SlideShare uma empresa Scribd logo
1 de 2
The Usual SuspectsV for VendettaFight ClubDistrict 9Reservoir DogsLéonTitlingN/AFire on black background. Otherwise N/ABlue/white animation interceded with white credits against black backgroundWhite font on black background after companies. Fade in/outBlack background, yellow font. Fade in/out; not actual creditsWhite over black background; then credits in light font over video.Camera MovementStill; zoom in; tilt shots (x2)Tracking shot; vertical tilt; crane shotZoom outZoom; crabbing shot; point-of-view shotTracking shot (camera not focused on one character)High shots from crane or helicopter; zoomFraming of shotMedium close-up; long-shot; close up (of object)Extreme long shot; medium close up; medium long shotClose up; medium close upMedium close up; extreme long shotMedium close-up; close-upExtreme long-shot; long-shot; extreme close upCamera anglesLow angleHigh angle on othersLow angle looking up at someoneStraight on from a distance. Characters from low angleEye-levelEye-levelMise-en-sceneDark; little light; two charactersVery dark; very light; no strong colour; clothing sets eraLow lighting; lots of dark; focus on the gun (object)High key lighting; washed-out colours but during day; props not focused on by cameraWashed-out colours; suits are bold; can see location but not much of itDark around people; light location; washed out colours; objects focused onEditingSlow cutting rate; matched cutsIncreased cutting rate with action; matched cuts; jump cutsMatched cuts; no reverse shots even though there is dialogueJump cuts from scene-to-scene; follows style of documentaryMatched cutsJump cut for location; reverse shots with dialogueSound techniquesBGM; dialogue; sound effectsNon-diegetic dialogue; no BGM; sound effectsLoud BGM during credits, then silent; non-diegetic dialogueNo BGM; dialogue; sound effectsNo BGM; dialogue and sound effectsBGM with titles; dialoguePositioning and MovementMovement from one man; both kept roughly in centreKept in centre of screenNot in the complete centre, but takes up most of the frameCentre of frame, only upper body and character moves lotsNo-one stays in shot for long; not lots of movement. All in centre of frameTakes up entire frame – one man moves more than the other.<br />
Comparison Table

Mais conteúdo relacionado

Mais procurados

Camera angle analysis
Camera angle analysisCamera angle analysis
Camera angle analysisdylan bottoms
 
Camera shots angles
Camera shots anglesCamera shots angles
Camera shots angleskfurness
 
Camera shots and angles
Camera shots and anglesCamera shots and angles
Camera shots and anglesKirstenMedia
 
Camera shots, angles and movements revision
Camera shots, angles and movements revision Camera shots, angles and movements revision
Camera shots, angles and movements revision selcan1997
 
Inception Camera Angles
Inception Camera Angles Inception Camera Angles
Inception Camera Angles JosephBell99
 
Cinematography Research
Cinematography ResearchCinematography Research
Cinematography ResearchMaryamH24
 
Symbolism in Films PowerPoint
Symbolism in Films PowerPointSymbolism in Films PowerPoint
Symbolism in Films PowerPointu1024811
 
Shooting Gallery Level One
Shooting Gallery Level OneShooting Gallery Level One
Shooting Gallery Level OneJon Corippo
 
Tomlinson unit 1 camera shots
 Tomlinson unit 1 camera shots Tomlinson unit 1 camera shots
Tomlinson unit 1 camera shots16tomlinsons
 
Camera shots power point
Camera shots power pointCamera shots power point
Camera shots power pointGlenn Butler
 
Tv Drama Key Vocab
Tv Drama Key VocabTv Drama Key Vocab
Tv Drama Key VocabJoe Bell
 
Shot sizes/ Camera angles/ Camera movement
Shot sizes/ Camera angles/ Camera movementShot sizes/ Camera angles/ Camera movement
Shot sizes/ Camera angles/ Camera movementsabah27
 
Crime thriller trailer analysis
Crime thriller trailer analysisCrime thriller trailer analysis
Crime thriller trailer analysissana0001
 
Camera shots, Angles, Movement and Composition final
Camera shots, Angles, Movement and Composition finalCamera shots, Angles, Movement and Composition final
Camera shots, Angles, Movement and Composition finalRianneWright96
 
Angle and shot guide
Angle and shot guide Angle and shot guide
Angle and shot guide AbbieToynton
 
Advanced Shooting Gallery
Advanced Shooting GalleryAdvanced Shooting Gallery
Advanced Shooting GalleryJon Corippo
 
Camera angles, shots, movement and positions
Camera angles, shots, movement and positionsCamera angles, shots, movement and positions
Camera angles, shots, movement and positions07schoh
 

Mais procurados (20)

Camera angle analysis
Camera angle analysisCamera angle analysis
Camera angle analysis
 
Camera shots angles
Camera shots anglesCamera shots angles
Camera shots angles
 
Camera shots and angles
Camera shots and anglesCamera shots and angles
Camera shots and angles
 
Camera shots, angles and movements revision
Camera shots, angles and movements revision Camera shots, angles and movements revision
Camera shots, angles and movements revision
 
