2.  Most popular instrument all over the
Iberian Peninsula during 16th century
 Lower importance in the Italian
Peninsula
 Greatest splendor on the Spanish Court
 It was only encouraged along the Iberian
Peninsula

3. Vihuela Lute

4.  Vihuela has a similar form to the guitar.
 It is made of wood and it has a handle with a​​
variable number of frets, usually ten strings.
 It has a small cross bar to attach strings to the
vihuela, it is called “cordal”.

5.  It has a sound box, with one or
more holes in the lid
 The box has straight side
walls (riscle) and a flat bottom or a little
bit corrugated

6.  The tuning of the strings is Sol-Fa-La-Do-
Re-Sol.
 According to the illustrations preserved,
it seems that there were a lot of
variability with the instrument forms and
sizes .

8.  The music written for vihuela was vocal music
written in tablatures or arrangements, vocal pieces
with vihuela, and dance and instrumental pieces.
 Vihuela ‘s repertoire is similar
to the lute’s. They have the
same tuning so we can play
the same piece with the two
instruments.

9. High note
string
Low note
string
Figures: each figure refers to the
fingered notes in the tablature
Fingering for the left hand (open
strings)
Fingering for the right hand (2nd
Fret)
3 String
(F#)

12. A tablature transcription by Luís de Milán, XVI Century

13. Transcripció d’una tabulatura de Lluís Milà (segle XVI)

14. Video