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●   Mise en Scene – a bone yard – we have had a glimpse of this
    before the characters saw it, it's there as Juno climbs up the
    rock face just before this but no attention is drawn to it. Now
    they are looking at it through the infrared setting on the
    camera (a clever cinematography device to let us see in the
    dark).
●   Narrative connotations – another big turning point just
    coming up – something must have made this...
●   Cinematography – slow zoom in on Juno shows us that she is
    the one being looked to for leadership, she is in charge. This is
    the first time her leadership is lacking, she says she doesn't
    know which way to go.
●   Alternatively, the slow shot on her reminds the audience that
    she is responsible for this and she knows it – she has led them
    here (although she had no idea what they were going to find) –
    it ties back in with the shot of her as she puts away the guide
    book before they entered the caves.
●   Mise en scene working with cinematography – the sudden
    appearance of the crawler in the back of the shot after a moving
    camera sequence as the women start to panic and the camera darts
    around.
●   Narrative – this is the big turning point in the film, from 'We're lost
    and we're in trouble' to 'These things are out to get us and we're in
    trouble (and we're lost)'
●   Genre – this is the big turning point to monster horror – there have
    been clear elements of supernatural horror before (Sarah's dreams)
    and action/adventure horror, but it's monster horror that will drive
    the second half of the film

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The bone yard

  • 1. Mise en Scene – a bone yard – we have had a glimpse of this before the characters saw it, it's there as Juno climbs up the rock face just before this but no attention is drawn to it. Now they are looking at it through the infrared setting on the camera (a clever cinematography device to let us see in the dark). ● Narrative connotations – another big turning point just coming up – something must have made this...
  • 2. Cinematography – slow zoom in on Juno shows us that she is the one being looked to for leadership, she is in charge. This is the first time her leadership is lacking, she says she doesn't know which way to go. ● Alternatively, the slow shot on her reminds the audience that she is responsible for this and she knows it – she has led them here (although she had no idea what they were going to find) – it ties back in with the shot of her as she puts away the guide book before they entered the caves.
  • 3. Mise en scene working with cinematography – the sudden appearance of the crawler in the back of the shot after a moving camera sequence as the women start to panic and the camera darts around. ● Narrative – this is the big turning point in the film, from 'We're lost and we're in trouble' to 'These things are out to get us and we're in trouble (and we're lost)' ● Genre – this is the big turning point to monster horror – there have been clear elements of supernatural horror before (Sarah's dreams) and action/adventure horror, but it's monster horror that will drive the second half of the film