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A Creative Writer
    Explores
  Social Media
         by
     Tia Azulay
Background
• Online MA in Creative Writing and New Media (DMU)
• BA and BA (Hons) English Literature and Poetry
• South Africa, Switzerland, Israel, Turkey, UK
• Salesperson, insurance claims assessor, public relations
  assistant, abstract-writer, childminder, technical writer,
  HTML programmer, Documentation Manager, Head of
  QA (software testing) and Documentation
• Web consultant: websites, blogs, coaching
• Two common themes: interaction; communication skills
Incorporating Social Media
• Print media: essays, poetry, articles, short
  stories, press releases, ad copy, brochure copy,
  abstracts, software documentation
• Web: website copy, blog posts, short stories,
  personal essays, e-poetry
• Surely it’s simple to migrate to social media:
  interact; express myself in writing?
• Well, yes and no
New Media Writing
• Explosion of digital writing forms
• ‘The writer’s guide to making a digital living’
  Therese Fingleton, Christy Dena, Jennifer Wilson
  http://www.australiacouncil.gov.au/writersguide

• New Writing Universe - animation
  http://www.australiacouncil.gov.au/writersguide/newwriting
  universe/

• Video intro to Writer’s Guide on YouTube
  http://www.youtube.com/watch?gl=AU&hl=en-
  GB&v=tRueQ1Q6NGA
Stories: Digital Narratives
• Inanimate Alice - Kate Pullinger http://www.inanimatealice.com/
   – Everyone can do it: iStories tool http://www.istori.es/
• Games and cross-media stories
  Carolyn Handler Miller and Christy Dena
• Virtual Worlds
   – Film: Another Perfect World - Femke Wolting, Jorien Van Nes
• Social media becoming primary content channels
   – Japanese cellphone novels:
     http://www.newyorker.com/reporting/2008/12/22/081222fa_fact_g
     oodyear
   – ‘Twitterature’
      http://www.guardian.co.uk/technology/2009/jun/24/twitter-
     literature-twitterature
Finding an Audience
• How do people find this newfangled content?
  – Google (accidentally or on purpose)
  – Referrals from social media users
• Static website is passé
  – one brochure amongst millions
• Successful online writers have an online ‘pulse’
• People know you are alive, in touch and in tune
Promotion
• E.g. Internet and social media advocate: John Kremer,
  author of ‘1001 Ways to Market Your Books’
  http://www.bookmarket.com/
• Newsletter 4th May 2009:
   – Twitter activity caused his site’s Alexa rank to increase by
     80,000 visitors in 3 months.
   – 10% of his visitors now come directly from Twitter, i.e. 10,000
     new unique visitors each month.
• ‘Twitter Mania Manual’ DIY for authors:
  http://www.BookMarket.com/TwitterManiaManual.doc
Learning
• Social media can be learning tools for writers
• Information and practice, e.g. Jeremy Griffin
   – ‘How Twitter Can Make You a Better Writer’ by
      http://www.ignitesocialmedia.com/how-twitter-can-make-you-a-
      better-writer/ Twitter helps with Word Choice, Simplicity,
      Audience, Adding Value, and Inspiration.
   – ‘5 Social Media Tools for Great Writing’ covers StumbleUpon,
     Twitter, Digg, WeBook, NaNoWriMo.
      http://www.ignitesocialmedia.com/5-social-media-tools-writing/

• Writers’ Forums – peer reviewing and discussion
   – E.g. http://www.writewords.org.uk/forum/
Difficulty of Transition
•   I struggle to stay active in WordPress, Facebook, Twitter and LinkedIn
•   I am not alone: A 2009 report divides US technology users:
     – “motivated by mobility” (39%); “stationary media majority” (61%)
     – Only 8% are ‘Digital Collaborators’
         • “lead the pack in … assets, actions, attitudes towards technology”
         • comfortable with leading their social and working lives online
     – Everyone else has some level of resistance
•   Slideshow: ‘Friending Libraries: Why Libraries Could Become Nodes on
    People's Social Networks’ dated 30 March 2009:
    http://www.slideshare.net/PewInternet/friending-libraries-why-
    libraries-can-become-nodes-in-peoples-social-networks-1222975
     – Report: http://www.pewinternet.org/Reports/2009/5-The-Mobile-Difference--
       Typology/15-Methodology.aspx?r=1
‘Contact’ Changes Mindset
• Two things that help this change:
   – Communicating with an audience
   – Online collaboration with other writers and artists
• Instant feedback maintains creative momentum
• My experience: TiaTalk http://tiatalk.wordpress.com
   – A stranger comments (positively)
   – Immediate effect: the world at my fingertips
   – Motivation to revise and edit for audience
Network as Normal
• From pressing the flesh to pressing keys
• The same principles apply:
  – Be there
  – Be courteous
  – Be responsive
  – Be interested
  – Be interesting
  – Be generous
Creative Response
• Social Media offer ways to show and discuss
  creative responses to creative stimuli
• E-Poem: ‘Watercolour’
  – http://tiatalk.wordpress.com/watercolour
• Response: make a Wordle
  – http://www.wordle.net/
• Have a go!

