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Despite seeming evidence to the
contrary the major players on the global
music industry continue to claim that
piracy is ‘killing’ new music, to what
extent is illegal copying either, a
criminal act or a democratising of
popular culture?
                  By Jade Mori, Laura Whitehead, Bethan Clift
                                          and Hannah Sutton
Can you clarify to me what music
 piracy actually is, people don’t always
  know the ins and outs of the matter.
Music piracy is a form of copyright infringement
which means the owners’ rights are violated.

“Copyright law protects the value of creative work. When you make unauthorized
copies of someone’s creative work, you are taking something of value from the
owner without his or her permission.” - RIAA
Who would know if I copied a CD and gave it
to my friend, or downloaded something off
   the internet which I hadn’t paid for?
Even though companies such as the RIAA represent record labels
and try to monitor illegal downloads, the increasing volume makes
it extremely difficult to control.

“The history of music piracy also parallels the history of music
recording and distribution. While it is very difficult to reproduce
vinyl albums on a massive scale, the transition to cassette tapes
and later to CDs [,and now downloads] made music
reproduction, and therefore piracy, much easier.” (Pang, L 2006)
What’s the RIAA?
     The RIAA is the Recording Industry Association of
     America who aim to support and promote major
     record labels which contribute to 85% of all
     legitimate recorded music.


  “While downloading one song may not feel that serious of
  a crime, the accumulative impact of millions of songs
  downloaded illegally – and without any compensation to all
  the people who helped to create that song and bring it to
  fans – is devastating.” - RIAA
I didn’t realise that the downloading of one
  song could affect so many people. That must
    have quite big consequences with so much
          illegal downloading occurring?




Did you hear about the Metallica case in 2000? The band found over
300,000 illegal downloaders names and took them to the RIAA
which took action and temporally closed Napster down.
I asked you earlier how illegal downloads are
 ‘killing’ the music industry but what about the
  effects it has had on unknown artists? Surely
              there are some benefits?
Illegal downloads are a good thing in popular culture as it
provides smaller, lesser known artists with the chance to become
more recognised and listened to.
“A creative person would prefer their music to be stolen
and enjoyed than ignored.”- Pete Townshend, The Who
  Singer/song-writer, Ed Sheeran gained his first, top
  ten single in 2011, by reaching number two whilst still
  unsigned.
Conclusion
So, everyone knows that music piracy and downloading free
music is illegal and a criminal act but it is easier to get away with
it, therefore the seriousness of the crime can be forgotten. It is
perhaps seen to be killing the industry as record labels are losing
out on the profits they once had, but in the short term newer
artist are becoming more well-known and may be gaining in
other ways.
  “Downloading is a facet of a much larger and irrefutable fact: the internet is
  here to stay and it is in the process of revolutionizing many aspects of human
  society.” – Frank Turner, Musician
Bibliography
Ambrosek, R (2007). Shawn Fanning: The Founder of Napster. New York: The Rosen Publishing Group.
p79-85.
Blake, A (2007). popular music: The age of multimedia. London: Middlesex University Press. p1-125.
Griffiths, S.J. (2011). The Who legend asks "Can John Peelism survive the Internet?". Available:
http://www.bbc.co.uk/6music/news/20111101_johnpeel.shtml. Last accessed 1st Feb 2012.
Michaels, S. (2008). Illegal downloading is here to stay. Available:
http://www.guardian.co.uk/music/2008/aug/04/illegal.downloading.is.here.to.stay. Last accessed 5th
Feb 2012
Pang, L (2006). Cultural Control and Globalization in Asia: Copyright, piracy, cinema. Oxon: Routledge.
p80-82.
RIAA. (2012). Piracy. Available:
http://www.riaa.com/physicalpiracy.php?content_selector=piracy_details_online. Last accessed 8th Feb
2012.
Turner, F. frank@frank-turner.com. Popular Music Assignment. 31st January 2012.
Unknown. (2012). From busking on Grafton St to the Brit Awards, Ed Power charts the incredible rise of
the young, million-selling singer/songwriter . Available:
http://www.independent.ie/entertainment/music/from-busking-on-grafton-st-to-the-brit-awards-ed-
power-charts-the-incredible-rise-of-the-young-millionselling-singersong
Winterson, J., Nickol, P and Bricheno, T. (2003). Pop Music: The Text Book. 2nd ed. London: Peters
Edition Limited. p1-174.

