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Current and Effective
Strategies across the grades
and across the curriculum	
  
Bulkley	
  Valley	
  
January	
  16,	
  2014	
  
Faye	
  Brownlie	
  
www.slideshare.net	
  
Learning Intentions
•  	
   	
  I	
  can	
  design	
  lesson	
  sequences	
  using	
  	
  
the	
  principles	
  of	
  universal	
  design	
  for	
  
learning	
  and	
  backwards	
  design	
  to	
  
support	
  all	
  learners.	
  
•  	
   I	
  have	
  a	
  plan	
  to	
  work	
  with	
  others	
  –	
  or	
  
another.	
  
•  	
  	
  	
  	
  I	
  have	
  a	
  plan	
  to	
  conFnue	
  to	
  ask	
  the	
  
quesFons,	
  ”How	
  is	
  what	
  I	
  am	
  doing	
  
supporFng	
  the	
  learning	
  of	
  all	
  my	
  students?”	
  
and	
  “How	
  do	
  I	
  know?”	
  
feedback
AFL	
  
•  Using	
  informaFon	
  about	
  student	
  
achievement/learning	
  to	
  adjust	
  the	
  
subsequent	
  teaching	
  
•  Whole	
  class	
  adjustment	
  
•  Personalized/differenFated	
  adjustment	
  
“The	
  most	
  powerful	
  single	
  influence	
  enhancing	
  
achievement	
  is	
  feedback”-­‐Dylan	
  Wiliam	
  
•  Quality	
  feedback	
  is	
  needed,	
  not	
  just	
  more	
  feedback	
  
•  Students	
  with	
  a	
  Growth	
  Mindset	
  welcome	
  feedback	
  
and	
  are	
  more	
  likely	
  to	
  use	
  it	
  to	
  improve	
  their	
  
performance	
  
•  Oral	
  feedback	
  is	
  much	
  more	
  effecFve	
  than	
  wri^en	
  
•  The	
  most	
  powerful	
  feedback	
  is	
  provided	
  from	
  the	
  
student	
  to	
  the	
  teacher	
  
You’re	
  born	
  with	
  what	
  you	
  got…	
  
and	
  that’s	
  that!	
  

It’s	
  fixed......or…	
  
Your	
  brain	
  is	
  like	
  a	
  muscle.	
  
It	
  can	
  grow…and	
  will	
  with	
  pracFce	
  	
  
Universal Design for Learning
MulFple	
  means:	
  
-­‐to	
  tap	
  into	
  background	
  knowledge,	
  to	
  acFvate	
  
prior	
  knowledge,	
  to	
  increase	
  engagement	
  and	
  
moFvaFon	
  
-­‐to	
  acquire	
  the	
  informaFon	
  and	
  knowledge	
  to	
  
process	
  new	
  ideas	
  and	
  informaFon	
  
-­‐to	
  express	
  what	
  they	
  know.	
  
	
  	
   	
   	
   	
   	
   	
   	
   	
   	
   	
  Rose	
  &	
  Meyer,	
  2002	
  
Features	
  of	
  High-­‐Engagement	
  Learning	
  
Environments	
  
•  available	
  supply	
  of	
  appropriately	
  difficult	
  texts	
  
•  opFons	
  that	
  allow	
  students	
  more	
  control	
  over	
  
the	
  texts	
  to	
  be	
  read	
  and	
  the	
  work	
  to	
  be	
  
accomplished	
  
•  the	
  collaboraFve	
  nature	
  of	
  much	
  of	
  the	
  work	
  
•  the	
  opportunity	
  to	
  discuss	
  what	
  was	
  read	
  and	
  
wri^en	
  
•  the	
  meaningfulness	
  of	
  the	
  acFviFes	
  
• 

Allington	
  &	
  Johnston,	
  2002;	
  Presley,	
  2002;	
  	
  Wigfield,	
  1997;	
  Almasi	
  &	
  McKeown,	
  1996;	
  
