Kerry James Marshall's 1999-2000 piece "RHYTHMMASTR" uses a West African superhero to highlight cultural and situational irony in late 1990s America. The false hero represents how police departments are supposed to protect but instead destroy communities through police brutality and killing youth. In Kara Walker's 2000 piece "Mistress Demanded a Swift and Dramatic Empathetic Reaction Which We Obliged Her," the artist establishes a "female heroine" effect by depicting subjects overcoming tyranny through personal awakening and confronting reality. Walton Ford's 2000 piece "ACabin BoytoBarbary" magnifies history using nature, employing the same techniques as early natural history artists