Unit 1 shot types
Unit 1 shot typesUnit 1 shot types
Unit 1 shot types
 
Inception Camera Angles
Inception Camera Angles Inception Camera Angles
Inception Camera Angles
 
Cinematography Research
Cinematography ResearchCinematography Research
Cinematography Research
 
Symbolism in Films PowerPoint
Symbolism in Films PowerPointSymbolism in Films PowerPoint
Symbolism in Films PowerPoint
 
Shooting Gallery Level One
Shooting Gallery Level OneShooting Gallery Level One
Shooting Gallery Level One
 
Tomlinson unit 1 camera shots
 Tomlinson unit 1 camera shots Tomlinson unit 1 camera shots
Tomlinson unit 1 camera shots
 
Camera shots power point
Camera shots power pointCamera shots power point
Camera shots power point
 
Tv Drama Key Vocab
Tv Drama Key VocabTv Drama Key Vocab
Tv Drama Key Vocab
 
Shot sizes/ Camera angles/ Camera movement
Shot sizes/ Camera angles/ Camera movementShot sizes/ Camera angles/ Camera movement
Shot sizes/ Camera angles/ Camera movement
 
Unit1 Shot types
Unit1 Shot typesUnit1 Shot types
Unit1 Shot types
 
Crime thriller trailer analysis
Crime thriller trailer analysisCrime thriller trailer analysis
Crime thriller trailer analysis
 
Camera shots, Angles, Movement and Composition final
Camera shots, Angles, Movement and Composition finalCamera shots, Angles, Movement and Composition final
Camera shots, Angles, Movement and Composition final
 
Shot types and positions
Shot types and positionsShot types and positions
Shot types and positions
 
Angle and shot guide
Angle and shot guide Angle and shot guide
Angle and shot guide
 
Advanced Shooting Gallery
Advanced Shooting GalleryAdvanced Shooting Gallery
Advanced Shooting Gallery
 
Camera angles, shots, movement and positions
Camera angles, shots, movement and positionsCamera angles, shots, movement and positions
Camera angles, shots, movement and positions
 

Destaque

BBFC film classification guidelines
BBFC film classification guidelinesBBFC film classification guidelines
BBFC film classification guidelinesFarjanaTahmin
 
Bbfc Classification
Bbfc ClassificationBbfc Classification
Bbfc ClassificationCissnei
 
The british bored of film classification (bbfc
The british bored of film classification (bbfcThe british bored of film classification (bbfc
The british bored of film classification (bbfcEmma Bradshaw
 
Evaluation Q7
Evaluation Q7Evaluation Q7
Evaluation Q7Cissnei
 
Evaluation of finished product
Evaluation of finished productEvaluation of finished product
Evaluation of finished productCissnei
 

Destaque (8)

BBFC film classification guidelines
BBFC film classification guidelinesBBFC film classification guidelines
BBFC film classification guidelines
 
BBFC Slideshare
BBFC SlideshareBBFC Slideshare
BBFC Slideshare
 
Bbfc Classification
Bbfc ClassificationBbfc Classification
Bbfc Classification
 
The british bored of film classification (bbfc
The british bored of film classification (bbfcThe british bored of film classification (bbfc
The british bored of film classification (bbfc
 
Evaluation Q7
Evaluation Q7Evaluation Q7
Evaluation Q7
 
Evaluation of finished product
Evaluation of finished productEvaluation of finished product
Evaluation of finished product
 
Bbfc
BbfcBbfc
Bbfc
 
Ethical
EthicalEthical
Ethical
 

Semelhante a Comparison Table

Semelhante a Comparison Table (20)

Btec work
Btec workBtec work
Btec work
 
Camera angles
Camera anglesCamera angles
Camera angles
 
Camera shots & angles
Camera shots & anglesCamera shots & angles
Camera shots & angles
 
Camera shots
Camera shotsCamera shots
Camera shots
 
cinematography
cinematographycinematography
cinematography
 
Camera Shots, Movement And Angles
Camera Shots, Movement And AnglesCamera Shots, Movement And Angles
Camera Shots, Movement And Angles
 
Camera shots and types
Camera shots and typesCamera shots and types
Camera shots and types
 
Framing Images (2010)
Framing Images (2010)Framing Images (2010)
Framing Images (2010)
 
Shot types[1]
Shot types[1]Shot types[1]
Shot types[1]
 
Camera short angles & techniques
Camera short angles & techniquesCamera short angles & techniques
Camera short angles & techniques
 
Camera techniques
Camera techniquesCamera techniques
Camera techniques
 
Psycho montage
Psycho montagePsycho montage
Psycho montage
 
Camera shots and angles
Camera shots and anglesCamera shots and angles
Camera shots and angles
 
Media language
Media languageMedia language
Media language
 
Shot types and angles
Shot types and anglesShot types and angles
Shot types and angles
 
Textual analysis Introduction to Framing
Textual analysis Introduction to Framing Textual analysis Introduction to Framing
Textual analysis Introduction to Framing
 