Turner,	
  1995	
  
Essential Lesson Components

• 
• 
• 
• 
• 

EssenFal	
  quesFon/learning	
  intenFon/a	
  big	
  idea	
  
Open-­‐ended	
  strategies:	
  	
  connect-­‐process-­‐transform	
  
DifferenFaFon	
  –	
  choice,	
  choice,	
  choice	
  
Assessment	
  for	
  learning	
  
Gradual	
  release	
  of	
  responsibility	
  
–  Model	
  
–  Guided	
  pracFce	
  
–  Independent	
  pracFce	
  
Tara	
  O’Reilly,	
  Burnaby	
  Mountain	
  
Secondary	
  
_

_ _ _ _ _

L
M X

A
S

T
O L

_ _

F

U
J

A

C
_

_ _ _ _ _

S
E

L
V

X
V

T
N

_ _ _

C
O A

I
B
_

_ _ _ _ _

I
E

H

A
H

T
N

_ _ _

CO2	
  	
  +	
  	
  PO4	
  	
  	
  +	
  	
  H2O	
  
	
   	
   	
  OUT
C

P

I

D

R

S
_ _ _ _ _ _ _

F
E E

E

L
D

S
V

_

T
N

C
O

I
Things	
  to	
  Think	
  about…	
  

How	
  are	
  the	
  following	
  pictures	
  
similar?	
  
How	
  are	
  the	
  following	
  pictures	
  
different?	
  
Is	
  there	
  a	
  common	
  theme	
  among	
  
these	
  pictures?	
  
H2SO4	
  
NaOH	
  
Information Writing – Grade 1/2
with Nicole Cherry, Mundy Road Elementary

Goal:	
  	
  communicate	
  informaFon	
  in	
  wriFng	
  
What	
  do	
  you	
  know	
  about	
  bears?	
  
Chart,	
  labeled	
  with	
  the	
  4	
  seasons	
  
Examine	
  text	
  cover	
  and	
  table	
  of	
  contents.	
  	
  Predict	
  
and	
  connect	
  to	
  ‘knowns’.	
  
•  Read	
  Winter	
  and	
  write	
  a	
  few	
  sentences.	
  
•  Students	
  fill	
  in	
  their	
  Winter	
  with	
  their	
  choice	
  
informaFon.	
  
•  Read	
  Spring.	
  	
  Students	
  fill	
  in	
  their	
  Spring	
  
independently.	
  
• 
• 
• 
• 
45 min. – Guided Reading
•  Word	
  work	
  

–  Word	
  families,	
  words	
  from	
  text,	
  le^ers,	
  sounds	
  	
  	
  

•  Few	
  sight	
  words	
  

–  Word	
  games	
  –	
  5	
  minutes	
  

•  Strategies	
  of	
  good	
  readers	
  

–  Build,	
  review,	
  focus	
  on	
  one	
  

• 
• 
• 
• 

Picture	
  walk	
  
Read	
  alone	
  
Read	
  with	
  teacher	
  
Choose	
  another	
  book	
  to	
  read	
  

–  From	
  previous	
  texts,	
  shared	
  texts,	
  can	
  reread	
  

•  Eyes	
  on	
  print	
  30	
  minutes/day	
  
Michelle Hikada, TL, RT
•  I	
  did	
  the	
  guided	
  reading	
  groups	
  as	
  a	
  combinaFon	
  of	
  my	
  Resource	
  and	
  
Library	
  Fme.	
  	
  Some	
  people	
  may	
  not	
  agree	
  but	
  I	
  see	
  my	
  role	
  as	
  librarian	
  as	
  
a	
  literacy	
  teacher	
  too	
  so	
  I	
  included	
  both	
  guided	
  reading	
  and	
  literature	
  
circles	
  into	
  my	
  role	
  as	
  librarian	
  	
  (I	
  only	
  did	
  15	
  minute	
  book	
  exchanges	
  so	
  
that	
  I	
  could	
  spend	
  the	
  rest	
  of	
  my	
  day	
  collaboraFng	
  and	
  teaching).	
  	
  Over	
  the	
  
year,	
  I	
  did	
  guided	
  reading	
  in	
  2	
  classrooms	
  (all	
  year)	
  and	
  literature	
  circles	
  in	
  
2	
  classroom	
  each	
  for	
  a	
  term	
  (I	
  followed	
  your	
  model	
  and	
  worked	
  with	
  3	
  
teachers	
  each	
  term	
  so	
  they	
  come	
  to	
  the	
  library	
  twice	
  a	
  week.)	
  	
