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TONE CARDS




 For our tone cards, we
 created similar ones to
 Sorority Row as that was
 one of the films we were
 inspired by when creating
 our trailer. We used a
 white font linking to theirs
 and they follow the codes
 and conventions by how
 our font fade out, jumping
 out at the audience
 creating tension.
EDITING



 When we edited our trailer, we collected all the clips from each scene and then edited the
 scenes individually cutting down the time. Once we had done that we were able to put the
                     scenes together giving our product some structure.

 When editing the beginning of the trailer we decided to add effects that would some how
           symbolise the equilibrium and the harmony of the opening scene.

As the disequilibrium starts, the effects and shots become much faster, to symbolise how the
   harmony is over and the fear has begun. The cross fades become much faster and flash
      quicker on the screen, making the shots scarier and creates tension to the scene.
LIGHTING


When filming our trailer we wanted to use the conventions of lighting in horror films.
So when the trailer first began and the equilibrium starts, the lighting is bright.
However, when the moment of disequilibrium starts the lighting gets darker as horror
film plays on fear and darkness. When the quick flashes of disequilibrium starts the
lighting is even darker showing that it is night time and that is when its more
frightening.

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Evaluation: 1) In what ways does your media product use, develop or challenge forms and conventions of real media products? PART 3

  • 1. TONE CARDS For our tone cards, we created similar ones to Sorority Row as that was one of the films we were inspired by when creating our trailer. We used a white font linking to theirs and they follow the codes and conventions by how our font fade out, jumping out at the audience creating tension.
  • 2. EDITING When we edited our trailer, we collected all the clips from each scene and then edited the scenes individually cutting down the time. Once we had done that we were able to put the scenes together giving our product some structure. When editing the beginning of the trailer we decided to add effects that would some how symbolise the equilibrium and the harmony of the opening scene. As the disequilibrium starts, the effects and shots become much faster, to symbolise how the harmony is over and the fear has begun. The cross fades become much faster and flash quicker on the screen, making the shots scarier and creates tension to the scene.
  • 3. LIGHTING When filming our trailer we wanted to use the conventions of lighting in horror films. So when the trailer first began and the equilibrium starts, the lighting is bright. However, when the moment of disequilibrium starts the lighting gets darker as horror film plays on fear and darkness. When the quick flashes of disequilibrium starts the lighting is even darker showing that it is night time and that is when its more frightening.