This is a short project introduction to DRs Cultural Heritage Project - given as part of a panel at the LARM Conference together with contributions from Zillah Watson & Bill Thomsen from the BBC and Marianne Lykke and Christian Jantzen from Aalborg University.

1. DANISH
BROADCASTING
CORPORATION
BY TOBIAS
GOLODNOFF
USE IS VALUE

2. IN 2007 DR
RECIEVES
75 MIO DDK
DEDICATED DIGITIZATION FUND FROM THE STATE

3. THE
CULTURAL HERITAGE
PROJECT

4. A NEW NEED

5. BROADCASTING
TRADITIONAL APPROACH

6. USE IS VALUE
APPROACH
FOR THE DIGITAL
CULTURAL HERITAGE

7. DIGITAL
ACCESS
CREATES
USE
ACCESSIBLE
USE = VALUE
DECREASING SCARCITY
NO ACCESS
DIGITISED

8. THE PROJECT
FOCUSES ON
2 TASKS

9. DIGITIZE AS MUCH OF DR’S
TV, RADIO & FILM CONTENT
AS CHEAP AND EFFICIENT
AS POSSIBLE
DIGITIZATION & PRESERVATION

10. CREATE ACCESS TO AS
MUCH AS POSSIBLE, FOR AS
MANY AS POSSIBLE
ACCESS & USE

11. DIGITIZATION

12. TRANSPERANT BOXES

13. INPUT

14. OUTPUT

15. INNOVATION

16. PRICE DEVELOPMENT
IN 2005
1 HOUR
50 €
IN 2008
1 HOUR
3€

17. PRICE DEVELOPMENT
IN 2011
1 HOUR
1000 €
IN 2013
1 HOUR
300 €

18. RESULT: 70-75% DIGITZED
RADIO BÅND, 86% SIKRET
TV - BÅND, 90 % SIKRET
TV - FILM, 100 % SIKRET

19. ACCEESS

20. JULIUS BOMHOLT, MINISTER OF EDUCATION, OPENING DR TELEVISION SERVICES IN
1954. TALKS ABOUT THE POTENTIAL OF ACCESS

22. FACTS
‣FOCUSED ON USER INTERACTION, PUBLIC VOTING ON
FAVORITE PROGRAMS
‣12 WEEKS, A WEEKLY CATEGORY, CHOICES WITH A SMALL
CLIP AND A DESCRIPTION
‣CONTENT WAS COMMENTED AND DISCUSSED
‣WINNING CONTENT PUBLISHED THE FOLLOWING WEEK

23. THE WEBSITE
‣COMPETITION SCORE
‣SEE ALL 100 SNIPPETS AND
VOTE
‣CINEMA MODE FOR
FULLSCREEN VIEWING

24. RESULTS
‣MORE THAN 100.000 DANES
VOTED
‣DURING THE FIRST YEAR
BONANZA HAD 200.000
MONTHLY USERS AND 1 MIO.
VIDEO STREAMS A MONTH

25. USERS
‣HOW OLD ARE THE
USERS?
BETWEEN 0-19
20-39 YEARS
40-59 YEARS
60+
SOURCE: SMALL USER SURVEY IN DR FROM 2010
12 %
11 %
33 %
44 %

26. USERS
‣WHY ARE THEY VISITING?
8 %
18 %
39 %
FOR EDUCATIONAL USE
LOOKING FOR A PARTICULAR PROGRAM/SNIPPET
AS ENTERTAINMENT
IT IS FUN WATCHING “OLD” STUFF I CAN REMEMBER
SOURCE: SMALL USER SURVEY IN DR FROM 2010
35 %

27. USERS
‣HOW OFTEN DO THE
USERS VISIT?
THIS IS MY FIRST TIME
LESS THAN EVERY 14TH DAY
MORE THAN ONCE EVERY 14TH DAY
EVERYDAY OR ALMOST EVERY DAY
SOURCE: SMALL USER SURVEY IN DR FROM 2010
8 %
35 %
23 %
34 %

28. NEW STRATEGY
USE
ACCESS
CONTENT
INVESTMENT
DISTRIBUTED
ON WORK AREA

29. NEW STRATEGY
USE
ACCESS
CONTENT
INVESTMENT
DISTRIBUTED
ON WORK AREA

30. CONTENT
COLLECTIONS

31. COLLABORATORS THE DANISH FILM INSTITUTE,
THE ROYAL LIBRARY OF DENMARK, THE
NATIONAL MUSEUM OF DENMARK, THE STATE
AND UNIVERSITY LIBRARY, THE STATE ARCHIVE,
THE DANISH AGENCY OF CULTURE, KUNSTEN,
SKAGENS MUSEUM, LIMFJORDSMUSEET,
VENDSYSSEL HISTORISKE MUSEUM OG ARKIV &
NORDJYLLANDS KYSTMUSEUM
OTHER COLLABORATORS THE IT UNIVERSITY OF
COPENHAGEN, THE LARM-PROJECT, COSOUND,
KULTURARV NORD OG HOPEFULLY MANY MORE
IN THE FUTURE...