  You	
  will	
  be	
  
excited	
  that	
  next	
  year	
  4	
  teachers	
  have	
  asked	
  for	
  literature	
  circles	
  and	
  for	
  
guided	
  reading	
  in	
  2.	
  	
  Explicit	
  reading	
  instrucFon	
  is	
  taking	
  over	
  
Diefenbaker!!!!	
  
•  The	
  second	
  class	
  this	
  year	
  got	
  4	
  blocks	
  each	
  week	
  starFng	
  aver	
  
springbreak.	
  	
  As	
  a	
  resource	
  team,	
  we	
  saw	
  a	
  few	
  of	
  these	
  students	
  at	
  risk	
  so	
  
we	
  wanted	
  to	
  focus	
  on	
  early	
  intervenFon	
  for	
  them.	
  	
  It	
  paid	
  off	
  because	
  all	
  
of	
  our	
  grade	
  ones	
  are	
  readers!!!	
  
Teresa Fayant
K
Stzuminus First Nation
Art 9/10
with Sheri Tompkins, Heritage Woods
•  Teacher	
  Modelling	
  
•  Students	
  have	
  ‘ Talking	
  about	
  Art’	
  sheet.	
  
•  Teacher	
  presents	
  a	
  piece	
  of	
  her	
  art,	
  using	
  
‘Talking	
  about	
  Art’	
  sheet	
  as	
  her	
  guide	
  and	
  
adding	
  her	
  own	
  ideas.	
  
•  T	
  turns	
  her	
  back;	
  students	
  discuss	
  and	
  record.	
  
•  T	
  writes	
  down	
  what	
  is	
  said	
  on	
  her	
  paper.	
  
Art 9/10
with Sheri Tompkins, Heritage Woods
•  Working	
  together	
  
•  Student	
  chooses	
  one	
  piece	
  of	
  his	
  art	
  for	
  feedback	
  
•  Student	
  self-­‐assesses,	
  presents	
  his	
  piece	
  to	
  his	
  
group	
  (of	
  4	
  or	
  5),	
  others	
  observe	
  silently,	
  student	
  
adds	
  his	
  comments.	
  
•  Student	
  turns	
  his	
  back.	
  	
  Group	
  members	
  discuss	
  
the	
  art	
  work,	
  using	
  the	
  criteria	
  sheet.	
  	
  No	
  
judgment,	
  likes	
  or	
  dislikes.	
  	
  Student	
  records	
  the	
  
remarks.	
  
•  Students	
  summarizes	
  his	
  feedback	
  and	
  others	
  
with	
  	
  
–  2	
  aspects	
  I	
  want	
  you	
  to	
  noFce	
  	
  
–  1	
  aspect	
  for	
  feedback	
  

•  The	
  art	
  work,	
  the	
  self-­‐assessment	
  and	
  the	
  
summary	
  are	
  handed	
  in	
  to	
  the	
  teacher.	
  
•  Teacher	
  responds,	
  following	
  the	
  summary	
  of	
  
the	
  student	
  direcFon.	
  
QuesFons	
  	
  Focus	
  on	
  what	
  you	
  see	
  and	
  what	
  you	
  feel.	
  	
  Give	
  first	
  impressions.	
  Give	
  gut	
  
reacFons.	
  Make	
  guesses.	
  
#1	
  What	
  stands	
  out	
  the	
  most	
  when	
  you	
  first	
  see	
  the	
  work?	
  
	
  The	
  (subject,	
  object,	
  element,	
  area)	
  that	
  stands	
  out	
  the	
  most	
  
is__________________	
  
#2	
  Explain	
  the	
  reason	
  you	
  noFce	
  the	
  thing	
  you	
  menFon	
  in	
  #1.	
  
	
  The	
  (object,	
  subject,	
  element,	
  area)	
  stands	
  out	
  because_____________________	
  
#3	
  As	
  you	
  keep	
  looking,	
  what	
  else	
  seems	
  important	
  or	
  stands	
  out?	
  
