TSL Products' manufacture a range of Audio Monitoring products for music, TV and film broadcasting applications. The PAM1 MK2 Audio Monitoring system is an evolutionary step up from the original PAM1-3G8, offering an improved feature set and user interface, upgraded speaker system, larger screens and a full set of functions carried over from the flagship PAM2 MK2 Precision Audio Monitor. See our comprehensive training video on the capabilities of this piece of equipment or visit our website for more information: http://www.tslproducts.com/our-products/audio-monitoring/

1. PAM1 MK2 Training 2014

2. Front Panel Control Explained
• USB port for configuration
save/recall and system
update
• Menu access
• Preset hotkey switches 1-5
Presets 1 to 4 default to
SDI1,SDI2, AES, and
Analog
• Headphone socket
• ‘Home’ Button – shortcut
access

3. Front Panel Control Explained
• Master Volume – Push to
Cut/Dim
• Scroll Encoder – Push/Hold and
turn to select audio channels
and Push/Select for menu
navigation
• Back Button to navigate ‘up’
menu levels and hold to exit

4. Shortcut Mode Selection
• Press ‘Shortcut’ to display the shortcut menu
• Navigate to change Inputs
• Select Display options
• Choose Monitor Settings
• Manage User Presets

5. Saving Hotkey Presets
• PAM1-MK2 features 5 Hotkey
preset buttons
• Push and hold any Hotkey to
Save instantly to the desired
location
• Instantly recall up to five
saved settings via short
presses of the relevant
Hotkeys

6. Main Menu
• Accessed via the Menu button
• ‘Setup’ used for engineering
and ‘set and forget’ functions
• ‘Input’ is usually not required
if preset defaults are
maintained or Shortcut used
• ‘Monitor’ modes can also be
accessed via Shortcut button
• Assign Matrix – detail to follow
• Loudness – detail to follow
• Metadata – view Dolby and
S2020 Metadata

7. Setup 1 Menu – Key Features
• Meter scale, reference,
colours, peak level and hold
• External Monitor On/Off and
display quadrant select
• System Mute defeat mode
• USB device save and load
• Audio Delay – detail to follow
• SMPTE 2020 menu

8. Setup 2 Menu – Key Features
• User and Hotkey Preset Lock
• Auxiliary Mixer – detail to
follow
• Preset Standard Switching –
detail to follow
• External / Internal
Loudspeaker Mute – detail to
follow

9. Aux Input Mixer
• Ideal for mixing Comms
audio with monitored SDI
• Aux Mixer is accessed via
Setup Menu 2
• Select input source
analogue or AES
• Select whether source is
mono or stereo
• Adjust gain as required
• Gain can be adjusted
from the Input Menu

10. Split Mono Selection
• Split Mono allows the
user to listen to a left
and right signal from
non-paired audio
channels
• Use ‘Scroll’ to select the
first mono signal
• Within the next 3
seconds, scroll the
encoder (without
pushing) to the second
mono channel

11. Loudness Measurement –Screen Overview
‘Measured
Dynamic
Value’
‘Target
Value’
‘Measured
Value’
Moving
Cursor
‘Target
Value’
Reference
Line
‘Channel
Under
Test’
Measured
Audio

12. Loudness Setup Menu Overview – Source
Selection
• Loudness Setup Menu Overview
– Source Selection
• ‘Fixed’ mode – Audio measured
is defined by manual channel
selection
• ‘Follow’ mode – Audio measured
is defined by ‘Scroll’ selection
• ‘Dolby’ mode – Audio measured
is Dolby encoded channel
defined

13. Loudness Setup Menu Overview – Target Value
• ‘Target’ sets
desired loudness
target value
between range -13
and -34 LU
• Dialnorm is
automatically
selected when
‘Source’ is set to
Dolby

14. Loudness Setup Menu Overview –
Start/Stop/Reset
• Loudness measurement is
activated and may be paused
and reset as required
• Start measuring loudness from
the targeted channels via the
‘button’ or from a GPI closure
• ‘Stop’ pauses the
measurement. Toggle this
button or use a GPI to control
• ‘Reset’ discards any previously
measured values or history and
may be activated via the
button or GPI

