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Francis Bacon




                                 (Painting of “Francis Bacon” by Reginald Gray)

          Francis Bacon was an Irishfigurative painter known for his bold, graphic and emotionally raw
          imagery. He was born on the “28th October 1909 and died on 28th April 1992. Bacon's
          painterly but abstracted figures typically appear isolated in glass or steel geometrical cages
          set against flat, nondescript backgrounds. He began painting during his early 20s and worked
          only sporadically until his mid-30s. Before this time he drifted, earning his living as an
          interior decorator and designer of furniture and rugs. Later, he admitted that his career was
          delayed because he had spent too long looking for a subject that would sustain his interest.
          His breakthrough came with the 1944 triptychThree Studies for Figures at the Base of a
          Crucifixion, and it was this work and his heads and figures of the late 1940s through to the
          mid-1950s that sealed his reputation as a notably bleak chronicler of the human condition.




                                                                                                  Study for the
Head I (1948)                                                                                     Head of George
                                                                                                  Dyer (1966)




                                               Head VI (1948)
                                               (Arts Council of
                                               England)

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Francis bacon

  • 1. Francis Bacon (Painting of “Francis Bacon” by Reginald Gray) Francis Bacon was an Irishfigurative painter known for his bold, graphic and emotionally raw imagery. He was born on the “28th October 1909 and died on 28th April 1992. Bacon's painterly but abstracted figures typically appear isolated in glass or steel geometrical cages set against flat, nondescript backgrounds. He began painting during his early 20s and worked only sporadically until his mid-30s. Before this time he drifted, earning his living as an interior decorator and designer of furniture and rugs. Later, he admitted that his career was delayed because he had spent too long looking for a subject that would sustain his interest. His breakthrough came with the 1944 triptychThree Studies for Figures at the Base of a Crucifixion, and it was this work and his heads and figures of the late 1940s through to the mid-1950s that sealed his reputation as a notably bleak chronicler of the human condition. Study for the Head I (1948) Head of George Dyer (1966) Head VI (1948) (Arts Council of England)