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And then there were twelve
Eric Rodenbeck
@stamen
#EYEO2014
And then there were twelve
Eric Rodenbeck
@stamen
#EYEO2014
1. It’s been a weird year
The market is changing
VCs are hiring designers in-house
Apple is hiring people from small firms like Stamen
It’s not working
Everything you do is being harvested
Traffic & round trip times
The Internet of Things is for suckers
The Internet of Things
Ambient Incidental Fucking Internet of Everything
This is just getting started
Data visualization is going to have more to say
Things are weird, but we’ll have jobs! Whee!
2. Stamen keeps changing too
2004
year 2
2006
year 4
2014
year 13
How do tinkerers thrive in the mainstream?
3. Why I’m doing this
Data visualization opens up new doors
collapses time into a few frames
and expands our ideas of what being in the world is
Crowdsourcing maps of private transit networks
Figuring out new ways to map the world
Mapping other worlds
4. Hacking into the mainstream
it’s getting easier to make maps
Stamen example 1: Maps From Scratch
Stamen example 2: mapstack.stamen.com
Stamen example 3: maptime.io
Atlanta @maptimeATL
Austin @maptimeATX
Boston @maptimeBoston
Chattanooga @maptimeCHA
Cleveland @opengeoCLE
Lexington @maptimeLEX
Cape Cod, Maine @maptimeME
New York @maptimeNYC
Oakland @maptimeOAK
Portland @maptimePDX
Salt Lake City @maptimeSLC
San Francisco @maptime SF
St. Johns, OR @maptimeStJohns
Toronto @maptimeTO
Washington DC @maptimeDC
Windsor-Essex @maptimeWindsor
It’s getting easier to do, and we need to be ready
looking at early photography is instructive
mostly nerds doing it
it’s alot about the tech
what’s in? what’s out?
“The members of Group f/64 believe that
photography, as an art form, must develop
along lines defined by the actualities and
limitations of the photographic medium, and
must always remain independent of ideological
conventions of art and aesthetics that are
reminiscent of a period and culture antedating
the growth of the medium itself.”
“The members of Stamen believe that data
visualization, as an art form, must develop
along lines defined by the actualities and
limitations of the data visualization medium,
and must always remain independent of
ideological conventions of art and aesthetics
that are reminiscent of a period and culture
antedating the growth of the medium itself.”
It’s getting easier to do, and we need to be ready
the view from here
It’s getting more popular, and we need to be ready
It’s going to happen quicker than we think
5. Sustainable business model for visualizers
and then there were twelve*
*(ok 14)
It can’t be just about the $
This can be confusing
They don’t teach this shit in data visualization school
Things I have learned:
a. Someone has to own 51%
b. Invest in operations earlier than you want to
This is Bill
c. People leave
This is me and Mike
This is Seth
(there are lots more people who can do this now)
http://stamen.com/studio/alumni
d. People over process every time
e. Fire early, fire often
(these will be your friends)
f. Someone’s going to have to stop coding
g. Designers & coders make terrible managers
h. Pay it forward & engage community
6. This will eat your head. Business is personal
People leave
Money can be tight
Clients can be a drag
Demons in your head
Uncertain future
When everything stopped
Past. Future.
7. Why I’m still here
The reveal, of objects to think with
Climate Central
The future
Independent practitioners
Aha! moments
Thank you EYEO
Onwards!
@stamen

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Eyeo 2014: And Then There Were Twelve. How to (keep) running a successful data visualization design studio