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Philippine Drama
Before the Spanish period, the early forms of the Philippine drama

                 were the duplo and the karagatan.

   *Duplo – was a poetical debate held by trained
    men and women in the ninth night, the last
    night of the mourning period for the dead.
     Bellacos – male participants, they are the
    heads of the games.
   *Karagatan – was also a poetical debate like
    the duplo, but its participants were amateurs.
   >> Both were held in the homes.
   >>Theme: was all about a ring that fell into the
    sea.
 1598- The first recorded drama was
  staged in Cebu.
 >> It was a Comedia written by Vicente
  Puche and was perfomed in honor of
  Msgr. Pedro de Agurto, Cebu’s first
  bishop.
 1609- Eleven year after, another stage
  play portraying The Life of Santa Barbara
  was staged in Bicol.
Three kinds of plays:
    1. Cenakulo – It was a very heavy drama
     shown in relation to the life sacrifices and
     death of Jesus Christ. It is like a passion play
     presented and celebrated during the month of
     March or April depending the exact date of the
     Holy week
    Two kinds of presentations:
     The Ablada (oral)
     Kantada (song)
 *Several versions of Cenakulo: The
  Tagalog, Iluko, Kapampangan, Bikol and
  Bisayan Version.
 *The Cenakulo is divided into several
  parts, one part for each night of the Holy
  Week. Each performance lasts from
  3-4hours. In Malibay, Pasay for instance,
  the entire Cenakulo cycle starts with the
  creation and ends with resurrection
Cenakulo
   2. Moro-moro – It is a cloak and dagger play
    depicting the was between the Christians and
    the Muslims with the Christians always on the
    winning side.
   Fr. Jeronimo Perez – wrote the first moro-
    moro and was staged in Manila in 1637, to
    commemorate Governor General Consuera’s
    victory over the Muslims of Mindanao.
   >> it becomes the favorite play of the people,
    especially during the town fiestas.
Moro-moro
 3. Zarzuela – it is a melodrama with
  songs and dances that have a three
  in one act play. It is intended to make
  the mass feeling towards love, fear,
  grief, sorrow or any emotional
  reactions sublime.
 >it sometimes shows the political and
  social conditions of our country.
 >the   musical part of the zarzuela has
  given much opportunity for creativity
  and appreciation of the audience until
  the revolt in Cavite in the year 1872.
 >it is played by 20-25 professional
  zarzuela artists (actors, actresses and
  extras)
 >the Zarzuela is a musical comedy.
Zarzuela
 Junto Al Pasig (beside the Pasig) – A
  zarzuela written by Jose Rizal and it was
  staged at the Ateneo de Manila on
  December 8, 1880 on the occasion of the
  celebration of the Feast Day of the
  Immaculate Conception (Patron saint
  of the College)
 >Zarzuelas was nationalistic in theme and
  plot.