	
  The	
  other	
  part(s)	
  that	
  seem	
  important	
  or	
  that	
  stand	
  out	
  is/
are__________________	
  
#4	
  Why	
  does	
  the	
  thing	
  you	
  menFon	
  in	
  #3	
  seem	
  important?	
  
	
  These/this	
  other	
  part(s)	
  stand	
  out	
  or	
  seem	
  important	
  because	
  ________________	
  
…	
  #13	
  …	
  

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Bulkley valley.jan.2014.general

  • 1. Current and Effective Strategies across the grades and across the curriculum   Bulkley  Valley   January  16,  2014   Faye  Brownlie   www.slideshare.net  
  • 2. Learning Intentions •     I  can  design  lesson  sequences  using     the  principles  of  universal  design  for   learning  and  backwards  design  to   support  all  learners.   •    I  have  a  plan  to  work  with  others  –  or   another.   •         I  have  a  plan  to  conFnue  to  ask  the   quesFons,  ”How  is  what  I  am  doing   supporFng  the  learning  of  all  my  students?”   and  “How  do  I  know?”  
  • 4.
  • 5. AFL   •  Using  informaFon  about  student   achievement/learning  to  adjust  the   subsequent  teaching   •  Whole  class  adjustment   •  Personalized/differenFated  adjustment  
  • 6. “The  most  powerful  single  influence  enhancing   achievement  is  feedback”-­‐Dylan  Wiliam   •  Quality  feedback  is  needed,  not  just  more  feedback   •  Students  with  a  Growth  Mindset  welcome  feedback   and  are  more  likely  to  use  it  to  improve  their   performance   •  Oral  feedback  is  much  more  effecFve  than  wri^en   •  The  most  powerful  feedback  is  provided  from  the   student  to  the  teacher  
  • 7. You’re  born  with  what  you  got…   and  that’s  that!   It’s  fixed......or…  
  • 8. Your  brain  is  like  a  muscle.   It  can  grow…and  will  with  pracFce    
  • 9. Universal Design for Learning MulFple  means:   -­‐to  tap  into  background  knowledge,  to  acFvate   prior  knowledge,  to  increase  engagement  and   moFvaFon   -­‐to  acquire  the  informaFon  and  knowledge  to   process  new  ideas  and  informaFon   -­‐to  express  what  they  know.                        Rose  &  Meyer,  2002  
  • 10. Features  of  High-­‐Engagement  Learning   Environments   •  available  supply  of  appropriately  difficult  texts   •  opFons  that  allow  students  more  control  over   the  texts  to  be  read  and  the  work  to  be   accomplished   •  the  collaboraFve  nature  of  much  of  the  work   •  the  opportunity  to  discuss  what  was  read  and   wri^en   •  the  meaningfulness  of  the  acFviFes   •  Allington  &  Johnston,  2002;  Presley,  2002;    Wigfield,  1997;  Almasi  &  McKeown,  1996;   Turner,  1995  
  • 11. Essential Lesson Components •  •  •  •  •  EssenFal  quesFon/learning  intenFon/a  big  idea   Open-­‐ended  strategies:    connect-­‐process-­‐transform   DifferenFaFon  –  choice,  choice,  choice   Assessment  for  learning   Gradual  release  of  responsibility   –  Model   –  Guided  pracFce   –  Independent  pracFce  
  • 12. Tara  O’Reilly,  Burnaby  Mountain   Secondary  
  • 13. _ _ _ _ _ _ L M X A S T O L _ _ F U J A C
  • 14. _ _ _ _ _ _ S E L V X V T N _ _ _ C O A I B
  • 15. _ _ _ _ _ _ I E H A H T N _ _ _ CO2    +    PO4      +    H2O        OUT C P I D R S
  • 16. _ _ _ _ _ _ _ F E E E L D S V _ T N C O I
  • 17. Things  to  Think  about…   How  are  the  following  pictures   similar?   How  are  the  following  pictures   different?   Is  there  a  common  theme  among   these  pictures?  
  • 18.
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  • 20.
  • 21.
  • 23.
  • 24.
  • 25.
  • 26.
  • 27.
  • 28.
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  • 32. Information Writing – Grade 1/2 with Nicole Cherry, Mundy Road Elementary Goal:    communicate  informaFon  in  wriFng   What  do  you  know  about  bears?   Chart,  labeled  with  the  4  seasons   Examine  text  cover  and  table  of  contents.    Predict   and  connect  to  ‘knowns’.   •  Read  Winter  and  write  a  few  sentences.   •  Students  fill  in  their  Winter  with  their  choice   informaFon.   •  Read  Spring.    Students  fill  in  their  Spring   independently.   •  •  •  • 
