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THE HISTORY OF 
PHOTOGRAPHY 
By Connor Whelan
Photographs are now common within the modern world with millions being shared daily through 
social networking and used everyday to capture memories, to create art and are a vital piece of 
modern medicine. 
To mid-19th century observers photography seemed capable of capturing the world whole rather 
than describing and interpreting it as drawing did they called it “The mirror with a memory” a 
phrase coined by 
Dr Oliver .W. Holmes
Giphante 
 Giphante is a fictional story written by de la Roche. 
 Within the book De La Roche writes about capturing images from nature on a canvas 
which had been coated in a sticky substance. 
 When left in the dark these images would become permanently etched onto the 
canvas 
 Little did this man know he was predicting the invention and early forms of a 
fundamental piece of technology that is used in modern life. 
 De La Roche died decades before the camera was invented 
and never knew that this would hold any relevance in 
mass society as it does today.
The Origin of Photography 
 The first use of the word Photography 
was by a man names John F.W. 
Herschel and translates from the greek 
origin φωτός (Photos), genitive of φῶς 
(phōs), "light"and γραφή (graphé) 
"representation by means of lines" or 
"drawing",together meaning "drawing 
with light".
Camera Obscura 
 The camera obscura is a dark box/room which is lens-less and holds the ability to 
project an image from whatever it is that is facing the pinhole on the side of the box 
onto the opposing wall. The incorporation of a lense to the camera obscura in the 
17th century allowed for a crisper and brighter image, resulting in the foundations for 
modern day camera’s. 
 It can be used to safely view both solar eclipses and the sun. 
 Light from only one part of a scene will pass through 
the hole and strike a specific part of the back wall. 
The projection is made on paper from which 
an artist can then copy.
Camera Obscura and Art 
Photgraphy created an impetus for painters to forsake straight forward description in favour of 
more interpretive abstract styles such as impressionism, cubism and abstract impressions 
It is believed that many artists would use the camera obscura in secrecy to cut down on time 
and effort taken and put into a painting, there is much supporting evidence towards this theory 
and it is believed that artists such as Vermeer were partial to the method.
Chemical Photgraphy 
 Chemical photography revolutionized the process and sealing it through the medium 
of creating permanent images. 
 The earliest recorder photograph was by a man named Nicephore Niepce 
 It was taken in 1836 and took 8 hours to develop and be exposed, The image was 
over exposed as can be seen by the amount of sunlight on both building within the 
picture 
 The method consisted of using a metal plate 
within the camera of which the image 
would be etched onto. 
 He called the method 
heliography (sun writing)
Daguerrotypes 
Nicephore continued his exploration into this field with the help of a man named Lois 
Daguerre, They experimented with Johann Heinrich Shultzs discovery in 1724 that a silver and 
chalk mixture darkens when exposed to light. This led to more visibly pleasing photographs 
with a sharper definition. 
Nicephore died in 1833 but the work was carried on by Daguerre who polished the method to 
a point that cut the exposure time down substantially and photgraphs only took half of an 
hour to expose. These pictures became known as Daguerrotypes. 
He did this by Braising a coating on to a copper plate with silver eventing in fine rich details. 
This meant that Early photographers would also have to have a basic knowledge as a 
chemist. 
This soon took off as a massive trend and was referred to by a Paris news paper as 
“Dagurotypomania” which consisted of post mortem portraits and calling cards for the 
wealthy. It still remained an expensive process and the prints could not be reproduced
Calotype 
A method invented by William Henry Fox Talbot The calotype negative provided the first 
practical method of producing prints on paper from a camera exposure. 
This provided a solution to the limitations of the daguerrotypes in that the prints could be 
reproduced an unlimited number of times compared to the one of a kind prints that that the 
daguerreotype permitted. 
The earliest paper negative was taken in August 1835 by Fox Talbot at his home Lacock abbey 
The print was poor in quality compared to the daguerreotype and was one 1” in size. By 18 44 
he had made improvements to the method and published a photography book called “The 
Pencil of Nature”
Fredrich Scott Archer 
Interest in daguerreotypes dwindled in Europe after 1851, when English photographer Frederick 
Scott Archer invented the collodion, or wetplate process. This was a negative-topositive process, 
but because the negatives were made of smooth glass rather than paper, the collodion process 
produced much sharper images. 
Using the collodion method, French painter and photographer Adolphe Disdéri in 1854 invented the 
carte-de-visite, a form of photographic calling card, which soon became the new rage 
Photographers using the collodion, or wet-plate, process hauled their large cameras, tripods, and 
portable darkrooms to the farthest reaches of Europe‟s imperial quest in the years between 1850 
and 1870.
