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I am thrilled to share with you that recently Dr. Noa Roei published an academic paper entitled “Making National Heritage Move: Ilya Rabinovich’s Museutopia Projects”, which she presented at the ESPACIO,TIEMPO Y FORMA UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA, Madrid. In this paper Dr. Roei examines the dynamics of inclusion and exclusion within national historical museum exhibitions by analyzing two photographic research projects of the Moldovan-Israeli artist Ilya Rabinovich. She employs Edward Said’s method of contrapuntal analysis to tease out the way in which Rabinovich disrupts the customary relation between artifacts and exhibitions. Furthermore, Dr. Roei explores how Rabinovich’s personal history of double migration is not only the driving force behind the projects, but also underlies his aesthetic rationale of disidentification.
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