 Popular Zarzuelas among masses:
   Pagibig sa Lupang Tinubuan ( Love for Native
    Land) by Pascual Poblete
   Tanikalang Ginto (Gold Chain) by Juan Abad
   Malaya (Free) by Tomas Remigio
   Kahapon, Ngayon at at Bukas (Yesterday, Today
    and Tomorrow) by Aurelio Tolentino
   Walang Sugat (Not wounded) by Severino Reyes
   Poblete and Tolentino: two of the most
    nationalistic zarzuela writers were put in jail.
   1905-1930: The Golden Age of the Zarzuela in
    the Philippines. ( Fernandez, D. 1978)
   Organization of the Zarzuela Foundation of the
    Philippines – by Ms. Imelda R. Marcos and
    Mr. Teodoro F. Valencia. The Rationale of this
    “foundation” is “hopefully to create a mass base
    of support for the zarzuelas all over the
    country.”
   > The foundation successfully revived one of the
    pre-war zarzuela favorites, Walang Sugat
    1902 by Severino Reyes in 1977.
Street Dramas:
 Moriones – the Morion Festival is a
  Lenten ritual that is colorful as it is
  unique. It is celebrated every Holy week
  in Marinduque.
 Morion – means mask or visor which is
  the top part of the Medieval Roman
  armor covering the face. It is this mask
  carved from dapdap wood that is the
  Focal point of the Moriones celebration.
Moriones Mask Festival
   Pugutan ceremony – is the climax of the
    Morion festival held at noon of Easter Sunday. It
    is held on the dried river bed outside Boac.
   Longinus – who at the time of Pilate drove his
    spear into the side of Jesus Christ as he hung
    from the cross.
               -When Christ resurrected, He was the
    first one to proclaim his Divinity.
   >>Men participate in this ritual and go about
    the streets of Marinduque as Morions.
   >> They perform this as an act of Penance of
    thanksgiving for some favor granted in the past.
Ati-atihan
   Ati-atihan – is a pagan ritual, which
    has become an annual affair that the
    natives look forward to with great
    expectation.
        It is the most extravagant fiesta in the
         Philippines celebrated in Kalibo, Aklan every 3rd
         Sunday of January in honor of the Infant Jesus.
        Ati-atihan derived its name from Atis, the
         aboriginal Negritos of the area in the Visayas.
   “Hala Bira! Hala Bira!” This resonant cry
    fills the air as the people of Kalibo gyrate
    through the streets in a hypnotized mass
    of dancing and shaking. Feet stomping,
    hands clapping, bongos beating and ears
    ringing all sound out the rhythmic beat of
    the Ati-atihan.
The festival was later dedicated
to the Santo Niño because of
the victories won by the
Spaniards in Kalibo against the
Muslim attacks when they were
forced to abandon Mindanao.
   The people of Aklan celebrate the ati-atihan
    dressed in outlandish costumes and get-ups.
    This native mardi-gras finds the participants
    dressed in improvised attires of feathers,
    coconut shells and palm fronds, as they imitate
    in their own way the garish tribal costumes of
    the Atis. The merrymaker throw their inhibitions
    to the wind as they prance about in gay
    abandon for 3 consecutive nights.
The Modern Philippine Drama
        -The modern Philippine drama/stage play was
          rejuvenated upon the establishment of the
          Repertory Philippines in June of 1967 which
          was founded by Zeneida “Bibot” Amador and
          Baby Barredo.
   Repertory Philippines
     - In its 30years of existence it has become the
    country’s leading theater company, keeping abreast of
    new materials and demanding outstanding performance
    from its extraordinary talents.