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A Creative Writer Explores Social Media

  • 1. A Creative Writer Explores Social Media by Tia Azulay
  • 2. Background • Online MA in Creative Writing and New Media (DMU) • BA and BA (Hons) English Literature and Poetry • South Africa, Switzerland, Israel, Turkey, UK • Salesperson, insurance claims assessor, public relations assistant, abstract-writer, childminder, technical writer, HTML programmer, Documentation Manager, Head of QA (software testing) and Documentation • Web consultant: websites, blogs, coaching • Two common themes: interaction; communication skills
  • 3. Incorporating Social Media • Print media: essays, poetry, articles, short stories, press releases, ad copy, brochure copy, abstracts, software documentation • Web: website copy, blog posts, short stories, personal essays, e-poetry • Surely it’s simple to migrate to social media: interact; express myself in writing? • Well, yes and no
  • 4. New Media Writing • Explosion of digital writing forms • ‘The writer’s guide to making a digital living’ Therese Fingleton, Christy Dena, Jennifer Wilson http://www.australiacouncil.gov.au/writersguide • New Writing Universe - animation http://www.australiacouncil.gov.au/writersguide/newwriting universe/ • Video intro to Writer’s Guide on YouTube http://www.youtube.com/watch?gl=AU&hl=en- GB&v=tRueQ1Q6NGA
  • 5. Stories: Digital Narratives • Inanimate Alice - Kate Pullinger http://www.inanimatealice.com/ – Everyone can do it: iStories tool http://www.istori.es/ • Games and cross-media stories Carolyn Handler Miller and Christy Dena • Virtual Worlds – Film: Another Perfect World - Femke Wolting, Jorien Van Nes • Social media becoming primary content channels – Japanese cellphone novels: http://www.newyorker.com/reporting/2008/12/22/081222fa_fact_g oodyear – ‘Twitterature’ http://www.guardian.co.uk/technology/2009/jun/24/twitter- literature-twitterature
  • 6. Finding an Audience • How do people find this newfangled content? – Google (accidentally or on purpose) – Referrals from social media users • Static website is passé – one brochure amongst millions • Successful online writers have an online ‘pulse’ • People know you are alive, in touch and in tune
  • 7. Promotion • E.g. Internet and social media advocate: John Kremer, author of ‘1001 Ways to Market Your Books’ http://www.bookmarket.com/ • Newsletter 4th May 2009: – Twitter activity caused his site’s Alexa rank to increase by 80,000 visitors in 3 months. – 10% of his visitors now come directly from Twitter, i.e. 10,000 new unique visitors each month. • ‘Twitter Mania Manual’ DIY for authors: http://www.BookMarket.com/TwitterManiaManual.doc
  • 8. Learning • Social media can be learning tools for writers • Information and practice, e.g. Jeremy Griffin – ‘How Twitter Can Make You a Better Writer’ by http://www.ignitesocialmedia.com/how-twitter-can-make-you-a- better-writer/ Twitter helps with Word Choice, Simplicity, Audience, Adding Value, and Inspiration. – ‘5 Social Media Tools for Great Writing’ covers StumbleUpon, Twitter, Digg, WeBook, NaNoWriMo. http://www.ignitesocialmedia.com/5-social-media-tools-writing/ • Writers’ Forums – peer reviewing and discussion – E.g. http://www.writewords.org.uk/forum/
  • 9. Difficulty of Transition • I struggle to stay active in WordPress, Facebook, Twitter and LinkedIn • I am not alone: A 2009 report divides US technology users: – “motivated by mobility” (39%); “stationary media majority” (61%) – Only 8% are ‘Digital Collaborators’ • “lead the pack in … assets, actions, attitudes towards technology” • comfortable with leading their social and working lives online – Everyone else has some level of resistance • Slideshow: ‘Friending Libraries: Why Libraries Could Become Nodes on People's Social Networks’ dated 30 March 2009: http://www.slideshare.net/PewInternet/friending-libraries-why- libraries-can-become-nodes-in-peoples-social-networks-1222975 – Report: http://www.pewinternet.org/Reports/2009/5-The-Mobile-Difference-- Typology/15-Methodology.aspx?r=1
  • 10. ‘Contact’ Changes Mindset • Two things that help this change: – Communicating with an audience – Online collaboration with other writers and artists • Instant feedback maintains creative momentum • My experience: TiaTalk http://tiatalk.wordpress.com – A stranger comments (positively) – Immediate effect: the world at my fingertips – Motivation to revise and edit for audience
  • 11. Network as Normal • From pressing the flesh to pressing keys • The same principles apply: – Be there – Be courteous – Be responsive – Be interested – Be interesting – Be generous
  • 12. Creative Response • Social Media offer ways to show and discuss creative responses to creative stimuli • E-Poem: ‘Watercolour’ – http://tiatalk.wordpress.com/watercolour • Response: make a Wordle – http://www.wordle.net/ • Have a go!