Civil War 
The Civil War in the United States (1861-1865) was the first war to be thoroughly recorded by 
photography Matthew Brady
Photography and Industrialisation 
As industrialization came to define Western life in the 19th century, industry employed 
photography to portray its successes and strengths. For example, in 1857 British photographer 
Robert Howlett took pictures of the British steamship Great Eastern, the largest vessel of its 
day.
Medical uses of photography 
photography proved useful to medicine 
and the social sciences Doctors wanted 
beforeand-after pictures of wounded Civil 
War soldiers to study the effects of 
amputation and invasive surgery… 
Psychologists studied photographs of 
mental patients in an attempt to visually 
discern their disorders. Photographers 
recorded the features of criminals, not 
only as a means of identification, but also 
in an effort to identify physical 
characteristics, which criminologists then 
believed might correspond with criminal 
behaviour.
Photography and the study of Human & Animal 
movement 
The development of faster cameras in the 
1870s spurred scientists and others to 
use photography in the study of human 
and animal movement. In 1878 Muybridge 
used a series of photographs of a 
galloping horse to demonstrate to the 
world that the animal lifts all four feet off 
the ground at once. 
French physiologist Etienne-Jules Marey 
also followed Muybridge‟s example and 
devised a special camera to record 
sequential photographs on a single plate. 
The resulting photographs showed an 
echoing trail of images that recorded the 
subject‟s movement in both time and 
space. Marey used this method to 
develop insights into the flight of birds, 
human movement, and the workings of 
the human eye.
Photography and Poverty 
In the last quarter of the 19th century the 
camera helped record the plight of the 
dispossessed, displaced, and overlooked. 
One of the earliest attempts to document 
urban poverty was made by Scottish 
photographer Thomas Annan, who aimed 
his camera at the empty, unsanitary 
alleyways of Glasgow in 1868 City officials 
commissioned Annan’s documentation to 
justify replacement of Glasgow’s unsavory 
slums with new development.
Photography’s 50th birthday 
photography celebrated its 50th 
anniversary in 1889, the average person 
was familiar with what photographs 
looked like and probably kept some at 
home, but few people took photographs 
themselves. In addition, most 
photographs existed as unique originals, 
because copies were still difficult to 
make. All this soon changed as a result of 
two important introductions: the simple-to- 
use Kodak camera and the halftone 
printing process.
The Kodak 
The use of photographic film was 
pioneered by George Eastman, who 
started manufacturing paper film in 1885 
before switching to celluloid in 1889. His 
first camera, which he called the "Kodak," 
was first offered for sale in 1888. It was a 
very simple box camera with a fixed-focus 
lens and single shutter speed, which along 
with its relatively low price appealed to 
the average consumer. The Kodak came 
pre-loaded with enough film for 100 
exposures and needed to be sent back to 
the factory for processing and reloading 
when the roll was finished.
The Brownie 
In 1900, Eastman took massmarket 
photography one step further with the 
Brownie, a simple and very inexpensive 
box camera that introduced the concept 
of the snapshot. The Brownie was 
extremely popular and various models 
remained on sale until the 1960s.
The Snapshot 
The snapshot expanded photography‟s 
territory to include casual family scenes, 
candid views of everyday life, and 
instantaneous images that stopped 
motion in midair.Frenchman Jacques 
Henri Lartigue, began taking snapshots at 
the age of six. In this snapshot, taken 
when he was a child of his cousin appears 
suspended over a flight of stairs, 
miraculously posing for the camera in the 
middle of her flying leap.
The Simplicification of Photography 
35mm As early as 1905, Oscar Barnack 
had the idea of reducing the format of 
negatives and then enlarging the 
photographs after they had been 
exposed. As development manager at 
Leica, he was able to put his theory into 
practice. He took an instrument for taking 
exposure samples for cinema film and 
turned it into the world's first 35 mm 
camera: the 'Ur-Leica'.
Photography to a mass audience 
As the technology for reproducing 
photographs improved in the first decade 
of the 20th century, a new world of 
images began to make the world seem 
smaller and its manufactured goods more 
desirable. Along with motion pictures, 
which the Lumière brothers of France 
introduced to the world in 1895, 
photographs in reproduction led to new 
concepts of celebrity, culture, advertising, 
and entertainment, all of which depended 
on the availability of a mass audience….
Fashion Photography 
Fashion photography developed along 
with the new picture magazines. Confined 
at first to studio portraits of society 
women in their finery, it turned to 
professional models and professional 
photographers to enliven images and 
entice the reader.
Digital Photography 
Digital Photography Digital camera 
technology is directly related to and 
evolved from the same technology that 
recorded television images. In 1986, 
Kodak scientists invented the world's first 
megapixel sensor, capable of recording 
1.4 million pixels that could produce a 
5x7-inch digital photo-quality print. 
resolution images could be stored in 
internal memory 
Today, the technology is massively 
advanced, with high res cameras even 
incorporated as commonplace in mobile 
phones
Photography Today 
“Today photography remains a vital and 
inextricable part of contemporary art, as 
well as retaining its commercial and more 
everyday uses. The invention of various 
digital means of making, altering, and 
transmitting images has thus far failed to 
curtail interest in traditional methods of 
picture making. Nor has such technology 
lessened the faith most people have in 
the documentary truth of photographs.” 