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Philippine's Drama

  • 2. Before the Spanish period, the early forms of the Philippine drama were the duplo and the karagatan.  *Duplo – was a poetical debate held by trained men and women in the ninth night, the last night of the mourning period for the dead.  Bellacos – male participants, they are the heads of the games.  *Karagatan – was also a poetical debate like the duplo, but its participants were amateurs.  >> Both were held in the homes.  >>Theme: was all about a ring that fell into the sea.
  • 3.  1598- The first recorded drama was staged in Cebu.  >> It was a Comedia written by Vicente Puche and was perfomed in honor of Msgr. Pedro de Agurto, Cebu’s first bishop.  1609- Eleven year after, another stage play portraying The Life of Santa Barbara was staged in Bicol.
  • 4. Three kinds of plays:  1. Cenakulo – It was a very heavy drama shown in relation to the life sacrifices and death of Jesus Christ. It is like a passion play presented and celebrated during the month of March or April depending the exact date of the Holy week  Two kinds of presentations:  The Ablada (oral)  Kantada (song)
  • 5.  *Several versions of Cenakulo: The Tagalog, Iluko, Kapampangan, Bikol and Bisayan Version.  *The Cenakulo is divided into several parts, one part for each night of the Holy Week. Each performance lasts from 3-4hours. In Malibay, Pasay for instance, the entire Cenakulo cycle starts with the creation and ends with resurrection
  • 7. 2. Moro-moro – It is a cloak and dagger play depicting the was between the Christians and the Muslims with the Christians always on the winning side.  Fr. Jeronimo Perez – wrote the first moro- moro and was staged in Manila in 1637, to commemorate Governor General Consuera’s victory over the Muslims of Mindanao.  >> it becomes the favorite play of the people, especially during the town fiestas.
  • 9.  3. Zarzuela – it is a melodrama with songs and dances that have a three in one act play. It is intended to make the mass feeling towards love, fear, grief, sorrow or any emotional reactions sublime.  >it sometimes shows the political and social conditions of our country.
  • 10.  >the musical part of the zarzuela has given much opportunity for creativity and appreciation of the audience until the revolt in Cavite in the year 1872.  >it is played by 20-25 professional zarzuela artists (actors, actresses and extras)  >the Zarzuela is a musical comedy.
  • 12.  Junto Al Pasig (beside the Pasig) – A zarzuela written by Jose Rizal and it was staged at the Ateneo de Manila on December 8, 1880 on the occasion of the celebration of the Feast Day of the Immaculate Conception (Patron saint of the College)  >Zarzuelas was nationalistic in theme and plot. 
  • 13.  Popular Zarzuelas among masses:  Pagibig sa Lupang Tinubuan ( Love for Native Land) by Pascual Poblete  Tanikalang Ginto (Gold Chain) by Juan Abad  Malaya (Free) by Tomas Remigio  Kahapon, Ngayon at at Bukas (Yesterday, Today and Tomorrow) by Aurelio Tolentino  Walang Sugat (Not wounded) by Severino Reyes  Poblete and Tolentino: two of the most nationalistic zarzuela writers were put in jail.
  • 14. 1905-1930: The Golden Age of the Zarzuela in the Philippines. ( Fernandez, D. 1978)  Organization of the Zarzuela Foundation of the Philippines – by Ms. Imelda R. Marcos and Mr. Teodoro F. Valencia. The Rationale of this “foundation” is “hopefully to create a mass base of support for the zarzuelas all over the country.”  > The foundation successfully revived one of the pre-war zarzuela favorites, Walang Sugat 1902 by Severino Reyes in 1977.
  • 15. Street Dramas:  Moriones – the Morion Festival is a Lenten ritual that is colorful as it is unique. It is celebrated every Holy week in Marinduque.  Morion – means mask or visor which is the top part of the Medieval Roman armor covering the face. It is this mask carved from dapdap wood that is the Focal point of the Moriones celebration.
  • 17. Pugutan ceremony – is the climax of the Morion festival held at noon of Easter Sunday. It is held on the dried river bed outside Boac.  Longinus – who at the time of Pilate drove his spear into the side of Jesus Christ as he hung from the cross.  -When Christ resurrected, He was the first one to proclaim his Divinity.  >>Men participate in this ritual and go about the streets of Marinduque as Morions.  >> They perform this as an act of Penance of thanksgiving for some favor granted in the past.
  • 18. Ati-atihan  Ati-atihan – is a pagan ritual, which has become an annual affair that the natives look forward to with great expectation.  It is the most extravagant fiesta in the Philippines celebrated in Kalibo, Aklan every 3rd Sunday of January in honor of the Infant Jesus.  Ati-atihan derived its name from Atis, the aboriginal Negritos of the area in the Visayas.
  • 19.
  • 20. “Hala Bira! Hala Bira!” This resonant cry fills the air as the people of Kalibo gyrate through the streets in a hypnotized mass of dancing and shaking. Feet stomping, hands clapping, bongos beating and ears ringing all sound out the rhythmic beat of the Ati-atihan.
  • 21. The festival was later dedicated to the Santo Niño because of the victories won by the Spaniards in Kalibo against the Muslim attacks when they were forced to abandon Mindanao.
  • 22. The people of Aklan celebrate the ati-atihan dressed in outlandish costumes and get-ups. This native mardi-gras finds the participants dressed in improvised attires of feathers, coconut shells and palm fronds, as they imitate in their own way the garish tribal costumes of the Atis. The merrymaker throw their inhibitions to the wind as they prance about in gay abandon for 3 consecutive nights.
  • 23. The Modern Philippine Drama -The modern Philippine drama/stage play was rejuvenated upon the establishment of the Repertory Philippines in June of 1967 which was founded by Zeneida “Bibot” Amador and Baby Barredo.  Repertory Philippines - In its 30years of existence it has become the country’s leading theater company, keeping abreast of new materials and demanding outstanding performance from its extraordinary talents.