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Reality shows final
- 3. Missing Video: India’s first reality show (Voice Recording of Award ceremony graced by Lata Mangeshkar)
- 4. Missing Video: India’s first reality show (Video of Meri Awaz Suno prize ceremony)
- 5. What are reality shows? “Unabashedly commercial genre united less by aesthetic rules or certainties than by the fusion of popular entertainment with a self-conscious claim to the discourse of the real. This coupling . . . Is what has made reality TV an important generic forum for a range of institutional and cultural developments (Murray & Ouellette, 2004, pp 22).
- 20. Missing Video: Slideshow of India’s reality show names with Viva (first reality TV music band of girls) album’s first song recording playing in background.
- 22. Producers • • • • Cost Revenue TRP ratings of channels Dishing out what customers want Missing Video: Reality TV is a cash register – Money aspects
- 23. VIEWERS • As spectacle of humiliation and grief? – Jade Goody • Insights into human psychology? Hear out Dr. John Paterson, Dean of Education • Emotions?
- 24. issues
- 25. Non - Reality Missing Video: Writers and editors of famous reality shows reveal the truth behind the so-called “unscripted shows”
- 26. So What is it really? • Debra Seagal’s notes on American Detective • John Langley, executive producer COPS calls it "recutting or refinessing“ • Dr. William Beard, University of Alberta professor of film and media studies • The Dating Experiment – Adam Sandler • Jeff Bartsch – Editor – Blind Date BUT VIEWERS AREN’T FOOLS
- 27. INSTANT CELEBRITY Missing Video: Above is Ashutosh’s (First Roadies winner) application for the show. He reveals in this video what happens behind the scenes
- 28. RACISM Missing Video: Jade Goody abusing Shilpa Shetty
- 30. Missing Video: Shorts of MTV Indian Reality Show – Get Gorgeous 5
- 31. Missing Video: Big Boss scripted fighting by Rahul Mahajan
- 32. IMPACT Cultural indicators and Cultivation – Ettema and Whitney 1994 Mean World Syndrome – Gerbner (1994) Cultivation Analysis – Signorielli and Morgan 1990
- 33. Impact cont.. The more people watch television, and hence are exposed to these distortions of reality, the more they will come to view the real world as similar to the world portrayed on television and thus perceive a greater real- world incidence of the overrepresented entities
- 34. So what do we do? • Producers censor their own content • Promote better breed of reality shows – But will these sell? (Fountainhead) Missing Video: CNN – IBN news caster talks about audience preferences: TRP ratings for a show where female stripper attempts to become a news anchor are higher than Lead India
- 35. Reality TV – Why or Why Not? • Escape reality or manifest destiny • Orwell Vs Huxley
Notas do Editor
- Nineteen Eighty-Four (1949), a book by George Orwell, depicted a world in which two-way television screens are fitted in every room, so that people's actions are monitored at all times. (The all-seeing authority figure in the book, "Big Brother", inspired the name of the pioneering reality series Big Brother.) Survivor (1965), a science fiction story by , depicted the 2050 "Olympic War Games" between Russia and the United States. The games are fought to show the world the futility of war and thus deter further conflict. Each side has one hundred soldiers who fight with rifles, mortars, and machine guns in a large natural arena. The goal is for one side to wipe out the other; the few who survive the battle become heroes. The games are televised, complete with color commentary discussing tactics, soldiers' personal backgrounds, and slow-motion replays of their deaths.