Cindy Sherman

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The History of Photography

  • 1. THE HISTORY OF PHOTOGRAPHY By Connor Whelan
  • 2. Photographs are now common within the modern world with millions being shared daily through social networking and used everyday to capture memories, to create art and are a vital piece of modern medicine. To mid-19th century observers photography seemed capable of capturing the world whole rather than describing and interpreting it as drawing did they called it “The mirror with a memory” a phrase coined by Dr Oliver .W. Holmes
  • 3. Giphante  Giphante is a fictional story written by de la Roche.  Within the book De La Roche writes about capturing images from nature on a canvas which had been coated in a sticky substance.  When left in the dark these images would become permanently etched onto the canvas  Little did this man know he was predicting the invention and early forms of a fundamental piece of technology that is used in modern life.  De La Roche died decades before the camera was invented and never knew that this would hold any relevance in mass society as it does today.
  • 4. The Origin of Photography  The first use of the word Photography was by a man names John F.W. Herschel and translates from the greek origin φωτός (Photos), genitive of φῶς (phōs), "light"and γραφή (graphé) "representation by means of lines" or "drawing",together meaning "drawing with light".
  • 5. Camera Obscura  The camera obscura is a dark box/room which is lens-less and holds the ability to project an image from whatever it is that is facing the pinhole on the side of the box onto the opposing wall. The incorporation of a lense to the camera obscura in the 17th century allowed for a crisper and brighter image, resulting in the foundations for modern day camera’s.  It can be used to safely view both solar eclipses and the sun.  Light from only one part of a scene will pass through the hole and strike a specific part of the back wall. The projection is made on paper from which an artist can then copy.
  • 6. Camera Obscura and Art Photgraphy created an impetus for painters to forsake straight forward description in favour of more interpretive abstract styles such as impressionism, cubism and abstract impressions It is believed that many artists would use the camera obscura in secrecy to cut down on time and effort taken and put into a painting, there is much supporting evidence towards this theory and it is believed that artists such as Vermeer were partial to the method.
  • 7. Chemical Photgraphy  Chemical photography revolutionized the process and sealing it through the medium of creating permanent images.  The earliest recorder photograph was by a man named Nicephore Niepce  It was taken in 1836 and took 8 hours to develop and be exposed, The image was over exposed as can be seen by the amount of sunlight on both building within the picture  The method consisted of using a metal plate within the camera of which the image would be etched onto.  He called the method heliography (sun writing)
  • 8. Daguerrotypes Nicephore continued his exploration into this field with the help of a man named Lois Daguerre, They experimented with Johann Heinrich Shultzs discovery in 1724 that a silver and chalk mixture darkens when exposed to light. This led to more visibly pleasing photographs with a sharper definition. Nicephore died in 1833 but the work was carried on by Daguerre who polished the method to a point that cut the exposure time down substantially and photgraphs only took half of an hour to expose. These pictures became known as Daguerrotypes. He did this by Braising a coating on to a copper plate with silver eventing in fine rich details. This meant that Early photographers would also have to have a basic knowledge as a chemist. This soon took off as a massive trend and was referred to by a Paris news paper as “Dagurotypomania” which consisted of post mortem portraits and calling cards for the wealthy. It still remained an expensive process and the prints could not be reproduced
  • 9. Calotype A method invented by William Henry Fox Talbot The calotype negative provided the first practical method of producing prints on paper from a camera exposure. This provided a solution to the limitations of the daguerrotypes in that the prints could be reproduced an unlimited number of times compared to the one of a kind prints that that the daguerreotype permitted. The earliest paper negative was taken in August 1835 by Fox Talbot at his home Lacock abbey The print was poor in quality compared to the daguerreotype and was one 1” in size. By 18 44 he had made improvements to the method and published a photography book called “The Pencil of Nature”
  • 10. Fredrich Scott Archer Interest in daguerreotypes dwindled in Europe after 1851, when English photographer Frederick Scott Archer invented the collodion, or wetplate process. This was a negative-topositive process, but because the negatives were made of smooth glass rather than paper, the collodion process produced much sharper images. Using the collodion method, French painter and photographer Adolphe Disdéri in 1854 invented the carte-de-visite, a form of photographic calling card, which soon became the new rage Photographers using the collodion, or wet-plate, process hauled their large cameras, tripods, and portable darkrooms to the farthest reaches of Europe‟s imperial quest in the years between 1850 and 1870.
