1010 f11 10-17

1. WCT Dance Medieval, Renaissance, Baroque

2. Music for Dancing

3. Which is probably not a characteristic of dance music? • 1) complex melodies • 2) clear, steady beat • 3) lots of repetition

4. Medieval dance music • Carole-- “Circle Dance” • Estampie • several repeated sections • clear meter • very steady beat

9. Cantigas de Santa Maria

12. Alfonso el Sabio, “He Who Gladly Serves” • Cantigas • Repetition and Contrast • Three textures

13. Introduction drums Section A monophony Shawms 1 & 2 unison Section B monophony Section A monophony Section A homophony Shawm 1: melody, Shawm 2: drone Section B heterophony Shawm 1: melody, Shawm 2: Section A heterophony embellished melody Section A homphony Shawm 1: melody, Shawm 2: drone Section A mono/hetero various

16. In “He Who Gladly Serves,” we hear _____. • 1) percussion instruments • 2) string instruments • 3) wind instruments • 4) wind and Percussion Instruments

17. Renaissance Dance Music

19. In the 1500s: • many new instruments developed or perfected • dance music more and more popular • social status

20. Popular Renaissance Dances

21. Popular Renaissance Dances • pavan • solemn dance, slow duple meter, formal stepping and stopping

22. Popular Renaissance Dances • pavan • solemn dance, slow duple meter, formal stepping and stopping • galliard • lively dance, fast triple meter, kicking and leaping steps

23. Popular Renaissance Dances • pavan • solemn dance, slow duple meter, formal stepping and stopping • galliard • lively dance, fast triple meter, kicking and leaping steps • jig • very fast dance in compound meter

24. • characteristic rhythm to support steps • simple textures & tunes • frequent repetition

25. Galliard, “Daphne” • clear beat, triple meter feel • simple homophonic texture • aabbcc

28. “Kemp’s Jig” • fast duple meter • aab • increasing ornamentation

31. Which of these two dances is faster? • 1) Galliard • 2) Jig

32. Susato, “Moorish Dance” • entertainment for large gatherings • large ensemble •a a b b

35. Baroque Dance Suites

36. A “suite” is • a collection of short dances • dances contrast with one another • solo instrument or ensemble

37. Some examples (don’t write all of this down) Allemande 4/4 Moderate Upbeat 16th note, ﬂowing Courante 3/2 Moderate sometimes 6/4 measures Sarabande 3/4 Slow no upbeat, accent on beat 2 Minuet 3/4 Moderate plain Gavotte 4/4 Moderate upbeat 2 quarter notes Bourée 2/2 Fast Short upbeat Siciliana 12/8 Moderate uneven rhythms, gently moving Gigue 6/8 Fast Short Upbeat, uneven rhythms, lively

39. • most are binary (a a b b)

40. • most are binary (a a b b) • Minuet & Trio / Gavotte & Trio

41. • most are binary (a a b b) • Minuet & Trio / Gavotte & Trio • a a b b c c d d ab

44. Bach’s Fifth French Suite • Allemande • Courante • Sarabande • Gavotte • Bourée • Loure • Gigue

45. Are Baroque suites solo or ensemble music? • 1) Solo • 2) Ensemble • 3) Both/either • 4) Neither

46. Handel, Water Music (1717) • King George I river party • stylized dance music • suite

47. Rigaudon

48. Rigaudon A A B B

51. Hornpipe

52. Hornpipe A A B B

53. Hornpipe A A B B (Strings) A A B B (Winds) (Strings A A B B & Winds)

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