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  • 49. 45 min. – Guided Reading •  Word  work   –  Word  families,  words  from  text,  le^ers,  sounds       •  Few  sight  words   –  Word  games  –  5  minutes   •  Strategies  of  good  readers   –  Build,  review,  focus  on  one   •  •  •  •  Picture  walk   Read  alone   Read  with  teacher   Choose  another  book  to  read   –  From  previous  texts,  shared  texts,  can  reread   •  Eyes  on  print  30  minutes/day  
  • 50. Michelle Hikada, TL, RT •  I  did  the  guided  reading  groups  as  a  combinaFon  of  my  Resource  and   Library  Fme.    Some  people  may  not  agree  but  I  see  my  role  as  librarian  as   a  literacy  teacher  too  so  I  included  both  guided  reading  and  literature   circles  into  my  role  as  librarian    (I  only  did  15  minute  book  exchanges  so   that  I  could  spend  the  rest  of  my  day  collaboraFng  and  teaching).    Over  the   year,  I  did  guided  reading  in  2  classrooms  (all  year)  and  literature  circles  in   2  classroom  each  for  a  term  (I  followed  your  model  and  worked  with  3   teachers  each  term  so  they  come  to  the  library  twice  a  week.)    You  will  be   excited  that  next  year  4  teachers  have  asked  for  literature  circles  and  for   guided  reading  in  2.    Explicit  reading  instrucFon  is  taking  over   Diefenbaker!!!!   •  The  second  class  this  year  got  4  blocks  each  week  starFng  aver   springbreak.    As  a  resource  team,  we  saw  a  few  of  these  students  at  risk  so   we  wanted  to  focus  on  early  intervenFon  for  them.    It  paid  off  because  all   of  our  grade  ones  are  readers!!!  
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  • 60. Art 9/10 with Sheri Tompkins, Heritage Woods •  Teacher  Modelling   •  Students  have  ‘ Talking  about  Art’  sheet.   •  Teacher  presents  a  piece  of  her  art,  using   ‘Talking  about  Art’  sheet  as  her  guide  and   adding  her  own  ideas.   •  T  turns  her  back;  students  discuss  and  record.   •  T  writes  down  what  is  said  on  her  paper.  
  • 61. Art 9/10 with Sheri Tompkins, Heritage Woods •  Working  together   •  Student  chooses  one  piece  of  his  art  for  feedback   •  Student  self-­‐assesses,  presents  his  piece  to  his   group  (of  4  or  5),  others  observe  silently,  student   adds  his  comments.   •  Student  turns  his  back.    Group  members  discuss   the  art  work,  using  the  criteria  sheet.    No   judgment,  likes  or  dislikes.    Student  records  the   remarks.  
  • 62. •  Students  summarizes  his  feedback  and  others   with     –  2  aspects  I  want  you  to  noFce     –  1  aspect  for  feedback   •  The  art  work,  the  self-­‐assessment  and  the   summary  are  handed  in  to  the  teacher.   •  Teacher  responds,  following  the  summary  of   the  student  direcFon.  
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  • 67. QuesFons    Focus  on  what  you  see  and  what  you  feel.    Give  first  impressions.  Give  gut   reacFons.  Make  guesses.   #1  What  stands  out  the  most  when  you  first  see  the  work?    The  (subject,  object,  element,  area)  that  stands  out  the  most   is__________________   #2  Explain  the  reason  you  noFce  the  thing  you  menFon  in  #1.    The  (object,  subject,  element,  area)  stands  out  because_____________________   #3  As  you  keep  looking,  what  else  seems  important  or  stands  out?    The  other  part(s)  that  seem  important  or  that  stand  out  is/ are__________________   #4  Why  does  the  thing  you  menFon  in  #3  seem  important?    These/this  other  part(s)  stand  out  or  seem  important  because  ________________   …  #13  …