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LYDENS
KOMMERCIELLE
VÆRDI
GENNEM UNIKKE BRAND OPLEVELSER
http://www.cko.dk/gruppe/exploring-sound-logos




                                                                              Sonic Minds




@JulieWinther | www.juliewinther.blogspot.com
@JulieWinther | www.juliewinther.blogspot.com
@JulieWinther | www.juliewinther.blogspot.com
LYDBRANDING ER EN
VIRKSOMHEDS:


    Bevidsthed om ..


    Strategi for ...


    Implementering af ..


@JulieWinther | www.juliewinther.blogspot.com
LYDLOGOET
Lydlogo er:
En kort lydsekvens (typisk uden sang), der bruges til at repræsentere et
brand
Typisk på 3-6 toner, men kan også bestå alene af optagede lyde,
lydeffekter mv.

Lydlogo som musik:
Både virksomheder og forskere er bundet af en diskussion baseret på
musiske termer såsom genre, (personlige) musik præferencer,
komposition, tempo, mv.

Lydlogo som brand element:
Vi kan diskutere lydlogoet i et markedsførings- og brandingperspektiv.
Mulighed for at sammenstille lydlogoet med andre brand elementer og
evt. se på interaktionen herimellem.
Bruge velkendte brand element success kriterier, som har været
studeret gennem mange år både praktisk og teoretisk.


@JulieWinther | www.juliewinther.blogspot.com
FORSKNING I LYDLOGOER
                                                  Måleværktøjer:
      1.       Lydlogoers associationer og
               hvordan deres ”profil” ser         Association network theory
               ud                                 (Collins & Loftus, 1975)
                     • Hvordan danner
                       lydlogoer mening?          Brand Personality Dimensions
                                                  (J.Aaker, 1997)

                                                  Brand Element Success Criteria
                                                  Keller (2008)

      1.       Lydlogoers påvirkning på           Core Affect
               brand image                        (Russell 1980)
                     • Hvordan vurderes
                       lydlogo, og visuelt logo
                       på Brand Personalities
                       skalerne?



@JulieWinther | www.juliewinther.blogspot.com
LYDENS
                                                Association network theory (Collins & Loftus, 1975)




ASSOCIATIONER




@JulieWinther | www.juliewinther.blogspot.com
AUDIO BRAND
                                                Brand Personality Dimensions (J.Aaker, 1997)




PERSONALITY




@JulieWinther | www.juliewinther.blogspot.com
www.soundslikebranding.com




@JulieWinther | www.juliewinther.blogspot.com
@JulieWinther | www.juliewinther.blogspot.com
@JulieWinther | www.juliewinther.blogspot.com
REFERENCER
    • Aaker, Jennifer L. (1997): Dimensions of Brand Personality. Journal of Marketing Research, vol. 34/3
      August, p.347-356
    • Balmer, John (2001): Corporate Identity, corporate branding and corporate marketing; Seeing through
      the fog. European Journal of Marketing, vol.35/3/4, p.248-291
    • Bronner, Kai & Hirt, Rainer (Hrsg.) (2007): Audio-Branding: Entwicklung, Anwendung, Wirkung
      akustischer Identitäten in Werbung, Medien und Gesellschaft. Verlag Reinhard Fischer
    • Collins, Allan M & Loftus, Elisabeth F (1975): A Spreading-Activation Theory of Semantic Processing.
      Psychological Review, vol.82/6, p.407-428
    • Keller, Kevin L. (2008): Strategic brand management. Building, Measuring, and Managing Brand Equity.
      Pearson International Edition, 3rd ed
    • Ramsgaard, Jesper, Winther, Julie, Beckmann, Suzanne, Le Ray, Guillaume (in press): Free
      association profiling on sound logos – an exploratory study.
    • Russell, James (1980): A Circumplex Model of Affect. Journal of Personality and Social Psychology.
      vol.39/6, p.1161-1178
    • Jonas, Morten Sune: Tak Rock. DDB, Royal Unibrew A/S.
      Reklamen til eksamen 10, DRRB Advertising Effectiveness Award 2011. Rosendahls, Schultz Grafisk
      a/s 2011
    • The Norwegian Broadcasting Boys Choir Sponsorship: Merry Paycheck . Try Reklambyrå, DNB Bank.
      http://adsoftheworld.com/media/ambient/dnb_bank_the_norwegian_broadcasting_boys_choir_sponsors
      hip_merry_paycheck
    • Winther, Julie: Sound brand fit; a cross-modal study of the perception of fit between sound logo and
      brand. Department of Marketing, Copenhagen Business School


