1. DCA is co-funded by the CIP-ICT Policy Support Programme of the European Union
2. THE DCA PROJECT
Pilot B project in the EU CIP-ICT PSP programme
PACKED vzw – Centre of Expertise in Digital Heritage (BE)
25 partners from 12 countries
21 content providers – European museums and other art
institutions
4 technical partners
1/1/11 – 30/6/13
Budget 3.947.286
Funding of 50%
DCAisco-fundedbytheCIP-ICTPolicySupportProgrammeoftheEuropeanUnion
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Kick-off meeting in Brussels, january 2011
3. 3
DCAisco-fundedbytheCIP-ICTPolicySupportProgrammeoftheEuropeanUnion
Frissiras Museum (Athens), MMCA - Macedonian Museum of Contemporary Art (Thessaloniki), National
Gallery-Alexandros Soutzos Museum (Athens), National Gallery of Iceland (Reykjavik), RAM - Reykjavík
Art Museum (Reykjavik), Latvian Centre for Contemporary Art (Riga), Museum Boijmans Van Beuningen
(Rotterdam), NIMk - Netherlands Institute for Media Art (Amsterdam), WRO Art Center (Wroclaw), Ars
Electronica (Linz), argos - centre for art and media (Brussels), MAC’s - Museum of Contemporary Art of
the French Community of Belgium (Grand-Hornu), Mu.ZEE – Collection of the province of West Flanders
and the City of Ostend (Ostend), Royal Museum of Fine Arts of Belgium (Brussels), MMSU - Museum of
Modern and Contemporary Art Rijeka (Rijeka), EMAF – European Media Art Festival (Osnabrück), HfG –
Staatliche Hochschule für Gestaltung Karlsruhe (Karlsruhe), transmediale (Berlin)
4. THE GOAL (I)
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DCAisco-fundedbytheCIP-ICTPolicySupportProgrammeoftheEuropeanUnion
Digitisation workshop
Brussels, february 2011
“Digitising European Contemporary Artworks and aggregating the
created digital reproductions to Europeana – the single access
point of Europe’s cultural heritage”
Digitising works made after 1945
Around 27.000 contemporary artworks
And 2.000 contextual documents
# types: drawing, multimedia-installation, sculpture …
6. Not only ‘digitising for Europeana’ according to the motto
‘digitise once for all purposes’
Identification of best practices for
Digitisation (WP4)
Metadata attribution (WP3)
Long term preservation (WP6)
Aggregation (WP5)
And in some cases
Collection management system?
Rights management?
Online (collection) platform?
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DCAisco-fundedbytheCIP-ICTPolicySupportProgrammeoftheEuropeanUnion
THE GOAL (II)
7. PREPARATION
Assessment of expertise
present with the partners by
means of detailed
questionnaire:
Knowledge of digital formats
Metadata practices
Long term preservation
policy
…
DCAisco-fundedbytheCIP-ICTPolicySupportProgrammeoftheEuropeanUnion
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8. PREPARATION
Template of digitisation plan
Completed based on own
workflow + digitisation
guidelines
Tech parameters
Timing
Handling
…
DCAisco-fundedbytheCIP-ICTPolicySupportProgrammeoftheEuropeanUnion
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11. AGGREGATION
No dedicated content portal or single aggregator
Showcase of DCA content through implementation of the
Europeana API on the DCA project website
Distributed aggregation to Europeana through
DCA-MINT by NTUA (6 partners)
GAMA – Gateway to Archives of Media Art (5 partners)
National aggregators (6 partners: Austria, Spain, the
Netherlands, Croatia, Slovenia, Latvia)
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DCAisco-fundedbytheCIP-ICTPolicySupportProgrammeoftheEuropeanUnion
15. SHARING KNOWLEDGE
Public deliverables available through the project website
Additionally:
Template for digitisation plan
Monitoring sheet
Also available for re-use in other digitisation projects
-> write to info@packed.be to get your copy
DCA wiki: contribute your own expertise and experiences with
digitisation on http://wiki.dca-project.eu/
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DCAisco-fundedbytheCIP-ICTPolicySupportProgrammeoftheEuropeanUnion
17. Thanks for your attention!
www.digitisingcontemporaryart.eu
www.dca-project.eu
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DCAisco-fundedbytheCIP-ICTPolicySupportProgrammeoftheEuropeanUnion