Media Camerawork
Media Camerawork Media Camerawork
Media Camerawork
 
Cinematography notes
Cinematography notes Cinematography notes
Cinematography notes
 
Initial Ideas
Initial IdeasInitial Ideas
Initial Ideas
 
Shot sizescamera anglescamera movement
Shot sizescamera anglescamera movementShot sizescamera anglescamera movement
Shot sizescamera anglescamera movement
 

Mais de Cissnei

Locations
LocationsLocations
LocationsCissnei
 
Letters Of Permission
Letters Of PermissionLetters Of Permission
Letters Of PermissionCissnei
 
Film Treatment
Film TreatmentFilm Treatment
Film TreatmentCissnei
 
Timetables
TimetablesTimetables
TimetablesCissnei
 
Questions on the narrative
Questions on the narrativeQuestions on the narrative
Questions on the narrativeCissnei
 
The Usual Suspects
The Usual SuspectsThe Usual Suspects
The Usual SuspectsCissnei
 
Fight Club
Fight ClubFight Club
Fight ClubCissnei
 
V For Vendetta
V For VendettaV For Vendetta
V For VendettaCissnei
 
Reservoir Dogs
Reservoir DogsReservoir Dogs
Reservoir DogsCissnei
 
District 9
District 9District 9
District 9Cissnei
 
Conventions of Thriller films and Tables of Analysis
Conventions of Thriller films and Tables of AnalysisConventions of Thriller films and Tables of Analysis
Conventions of Thriller films and Tables of AnalysisCissnei
 
Preliminary Task Evaluation Report
Preliminary Task Evaluation ReportPreliminary Task Evaluation Report
Preliminary Task Evaluation ReportCissnei
 

Mais de Cissnei (17)

Locations
LocationsLocations
Locations
 
Objects
ObjectsObjects
Objects
 
Actors
ActorsActors
Actors
 
Actors
ActorsActors
Actors
 
Letters Of Permission
Letters Of PermissionLetters Of Permission
Letters Of Permission
 
Script
ScriptScript
Script
 
Film Treatment
Film TreatmentFilm Treatment
Film Treatment
 
Timetables
TimetablesTimetables
Timetables
 
Questions on the narrative
Questions on the narrativeQuestions on the narrative
Questions on the narrative
 
Léon
LéonLéon
Léon
 
The Usual Suspects
The Usual SuspectsThe Usual Suspects
The Usual Suspects
 
Fight Club
Fight ClubFight Club
Fight Club
 
V For Vendetta
V For VendettaV For Vendetta
V For Vendetta
 
Reservoir Dogs
Reservoir DogsReservoir Dogs
Reservoir Dogs
 
District 9
District 9District 9
District 9
 
Conventions of Thriller films and Tables of Analysis
Conventions of Thriller films and Tables of AnalysisConventions of Thriller films and Tables of Analysis
Conventions of Thriller films and Tables of Analysis
 
Preliminary Task Evaluation Report
Preliminary Task Evaluation ReportPreliminary Task Evaluation Report
Preliminary Task Evaluation Report
 

Comparison Table

  • 1. The Usual SuspectsV for VendettaFight ClubDistrict 9Reservoir DogsLéonTitlingN/AFire on black background. Otherwise N/ABlue/white animation interceded with white credits against black backgroundWhite font on black background after companies. Fade in/outBlack background, yellow font. Fade in/out; not actual creditsWhite over black background; then credits in light font over video.Camera MovementStill; zoom in; tilt shots (x2)Tracking shot; vertical tilt; crane shotZoom outZoom; crabbing shot; point-of-view shotTracking shot (camera not focused on one character)High shots from crane or helicopter; zoomFraming of shotMedium close-up; long-shot; close up (of object)Extreme long shot; medium close up; medium long shotClose up; medium close upMedium close up; extreme long shotMedium close-up; close-upExtreme long-shot; long-shot; extreme close upCamera anglesLow angleHigh angle on othersLow angle looking up at someoneStraight on from a distance. Characters from low angleEye-levelEye-levelMise-en-sceneDark; little light; two charactersVery dark; very light; no strong colour; clothing sets eraLow lighting; lots of dark; focus on the gun (object)High key lighting; washed-out colours but during day; props not focused on by cameraWashed-out colours; suits are bold; can see location but not much of itDark around people; light location; washed out colours; objects focused onEditingSlow cutting rate; matched cutsIncreased cutting rate with action; matched cuts; jump cutsMatched cuts; no reverse shots even though there is dialogueJump cuts from scene-to-scene; follows style of documentaryMatched cutsJump cut for location; reverse shots with dialogueSound techniquesBGM; dialogue; sound effectsNon-diegetic dialogue; no BGM; sound effectsLoud BGM during credits, then silent; non-diegetic dialogueNo BGM; dialogue; sound effectsNo BGM; dialogue and sound effectsBGM with titles; dialoguePositioning and MovementMovement from one man; both kept roughly in centreKept in centre of screenNot in the complete centre, but takes up most of the frameCentre of frame, only upper body and character moves lotsNo-one stays in shot for long; not lots of movement. All in centre of frameTakes up entire frame – one man moves more than the other.<br />