- 1947 – Candid Microphone 1948 – Allen Funt’s Candid Camera Talent shows Started 1948 Miss America 1954 Game Shows – 1950s – beat the clock Truth or consequences 1954 – 55 – Nightwatch (Cali Cops) 50 – 59 – You asked for it (Voting)
- 1964- 7 Up! – 1st time common citizens became celebrities 1966 – Andy Wharol (Chelsea Girls) Radio times guide 2007 (to blame) 1973 – An American Family - the Louds Marital break up – Bill & Pat Lance – gay – 300 hours of footage 12 hrs shown – misrepresentation 1970s – dating shows - The Dating Game, The Newlywed Game As the Loud family disintegrated, an amazing ten million Americana watched on with sick pleasure. Although three hundred hours of footage were shot of the family, only twelve were used for the show and the Louds later complained that the chosen footage and editing of the show gave a misrepresentation of their lives. However, the show’s drama spoke volumes and America listened with an eager ear. Years later MTV’s The Real World would become the darling of reality television and the inspiration for the average American’s fifteen minutes of fame, which continues to fuel the fire of volunteer based reality programming today
- Direct link to COPS – 1989 Nummer 28, which aired on Dutch television in 1991, originated the concept of putting strangers together in the same environment for an extended period of time and recording the drama that ensued. Nummer 28 also pioneered many of the stylistic conventions that have since become standard in reality television shows, including a heavy use of soundtrack music and the interspersing of events on screen with after-the-fact "confessionals" recorded by cast members, that serve as narration 1992 – Real World – MTV (said they were influenced by An American Family not Nummer 28) – non linear editing systems helped 1997 – swedish – expedition robinson – elimination show intro
- Explosion – survivor – american idol Survivor, fear factor, dancing with stars Syndicated across globe India too In US channels devoted Fox reality Zone Reality DVD reissue and syndication concerns dispelled Now prizes for shows too
- CELEBREALITY
- PRANK REALITY
- GAME SHOWS
- TALENT HUNTS
- ADVENTURE OR FEAR BASED SHOWS
- JOB HUNTS MAKEOVERS DATING SHOWS SOCIAL EXPERIMENTS
- Indian reality tv
- Producers Viwers
- Reality shows cost an average of $400,000 per hour to produce versus $2 million for a dramatic series”(Hibberd, 2002) The answer lies in the fact that these shows are money spinning mechanisms that generate a lot of revenue for the channel. To start with, the basic format of the show requires one to vote for his or her favourite candidate. The voting can be cast through a text message or SMS or through a phone call which usually is a special number. These smsfs and phone calls cost much more than their ordinary counterparts. Television channels have a tie-up with the telephone companies in this regard and this generates a lot of money. Hence the more the votes, more is the money that comes in. In addition advertisers also prefer to air their advertisements during the popular shows and this again translates to income for the channel. So high votes and ratings mean more advertisers and more money. However, as much as society reflects the values set forth every night on the television screen, one cannot forget that it is this same society that determines what the television will show. As much as the public complains about today’s television programming, networks simply retort (rightfully so) that they’re just giving viewers what they want. But people don't want natural; natural is what we want to get away from when we watch TV."
- According to psychologist Dr. John Paterson, associate dean of education, "there are no really great insights in human behaviour to be found on these showsŠIt's too highly manipulated and edited for that--it's just entertainment that strikes a chord with audiences because you have real people, not actors."
- Producers Viwers
- Deeming reality-based police programming a "sordid enterprise" (Seagal 1993:53), she details the reduction and augmentation of numerous hours of police film footage that are screened, sliced, and squeezed into the shows. These same processes as "recutting or refinessing" to develop integrated shows that provide "an action piece (which hooks the audience), a lyrical piece (which develops more emotion), and a think piece (which provokes thought on the part of the audience)" (Langley 2001).
- JADE GOODY SHILPA SHETTY ASHUTOSH KUMAR Instant celebrity (ashu form) – non-ebrities
- Casting & Stereotypes There is now a growing concern about how reality television shows can help perpetuate racial stereotypes. In many shows a similar black female character has been featured - all different women, but very similar character traits. It's gone so far that Africana.com has trademarked the expression The Evil Black Woman to describe this sort of individual: brazen, aggressive, pointing fingers, and always lecturing others on how to behave HURRICANE
- Producers Viwers
- CNBC TV 18’s new reality show — the Philips Simplicity Challenge — is all about the search for a potential entrepreneur with a simple business idea. ESPN Star Sports has a reality show called Dream Job which is a hunt for a Generation Next sports presenter for its new channel STAR Cricket
- There was a time when you watched TV to escape reality. No more. The current television season has been inundated with staged, "reality-based" offerings meant to recycle lived veracity back to our living rooms in various formats Manifest destiny of tv to be where u are not.. Aldous Huxley feared that in the future, nobody would want to read a book, that we will turn into passive and egoistic beings and that the truth will be forever drowned in a sea of irrelevance. Most importantly though, he feared that somewhere in the future, our oppressors will find a more cunning way to control us, than the way described in ‘Nineteen Eighty - Four.’ A way of turning us into captives of our own pleasure, unable to break free from the technologies that surround us. Besides, an Orwellian world is much easier to identify and to oppose than an enemy with a smiling face. Huxley’s ‘Brave New World’ , in relation to 1984, saw humankind coming to love their oppression and to adore the technologies that prevented their capacity to think. Taking place in London in the year 2540, Big Brother does not watch its citizens by his choice, they watch him by theirs. ‘ What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance.’ (Postman 1985: viii)