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Is Music Piracy Killing the Industry or Democratizing Culture

  • 1. Despite seeming evidence to the contrary the major players on the global music industry continue to claim that piracy is ‘killing’ new music, to what extent is illegal copying either, a criminal act or a democratising of popular culture? By Jade Mori, Laura Whitehead, Bethan Clift and Hannah Sutton
  • 2. Can you clarify to me what music piracy actually is, people don’t always know the ins and outs of the matter. Music piracy is a form of copyright infringement which means the owners’ rights are violated. “Copyright law protects the value of creative work. When you make unauthorized copies of someone’s creative work, you are taking something of value from the owner without his or her permission.” - RIAA
  • 3. Who would know if I copied a CD and gave it to my friend, or downloaded something off the internet which I hadn’t paid for? Even though companies such as the RIAA represent record labels and try to monitor illegal downloads, the increasing volume makes it extremely difficult to control. “The history of music piracy also parallels the history of music recording and distribution. While it is very difficult to reproduce vinyl albums on a massive scale, the transition to cassette tapes and later to CDs [,and now downloads] made music reproduction, and therefore piracy, much easier.” (Pang, L 2006)
  • 4. What’s the RIAA? The RIAA is the Recording Industry Association of America who aim to support and promote major record labels which contribute to 85% of all legitimate recorded music. “While downloading one song may not feel that serious of a crime, the accumulative impact of millions of songs downloaded illegally – and without any compensation to all the people who helped to create that song and bring it to fans – is devastating.” - RIAA
  • 5. I didn’t realise that the downloading of one song could affect so many people. That must have quite big consequences with so much illegal downloading occurring? Did you hear about the Metallica case in 2000? The band found over 300,000 illegal downloaders names and took them to the RIAA which took action and temporally closed Napster down.
  • 6. I asked you earlier how illegal downloads are ‘killing’ the music industry but what about the effects it has had on unknown artists? Surely there are some benefits? Illegal downloads are a good thing in popular culture as it provides smaller, lesser known artists with the chance to become more recognised and listened to. “A creative person would prefer their music to be stolen and enjoyed than ignored.”- Pete Townshend, The Who Singer/song-writer, Ed Sheeran gained his first, top ten single in 2011, by reaching number two whilst still unsigned.
  • 7. Conclusion So, everyone knows that music piracy and downloading free music is illegal and a criminal act but it is easier to get away with it, therefore the seriousness of the crime can be forgotten. It is perhaps seen to be killing the industry as record labels are losing out on the profits they once had, but in the short term newer artist are becoming more well-known and may be gaining in other ways. “Downloading is a facet of a much larger and irrefutable fact: the internet is here to stay and it is in the process of revolutionizing many aspects of human society.” – Frank Turner, Musician
  • 8. Bibliography Ambrosek, R (2007). Shawn Fanning: The Founder of Napster. New York: The Rosen Publishing Group. p79-85. Blake, A (2007). popular music: The age of multimedia. London: Middlesex University Press. p1-125. Griffiths, S.J. (2011). The Who legend asks "Can John Peelism survive the Internet?". Available: http://www.bbc.co.uk/6music/news/20111101_johnpeel.shtml. Last accessed 1st Feb 2012. Michaels, S. (2008). Illegal downloading is here to stay. Available: http://www.guardian.co.uk/music/2008/aug/04/illegal.downloading.is.here.to.stay. Last accessed 5th Feb 2012 Pang, L (2006). Cultural Control and Globalization in Asia: Copyright, piracy, cinema. Oxon: Routledge. p80-82. RIAA. (2012). Piracy. Available: http://www.riaa.com/physicalpiracy.php?content_selector=piracy_details_online. Last accessed 8th Feb 2012. Turner, F. frank@frank-turner.com. Popular Music Assignment. 31st January 2012. Unknown. (2012). From busking on Grafton St to the Brit Awards, Ed Power charts the incredible rise of the young, million-selling singer/songwriter . Available: http://www.independent.ie/entertainment/music/from-busking-on-grafton-st-to-the-brit-awards-ed- power-charts-the-incredible-rise-of-the-young-millionselling-singersong Winterson, J., Nickol, P and Bricheno, T. (2003). Pop Music: The Text Book. 2nd ed. London: Peters Edition Limited. p1-174.