” and it is one of the mechanisms that (if chosen) helps the digital commons grow over time. ShareAlike is inspired by the GNU General Public License, used by many free and open source software projects.
  3. The Recording Industry Association of America (RIAA)
  4. Copyright Clearance Center - http://www.copyright.com/