  • 11. Civil War The Civil War in the United States (1861-1865) was the first war to be thoroughly recorded by photography Matthew Brady
  • 12. Photography and Industrialisation As industrialization came to define Western life in the 19th century, industry employed photography to portray its successes and strengths. For example, in 1857 British photographer Robert Howlett took pictures of the British steamship Great Eastern, the largest vessel of its day.
  • 13. Medical uses of photography photography proved useful to medicine and the social sciences Doctors wanted beforeand-after pictures of wounded Civil War soldiers to study the effects of amputation and invasive surgery… Psychologists studied photographs of mental patients in an attempt to visually discern their disorders. Photographers recorded the features of criminals, not only as a means of identification, but also in an effort to identify physical characteristics, which criminologists then believed might correspond with criminal behaviour.
  • 14. Photography and the study of Human & Animal movement The development of faster cameras in the 1870s spurred scientists and others to use photography in the study of human and animal movement. In 1878 Muybridge used a series of photographs of a galloping horse to demonstrate to the world that the animal lifts all four feet off the ground at once. French physiologist Etienne-Jules Marey also followed Muybridge‟s example and devised a special camera to record sequential photographs on a single plate. The resulting photographs showed an echoing trail of images that recorded the subject‟s movement in both time and space. Marey used this method to develop insights into the flight of birds, human movement, and the workings of the human eye.
  • 15. Photography and Poverty In the last quarter of the 19th century the camera helped record the plight of the dispossessed, displaced, and overlooked. One of the earliest attempts to document urban poverty was made by Scottish photographer Thomas Annan, who aimed his camera at the empty, unsanitary alleyways of Glasgow in 1868 City officials commissioned Annan’s documentation to justify replacement of Glasgow’s unsavory slums with new development.
  • 16. Photography’s 50th birthday photography celebrated its 50th anniversary in 1889, the average person was familiar with what photographs looked like and probably kept some at home, but few people took photographs themselves. In addition, most photographs existed as unique originals, because copies were still difficult to make. All this soon changed as a result of two important introductions: the simple-to- use Kodak camera and the halftone printing process.
  • 17. The Kodak The use of photographic film was pioneered by George Eastman, who started manufacturing paper film in 1885 before switching to celluloid in 1889. His first camera, which he called the "Kodak," was first offered for sale in 1888. It was a very simple box camera with a fixed-focus lens and single shutter speed, which along with its relatively low price appealed to the average consumer. The Kodak came pre-loaded with enough film for 100 exposures and needed to be sent back to the factory for processing and reloading when the roll was finished.
  • 18. The Brownie In 1900, Eastman took massmarket photography one step further with the Brownie, a simple and very inexpensive box camera that introduced the concept of the snapshot. The Brownie was extremely popular and various models remained on sale until the 1960s.
  • 19. The Snapshot The snapshot expanded photography‟s territory to include casual family scenes, candid views of everyday life, and instantaneous images that stopped motion in midair.Frenchman Jacques Henri Lartigue, began taking snapshots at the age of six. In this snapshot, taken when he was a child of his cousin appears suspended over a flight of stairs, miraculously posing for the camera in the middle of her flying leap.
  • 20. The Simplicification of Photography 35mm As early as 1905, Oscar Barnack had the idea of reducing the format of negatives and then enlarging the photographs after they had been exposed. As development manager at Leica, he was able to put his theory into practice. He took an instrument for taking exposure samples for cinema film and turned it into the world's first 35 mm camera: the 'Ur-Leica'.
  • 21. Photography to a mass audience As the technology for reproducing photographs improved in the first decade of the 20th century, a new world of images began to make the world seem smaller and its manufactured goods more desirable. Along with motion pictures, which the Lumière brothers of France introduced to the world in 1895, photographs in reproduction led to new concepts of celebrity, culture, advertising, and entertainment, all of which depended on the availability of a mass audience….
  • 22. Fashion Photography Fashion photography developed along with the new picture magazines. Confined at first to studio portraits of society women in their finery, it turned to professional models and professional photographers to enliven images and entice the reader.
  • 23. Digital Photography Digital Photography Digital camera technology is directly related to and evolved from the same technology that recorded television images. In 1986, Kodak scientists invented the world's first megapixel sensor, capable of recording 1.4 million pixels that could produce a 5x7-inch digital photo-quality print. resolution images could be stored in internal memory Today, the technology is massively advanced, with high res cameras even incorporated as commonplace in mobile phones
  • 24. Photography Today “Today photography remains a vital and inextricable part of contemporary art, as well as retaining its commercial and more everyday uses. The invention of various digital means of making, altering, and transmitting images has thus far failed to curtail interest in traditional methods of picture making. Nor has such technology lessened the faith most people have in the documentary truth of photographs.” Cindy Sherman