32. ACCESS
PLATFORM

33. C_ULTURAL
H_ERITAGE
A_RCHIVE
O_PEN
S_YSTEM
www.chaos-community.org

34. • ARCHIVE MEDIA FOR ONLINE USE, AND
• CREATE AND EDIT MULTI-LANGUAGE, FLEXIBLE METADATA, WHILE
CHAOS
YOU
• RETAIN FULL CONTROL OF YOUR COLLECTION.
• MANAGE AND PROVIDE ACCESS TO YOUR MEDIA WITH POWERFUL
SEARCH(SOLR)
• SCREEN ONLINE ON MULTIPLE SITES, IN MULTIPLE FORMATS, ON
ANY DEVICE WITH AN INTERNET CONNECTION
• SHARE AND COLLABORATE ACROSS ARCHIVES (THROUGH APIs/
XML AND UPLOUD FUNCTIONS)
www.chaos-community.org

35. USE
PRODUCTS

36. LARM.FM - 750.000 HRS

37. DANSKKULTURARV.DK
FOCUS AREAS:
• SEARCH
• CURATE
• SHARE

38. A ”BETALAB” FOR ACCESS TO
DIGITAL “HERITAGE” CONTENT
-IN THE PERIOD: 2012-2014

39. HARVEST OR UPLOAD
DKA
INTERNET WWW
“Hos os.”
1
EKSTERNT
“Floden vi skal over”
“Hos samarbejdspartnere som DFI, DR.”
START HØST
All / ID
Automatisk / Manuelt
KLIENT
3
WEBSERVER
XML
Konfiguration
DATASET
FILTER
4
TRANSFORMATION
“Mapping”
5
SIMPEL HTTP
(Protokol)
KLIENT
DKA
Metadata
Stylesheet til
Transformation
SERVICE
ENDPOINT
1 Aktivering
Items
2 Konfiguration m. “mapping” returneres
3 Filtrering (på baggrund af XML konfiguration)
API
6
API
OAI-PMH
(Protokol)
XSL
2
Danskkulturarv.dk
4 Transformation (på baggrund af XSL Stylesheet)
5 Data indføres i CHAOS:_ (via API)
6 Data hentes fra CHAOS:_ (via API)
DATA PROCES/FLOW INTERNET

40. 110.000
OBJEKTER

41. IPHONE
APPS

42. TANGLEBLE SEARCH

43. STATS: LAUNCH2NOW

44. STATS...

45. COSOUND
FOCUS AREA:
• COMBINING USER
INTERACTION AND
“SUPER COMPUTING”

46. #HACK4DK
HACK4DK.TUMBLR.COM/

47. CONFERENCES

48. WORKSHOPS

49. INTERNATIONAL
COLLABORATION
www.euscreen.eu

50. INSIGHTS

51. “ONE SHARED PRODUCT STRATEGY” IS
NOT A WAY TO GO FOR LARGE CULTURAL
COLLABORATIONS.

52. A SHARED PLATFORM APPROCH CREATES
SYNERGIES WHERE POSSIBLE AND HAS
HELPS US TO BENEFIT FROM EACH OTHERS
STRATEGIES AND INVESTMENTS

53. FLEXIBLE TECHNOLOGY(CHAOS), OPEN
SOURCE AND API’S ARE KEY FOR
COLLABORATIONS AND BETTER PRODUCT
DEVELOPMENT.

54. HARD TO BE VISIBLE IN A DIGITAL
ENVIRONMENT - THERE ARE MANY OFFERS
AND MOST OF THEM WILL BE MORE CURRENT

55. COPYRIGHT IS A CHALLENGE!
SOME INST. ALLOWS REMIXING AND
DOWNLOADING OTHERS CANNOT ALLOW
EMBEDDING(DR) BUT TOGETHER WE WILL
GET A BETTER UNDERSTANDING AND
THEREBY HELP EACH OTHER AND THE
USERS

56. THANK YOU!
DR.DK/KULTURARV
FACEBOOK.COM/DRS-KULTURARVSPROJEKT
VIMEO.COM/KULTURARVSPROJEKTET
DANSKKULTURARV.DK
FACEBOOK.COM/DANSKKULTURARV
TWITTER.COM/DANSKKULTURARV
TOBIAS GOLODNOFF
TOGO@DR.DK
SLIDESHARE.NET/TOBIASGOLODNOFF