@JulieWinther | www.juliewinther.blogspot.com

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Musikkens kommercielle værdi

  • 2. http://www.cko.dk/gruppe/exploring-sound-logos Sonic Minds @JulieWinther | www.juliewinther.blogspot.com
  • 5. LYDBRANDING ER EN VIRKSOMHEDS: Bevidsthed om .. Strategi for ... Implementering af .. @JulieWinther | www.juliewinther.blogspot.com
  • 6. LYDLOGOET Lydlogo er: En kort lydsekvens (typisk uden sang), der bruges til at repræsentere et brand Typisk på 3-6 toner, men kan også bestå alene af optagede lyde, lydeffekter mv. Lydlogo som musik: Både virksomheder og forskere er bundet af en diskussion baseret på musiske termer såsom genre, (personlige) musik præferencer, komposition, tempo, mv. Lydlogo som brand element: Vi kan diskutere lydlogoet i et markedsførings- og brandingperspektiv. Mulighed for at sammenstille lydlogoet med andre brand elementer og evt. se på interaktionen herimellem. Bruge velkendte brand element success kriterier, som har været studeret gennem mange år både praktisk og teoretisk. @JulieWinther | www.juliewinther.blogspot.com
  • 7. FORSKNING I LYDLOGOER Måleværktøjer: 1. Lydlogoers associationer og hvordan deres ”profil” ser Association network theory ud (Collins & Loftus, 1975) • Hvordan danner lydlogoer mening? Brand Personality Dimensions (J.Aaker, 1997) Brand Element Success Criteria Keller (2008) 1. Lydlogoers påvirkning på Core Affect brand image (Russell 1980) • Hvordan vurderes lydlogo, og visuelt logo på Brand Personalities skalerne? @JulieWinther | www.juliewinther.blogspot.com
  • 8. LYDENS Association network theory (Collins & Loftus, 1975) ASSOCIATIONER @JulieWinther | www.juliewinther.blogspot.com
  • 9. AUDIO BRAND Brand Personality Dimensions (J.Aaker, 1997) PERSONALITY @JulieWinther | www.juliewinther.blogspot.com
  • 13. REFERENCER • Aaker, Jennifer L. (1997): Dimensions of Brand Personality. Journal of Marketing Research, vol. 34/3 August, p.347-356 • Balmer, John (2001): Corporate Identity, corporate branding and corporate marketing; Seeing through the fog. European Journal of Marketing, vol.35/3/4, p.248-291 • Bronner, Kai & Hirt, Rainer (Hrsg.) (2007): Audio-Branding: Entwicklung, Anwendung, Wirkung akustischer Identitäten in Werbung, Medien und Gesellschaft. Verlag Reinhard Fischer • Collins, Allan M & Loftus, Elisabeth F (1975): A Spreading-Activation Theory of Semantic Processing. Psychological Review, vol.82/6, p.407-428 • Keller, Kevin L. (2008): Strategic brand management. Building, Measuring, and Managing Brand Equity. Pearson International Edition, 3rd ed • Ramsgaard, Jesper, Winther, Julie, Beckmann, Suzanne, Le Ray, Guillaume (in press): Free association profiling on sound logos – an exploratory study. • Russell, James (1980): A Circumplex Model of Affect. Journal of Personality and Social Psychology. vol.39/6, p.1161-1178 • Jonas, Morten Sune: Tak Rock. DDB, Royal Unibrew A/S. Reklamen til eksamen 10, DRRB Advertising Effectiveness Award 2011. Rosendahls, Schultz Grafisk a/s 2011 • The Norwegian Broadcasting Boys Choir Sponsorship: Merry Paycheck . Try Reklambyrå, DNB Bank. http://adsoftheworld.com/media/ambient/dnb_bank_the_norwegian_broadcasting_boys_choir_sponsors hip_merry_paycheck • Winther, Julie: Sound brand fit; a cross-modal study of the perception of fit between sound logo and brand. Department of Marketing, Copenhagen Business School @JulieWinther | www.juliewinther.blogspot.com