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Predicting Your Future

 What technology will
the future bring?

“Computers in the
future will weigh no
less than 1.5 tons.”
   - Popular Mechanics, 1949
Can you locate the face?
How people study art…
• Professional/Criticism: what works, from an
  aesthetic or persuasive point, in visual
  communication, what doesn’t?
• Audience-Oriented: what does the audience
  see/believe when they see a particular image?
• Semiotic: what metaphors are used and to what
  effect?
• Cultural Studies: What do the images tell us
  about ourselves and our worldview?
• Realism and formalism are 2 main styles a
  movie falls under in filming technique.
• Realism strives for an objective view and makes
  use of actual locations, authentic costumes, and
  handheld documentary style shots to add a
  sense of reality to film.
• Formalism uses techniques that express the
  filmmaker’s artistic view (even distorting images)
  and aim for the emotional symbolism in style.
Formalism vs. Realism
•   Open Form: window on the
    world; random composition in
    the frame; candid effect;
    suggests freedom of choice in
    the filmic world
•   Closed Form: planned and
    elaborate composition;
    formalistic and expressive;
    suggests entrapment in the
    filmic world
• The camps are opposed aesthetically: a
  formalist might argue that realism is too plain
  to be great art, where a realist might argue
  that artistic value lies in the story itself, and
  formalism damages that by drawing too much
  attention to the way the story is told.
Romanticism/
                    Formalism/
        Closed Comp
         Julia Ma
                      osition
                    rgaret Camer
                                     on

• 1815-1879
• English photographer known for
  her portraits of eminent people
  of the day, and for her romantic
  pictures which, despite their
  technical imperfections,
  stand the test of time
• Not a great technician.
• Some negatives show uneven
  coating of collodion, and dust particles that lend a
  dream quality.
• Many prints are faded.
• But Cameron had tremendous capacity to visualize a
  mythic drama--her portraits show vitality that the
  work of her peers did not.
• Exposures lasting between one & seven minutes.
Realism
                                Walker Evans




American photographer of the Great
Depression era. A sensibility that is
characterized by isolation, melancholy,
and loneliness.
• Open Form Framing
• Scenes with sparse qualities—city streets,
  half-empty theaters, gas stations, railroad
  tracks, rooming houses.
• Chilling, alienating, and often vacuous places. People
  may appear terribly alone.
• According to Irving Singer, there are two kinds of film
  theorists as well as makers - formalists and realists - and
  since the formative years of film theory their differences
  have been at the core of controversies in film criticism.
• Basically, formalists adhere to the idea that film is art
  and not a recording of reality
• Realists believe that film is meant to be a more or less
  direct reproduction of reality.
“Every act of
seeing is also an
act of NOT seeing”
(~Shirato and Webb/Roland Barthes)
Types of Visual Messages

Direct/Pure—what we see in the world

Mediated/Interpreted —what we see on
photography, TV, in film, magazines, on
signs and billboards, on the Internet…
Romanticism vs. Realism
Romanticism vs. Realism
Romanticism vs. Realism

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Romanticism vs. Realism

  • 1.
  • 2. Predicting Your Future What technology will the future bring? “Computers in the future will weigh no less than 1.5 tons.” - Popular Mechanics, 1949
  • 3. Can you locate the face?
  • 4.
  • 5. How people study art… • Professional/Criticism: what works, from an aesthetic or persuasive point, in visual communication, what doesn’t? • Audience-Oriented: what does the audience see/believe when they see a particular image? • Semiotic: what metaphors are used and to what effect? • Cultural Studies: What do the images tell us about ourselves and our worldview?
  • 6. • Realism and formalism are 2 main styles a movie falls under in filming technique. • Realism strives for an objective view and makes use of actual locations, authentic costumes, and handheld documentary style shots to add a sense of reality to film. • Formalism uses techniques that express the filmmaker’s artistic view (even distorting images) and aim for the emotional symbolism in style.
  • 7. Formalism vs. Realism • Open Form: window on the world; random composition in the frame; candid effect; suggests freedom of choice in the filmic world • Closed Form: planned and elaborate composition; formalistic and expressive; suggests entrapment in the filmic world
  • 8. • The camps are opposed aesthetically: a formalist might argue that realism is too plain to be great art, where a realist might argue that artistic value lies in the story itself, and formalism damages that by drawing too much attention to the way the story is told.
  • 9. Romanticism/ Formalism/ Closed Comp Julia Ma osition rgaret Camer on • 1815-1879 • English photographer known for her portraits of eminent people of the day, and for her romantic pictures which, despite their technical imperfections, stand the test of time
  • 10. • Not a great technician. • Some negatives show uneven coating of collodion, and dust particles that lend a dream quality. • Many prints are faded. • But Cameron had tremendous capacity to visualize a mythic drama--her portraits show vitality that the work of her peers did not. • Exposures lasting between one & seven minutes.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15.
  • 16.
  • 17.
  • 18. Realism Walker Evans American photographer of the Great Depression era. A sensibility that is characterized by isolation, melancholy, and loneliness.
  • 19. • Open Form Framing
  • 20. • Scenes with sparse qualities—city streets, half-empty theaters, gas stations, railroad tracks, rooming houses.
  • 21. • Chilling, alienating, and often vacuous places. People may appear terribly alone.
  • 22.
  • 23.
  • 24.
  • 25.
  • 26.
  • 27.
  • 28. • According to Irving Singer, there are two kinds of film theorists as well as makers - formalists and realists - and since the formative years of film theory their differences have been at the core of controversies in film criticism. • Basically, formalists adhere to the idea that film is art and not a recording of reality • Realists believe that film is meant to be a more or less direct reproduction of reality.
  • 29. “Every act of seeing is also an act of NOT seeing” (~Shirato and Webb/Roland Barthes)
  • 30. Types of Visual Messages Direct/Pure—what we see in the world Mediated/Interpreted —what we see on photography, TV, in film, magazines, on signs and billboards, on the Internet…