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Bulkley valley.jan.2014.general
1. Current and Effective
Strategies across the grades
and across the curriculum
Bulkley
Valley
January
16,
2014
Faye
Brownlie
www.slideshare.net
2. Learning Intentions
•
I
can
design
lesson
sequences
using
the
principles
of
universal
design
for
learning
and
backwards
design
to
support
all
learners.
•
I
have
a
plan
to
work
with
others
–
or
another.
•
I
have
a
plan
to
conFnue
to
ask
the
quesFons,
”How
is
what
I
am
doing
supporFng
the
learning
of
all
my
students?”
and
“How
do
I
know?”
5. AFL
• Using
informaFon
about
student
achievement/learning
to
adjust
the
subsequent
teaching
• Whole
class
adjustment
• Personalized/differenFated
adjustment
6. “The
most
powerful
single
influence
enhancing
achievement
is
feedback”-‐Dylan
Wiliam
• Quality
feedback
is
needed,
not
just
more
feedback
• Students
with
a
Growth
Mindset
welcome
feedback
and
are
more
likely
to
use
it
to
improve
their
performance
• Oral
feedback
is
much
more
effecFve
than
wri^en
• The
most
powerful
feedback
is
provided
from
the
student
to
the
teacher
7. You’re
born
with
what
you
got…
and
that’s
that!
It’s
fixed......or…
8. Your
brain
is
like
a
muscle.
It
can
grow…and
will
with
pracFce
9. Universal Design for Learning
MulFple
means:
-‐to
tap
into
background
knowledge,
to
acFvate
prior
knowledge,
to
increase
engagement
and
moFvaFon
-‐to
acquire
the
informaFon
and
knowledge
to
process
new
ideas
and
informaFon
-‐to
express
what
they
know.
Rose
&
Meyer,
2002
10. Features
of
High-‐Engagement
Learning
Environments
• available
supply
of
appropriately
difficult
texts
• opFons
that
allow
students
more
control
over
the
texts
to
be
read
and
the
work
to
be
accomplished
• the
collaboraFve
nature
of
much
of
the
work
• the
opportunity
to
discuss
what
was
read
and
wri^en
• the
meaningfulness
of
the
acFviFes
•
Allington
&
Johnston,
2002;
Presley,
2002;
Wigfield,
1997;
Almasi
&
McKeown,
1996;
Turner,
1995
11. Essential Lesson Components
•
•
•
•
•
EssenFal
quesFon/learning
intenFon/a
big
idea
Open-‐ended
strategies:
connect-‐process-‐transform
DifferenFaFon
–
choice,
choice,
choice
Assessment
for
learning
Gradual
release
of
responsibility
– Model
– Guided
pracFce
– Independent
pracFce
17. Things
to
Think
about…
How
are
the
following
pictures
similar?
How
are
the
following
pictures
different?
Is
there
a
common
theme
among
these
pictures?
32. Information Writing – Grade 1/2
with Nicole Cherry, Mundy Road Elementary
Goal:
communicate
informaFon
in
wriFng
What
do
you
know
about
bears?
Chart,
labeled
with
the
4
seasons
Examine
text
cover
and
table
of
contents.
Predict
and
connect
to
‘knowns’.
• Read
Winter
and
write
a
few
sentences.
• Students
fill
in
their
Winter
with
their
choice
informaFon.
• Read
Spring.
Students
fill
in
their
Spring
independently.
•
•
•
•
33.
34.
35.
36.
37.
38.
39.
40.
41.
42.
43.
44.
45.
46.
47.
48.
49. 45 min. – Guided Reading
• Word
work
– Word
families,
words
from
text,
le^ers,
sounds
• Few
sight
words
– Word
games
–
5
minutes
• Strategies
of
good
readers
– Build,
review,
focus
on
one
•
•
•
•
Picture
walk
Read
alone
Read
with
teacher
Choose
another
book
to
read
– From
previous
texts,
shared
texts,
can
reread
• Eyes
on
print
30
minutes/day
50. Michelle Hikada, TL, RT
• I
did
the
guided
reading
groups
as
a
combinaFon
of
my
Resource
and
Library
Fme.
Some
people
may
not
agree
but
I
see
my
role
as
librarian
as
a
literacy
teacher
too
so
I
included
both
guided
reading
and
literature
circles
into
my
role
as
librarian
(I
only
did
15
minute
book
exchanges
so
that
I
could
spend
the
rest
of
my
day
collaboraFng
and
teaching).
Over
the
year,
I
did
guided
reading
in
2
classrooms
(all
year)
and
literature
circles
in
2
classroom
each
for
a
term
(I
followed
your
model
and
worked
with
3
teachers
each
term
so
they
come
to
the
library
twice
a
week.)
You
will
be
excited
that
next
year
4
teachers
have
asked
for
literature
circles
and
for
guided
reading
in
2.
Explicit
reading
instrucFon
is
taking
over
Diefenbaker!!!!
• The
second
class
this
year
got
4
blocks
each
week
starFng
aver
springbreak.
As
a
resource
team,
we
saw
a
few
of
these
students
at
risk
so
we
wanted
to
focus
on
early
intervenFon
for
them.
It
paid
off
because
all
of
our
grade
ones
are
readers!!!
60. Art 9/10
with Sheri Tompkins, Heritage Woods
• Teacher
Modelling
• Students
have
‘ Talking
about
Art’
sheet.
• Teacher
presents
a
piece
of
her
art,
using
‘Talking
about
Art’
sheet
as
her
guide
and
adding
her
own
ideas.
• T
turns
her
back;
students
discuss
and
record.
• T
writes
down
what
is
said
on
her
paper.
61. Art 9/10
with Sheri Tompkins, Heritage Woods
• Working
together
• Student
chooses
one
piece
of
his
art
for
feedback
• Student
self-‐assesses,
presents
his
piece
to
his
group
(of
4
or
5),
others
observe
silently,
student
adds
his
comments.
• Student
turns
his
back.
Group
members
discuss
the
art
work,
using
the
criteria
sheet.
No
judgment,
likes
or
dislikes.
Student
records
the
remarks.
62. • Students
summarizes
his
feedback
and
others
with
– 2
aspects
I
want
you
to
noFce
– 1
aspect
for
feedback
• The
art
work,
the
self-‐assessment
and
the
summary
are
handed
in
to
the
teacher.
• Teacher
responds,
following
the
summary
of
the
student
direcFon.
63.
64.
65.
66.
67. QuesFons
Focus
on
what
you
see
and
what
you
feel.
Give
first
impressions.
Give
gut
reacFons.
Make
guesses.
#1
What
stands
out
the
most
when
you
first
see
the
work?
The
(subject,
object,
element,
area)
that
stands
out
the
most
is__________________
#2
Explain
the
reason
you
noFce
the
thing
you
menFon
in
#1.
The
(object,
subject,
element,
area)
stands
out
because_____________________
#3
As
you
keep
looking,
what
else
seems
important
or
stands
out?
The
other
part(s)
that
seem
important
or
that
stand
out
is/
are__________________
#4
Why
does
the
thing
you
menFon
in
#3
seem
important?
These/this
other
part(s)
stand
out
or
seem
important
because
________________
…
#13
…