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Film Posters
Meaning & Representation
Poster Conventions
• A poster campaign must project a coherent idea
of the film across all posters – the film becomes a
brand with a clear identity e.g. ‘house style’
• Formats – Teaser, Release, (outdoor landscape/
billboard or portrait/ bus shelter, Post-release
(press quotes & awards or nominations) &
character posters.
• Imagery – Must highlight key focus of story &
characters. Use iconography to convey genre &
emotional tone. Sum up story in a picture using
key signifiers (including intertextuality).
Teaser Posters
• Usually no ‘billing block’ – why?
• Often no title – simply potent icon or image
used (branding).
• Simple, crisp, & over arching message – often
a mystery, hook or tease (enigma) to draw
audience interest (‘raising product awareness’
in advertising speak)
• Date of release to create ‘buzz’ over
imminence of general release.
Conventions?
Release Poster
• Main campaign ingredients and iconography
used for all poster and marketing materials.
• This house style creates a ‘branded’ concept
that identifies the film as a ‘unique good’ in a
crowded market place. Billing block present.
• Use of a logo or other icon is often vital for
large scale Hollywood films, crucial for synergy
& merchandising. Use of tagline common for
audience recognition & recall.
Post Release – Pull Quotes Poster
• A variant of the main campaign concept but
with a positive line or quotes pulled from a
press review just after/around general release.
• Pull quotes provide a ‘mark of quality’ stamp
–used to attract & reinforce target audience.
• Appropriate quotes must connect with target
audience especially press/magazine/TV refs
• Quotes may reinforce particular genre
elements – comedy, drama or horror.
House style?
Character Thumbnail Posters
• Separate posters, usually portrait format on
different characters from the film.
• Designed to appeal to different audience
segments (male, female, young, old, etc).
• Used ‘outdoor’ at bus shelters or in magazines
to maintain the presence of the film and
saturate audience awareness.
•Typography
•Iconography
•Colour

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MS1 film poster conventions

  • 1. Film Posters Meaning & Representation
  • 2. Poster Conventions • A poster campaign must project a coherent idea of the film across all posters – the film becomes a brand with a clear identity e.g. ‘house style’ • Formats – Teaser, Release, (outdoor landscape/ billboard or portrait/ bus shelter, Post-release (press quotes & awards or nominations) & character posters. • Imagery – Must highlight key focus of story & characters. Use iconography to convey genre & emotional tone. Sum up story in a picture using key signifiers (including intertextuality).
  • 3. Teaser Posters • Usually no ‘billing block’ – why? • Often no title – simply potent icon or image used (branding). • Simple, crisp, & over arching message – often a mystery, hook or tease (enigma) to draw audience interest (‘raising product awareness’ in advertising speak) • Date of release to create ‘buzz’ over imminence of general release.
  • 5. Release Poster • Main campaign ingredients and iconography used for all poster and marketing materials. • This house style creates a ‘branded’ concept that identifies the film as a ‘unique good’ in a crowded market place. Billing block present. • Use of a logo or other icon is often vital for large scale Hollywood films, crucial for synergy & merchandising. Use of tagline common for audience recognition & recall.
  • 6.
  • 7. Post Release – Pull Quotes Poster • A variant of the main campaign concept but with a positive line or quotes pulled from a press review just after/around general release. • Pull quotes provide a ‘mark of quality’ stamp –used to attract & reinforce target audience. • Appropriate quotes must connect with target audience especially press/magazine/TV refs • Quotes may reinforce particular genre elements – comedy, drama or horror.
  • 9. Character Thumbnail Posters • Separate posters, usually portrait format on different characters from the film. • Designed to appeal to different audience segments (male, female, young, old, etc). • Used ‘outdoor’ at bus shelters or in magazines to maintain the presence of the film and saturate audience awareness.