15. Loudness Setup Menu Overview – Display
Modes
• Display Modes define
measurement integration
settings
• ‘3 Sec’ activates a 3 second
sliding window (sample at
400 ms)
• ‘Integrated’ mode measures
loudness across the entire
duration of the audio
programme (as defined by
start/stop/reset)
• ‘Gated’ is similar to
Integrated but discards
audio 10dB below target
level

16. Loudness Setup Menu Overview – Limit
Threshold
• ‘Limit’ sets a threshold
value above Target at
which the LU reading ‘red
lines’ within a range 0 to
+6LU
• An ‘over limit’ reading
activates an output GPI
trigger

17. Loudness Histogram
• To access Histogram
from top level, press
‘Shortcut’ button
• Then press
‘Loudness’

18. Loudness Histogram
• Loudness Histogram provides
an instant overview of channel
loudness behaviour
• The time constant can be
adjusted to display 2, 7, 15,
30 and 60 minute history
• The ‘Loudness History’ button
is used to access the
Loudness Setup Menu
• The ‘Display’ button changes
the time constant of the
graphical view between 3
second, Integral and Gated
modes retrospectively

19. Assign Matrix - Overview
• The Assign Matrix is designed for use in applications where audio
is delivered or transported in ‘non standard’ channel orders and
where multiple commentary or language soundtracks are present
within a common embedded video signal
• Assign Matrix functionality is based around a 16 into 6 user
configurable tool which exclusively routes input audio channels to
monitoring busses defined as Left, Right, Centre, LFE, Left
Surround and Right Surround
• The key to use of the Assign Matrix is the ability to save complex
setups as User Presets for instant recall

20. Assign Matrix
• The Assign Matrix can be
accessed from the Main Menu
• Any of 16 input channels can
be routed to the 6 output
busses
• As shown in this typical
example; Channel 3,4, 5 and
6 are clean surround
channels, Centre (dialogue)
is routed from channel 16.
LFE is ‘Off’
• Press ‘Active’ to turn on the
Assign Matrix

21. Assign Matrix – Bargraph Views
• From the previous example –
The Left screen displays the
routing selections with a stereo
downmix activated
• From the previous example – The
Left screen displays the routing
selections with a stereo downmix
activated

22. Audio Delay
• The Audio Delay feature can be
accessed from the Setup Menu
• A delay between 1 and 250ms can
be applied to the audio output
busses
• The audio delay feature is not a
system default. It should be
applied as a User Preset as
required
• This feature is designed as a
means to compensate for video
processing and display latency
helping to ensure that lip sync is
maintained in production and
technical monitoring environments

23. Loudspeaker Muting
• Internal and External
Loudspeaker outputs can be
muted via the Setup 2 menu
• The LS mute feature is not a
system default. It should be
applied as a User Preset as
required
• By controlling external and
internal speaker outputs
independently, it is easy to use
PAM1-MK2 in applications where
internal speakers are operated for
general use and external full
range systems for more critical
listening – typically in Ingest or
QC Suites

24. Preset Standard Switching - Overview
• Preset Standard switching was introduced into PAM1-MK2
following a request to be able to configure a condition where
the audio monitoring unit automatically switches between
listening states depending on the input signal format
• PAM1-MK2 is capable of determining which audio channels to
monitor depending on whether the input video signal is SD or
HD, Dolby encoded or PCM audio
• This feature is aimed for use in monitoring applications where
outgoing video is switched between SD/stereo and
HD/surround sound, with or without Dolby encoding – the
operator no longer has to change audio selection manually as
PAM1-MK2 will automatically choose the correct audio channel
to monitor

25. Preset Standard Switching
• The Preset Standard Option can be
found within the Setup 2 menu
• There are 3 criteria that can be set
to define the system behaviour
when a signal changes
• Define a Hotkey Preset to be
selected automatically when
incoming video or audio is
SD/HD/PCM/Dolby
• Define a further Hotkey Preset to
be selected automatically when
incoming video or audio changes
• Typical conditions might exist
where one preset defaults to an
HD signal with Dolby E 5.1 and
another is SD stereo

26. Preset Standard Switching
• User Presets will automatically switch as
the input signal standard changes
•• HSDD OOnnllyy