1. Ahangel heng
design

2. presents
Gr ph cst a
lkin g
Designer Gilmar Wendt discusses
Hans Peter Willberg’s eclectic
approach to typography
Date: Wednesday
1 February 2012
Time: 6.30 – 8.00pm
Venue: FdA Studio, 3rd Floor
Design Block, London College
of Communication, Elephant
and Castle, London SE1 6SB
What’son
HansPeterWillberg(1930-2003)wasanillustrator,typographer,
bookdesigner,teacherandwriterandisoneofthemost
influentialfiguresinbookdesignandtypographyin20th
centuryGermany.
HestudiedatNurembergandStuttgart,beorestartinga
careerasabookdesigner.HebecameManagingDirectorof
theStiftungBuchkunstin1968,whereheshapedthe‘best
Germanbooks’awards,oneofthemostrespectedinthefield
oftypography.In1975hebecameprofessorforbookdesign
andtypographyattheFachhochschuleMainzwherehetaught
manyawell-knownbookdesigneroftoday.Hisbooksonthe
subjectoftypographyaresomeofthebestknowandmost
respectedintheGermanspeakingcountriesandhisworkwon
numerousawards.
GilmarWendt(born1969),studiedbookdesignwith
HansPeterWillberginMainz,Germany,beforejoining
Groothuis+MalsyinBremen.AtG+Mhedesignedover100
booksandjackets.In1999hefollowedhisgirlfriendChristine
toLondonandjoinedSAS.HebecameSAS’screativedirectorin
2003,Christine’shusbandin2004,andashareholdingpartner
in2005.
Gilmarhaswonnumerousindustryawardsandhascollaborated
withHansPeterWillbergonthebook‘Schriftenerkennen’.He
regularlygivesworkshopsandlecturesatcolleges.Gilmaris
aFellowandcouncilmemberoftheInternationalSocietyof
TypographicDesignersandamemberofD&AD.
nick Bell
Recent Work
Date: 2 November
2006
Time: 6.30-8.30pm
Venue: Main Lecture
Theatre, London Col-
lege of Communication,
Elephant and Castle,
London SE1 6SB
What’s on:
“RecentlyIwasaskedwhatinfluencesme.Ihadtosay
thatthatisalwayschanging.EveryweekitseemsI’m
affectedbysomethingelseandthisisdrivenbywhat
Ihappentobeworkingon,thepeopleI’mworking
with.ItstruckmethatIcan’taffordtobesoinfluenced
byanyonethingwhenI’mworkingonmanydifferent
kindsofprojectatanyonetime.IfIam,itislikelyto
makemelessopentowhatthenewmaterialofa
newprojecthastooffer–uponwhichImustbasemy
response.Seemstomeitsthatthatmakesthejobof
graphicdesignsointeresting.Nevertheless,however
distractedanddivertedImightbedaytoday,whatI
wantfromdesignandfordesignoverthelongterm
neverseemstochange.”
Nick Bell
Further information:
To reserve a ticket
please email
Jenny Clarke
j.a.clarke@lcc.arts.ac.uk
Tickets are £3
(with a complimentry
beer after the lecture)
cashonlyonthedoor
presents
Gr ph cst a
lkin g
Designer Gilmar Wendt discusses
Hans Peter Willberg’s eclectic
approach to typography
Date: Wednesday
1 February 2012
Time: 6.30 – 8.00pm
Venue: FdA Studio, 3rd Floor
Design Block, London College
of Communication, Elephant
and Castle, London SE1 6SB
What’son
HansPeterWillberg(1930-2003)wasanillustrator,typographer,
bookdesigner,teacherandwriterandisoneofthemost
influentialfiguresinbookdesignandtypographyin20th
centuryGermany.
HestudiedatNurembergandStuttgart,beorestartinga
careerasabookdesigner.HebecameManagingDirectorof
theStiftungBuchkunstin1968,whereheshapedthe‘best
Germanbooks’awards,oneofthemostrespectedinthefield
oftypography.In1975hebecameprofessorforbookdesign
andtypographyattheFachhochschuleMainzwherehetaught
manyawell-knownbookdesigneroftoday.Hisbooksonthe
subjectoftypographyaresomeofthebestknowandmost
respectedintheGermanspeakingcountriesandhisworkwon
numerousawards.
GilmarWendt(born1969),studiedbookdesignwith
HansPeterWillberginMainz,Germany,beforejoining
Groothuis+MalsyinBremen.AtG+Mhedesignedover100
booksandjackets.In1999hefollowedhisgirlfriendChristine
toLondonandjoinedSAS.HebecameSAS’screativedirectorin
2003,Christine’shusbandin2004,andashareholdingpartner
in2005.
Gilmarhaswonnumerousindustryawardsandhascollaborated
withHansPeterWillbergonthebook‘Schriftenerkennen’.He
regularlygivesworkshopsandlecturesatcolleges.Gilmaris
aFellowandcouncilmemberoftheInternationalSocietyof
TypographicDesignersandamemberofD&AD.
nick Bell
Recent Work
Date: 2 November
2006
Time: 6.30-8.30pm
Venue: Main Lecture
Theatre, London Col-
lege of Communication,
Elephant and Castle,
London SE1 6SB
What’s on:
“RecentlyIwasaskedwhatinfluencesme.Ihadtosay
thatthatisalwayschanging.EveryweekitseemsI’m
affectedbysomethingelseandthisisdrivenbywhat
Ihappentobeworkingon,thepeopleI’mworking
with.ItstruckmethatIcan’taffordtobesoinfluenced
byanyonethingwhenI’mworkingonmanydifferent
kindsofprojectatanyonetime.IfIam,itislikelyto
makemelessopentowhatthenewmaterialofa
newprojecthastooffer–uponwhichImustbasemy
response.Seemstomeitsthatthatmakesthejobof
graphicdesignsointeresting.Nevertheless,however
distractedanddivertedImightbedaytoday,whatI
wantfromdesignandfordesignoverthelongterm
neverseemstochange.”
Nick Bell
Further information:
To reserve a ticket
please email
Jenny Clarke
j.a.clarke@lcc.arts.ac.uk
Tickets are £3
(with a complimentry
beer after the lecture)
cashonlyonthedoor
A 4 page brochure
flyer (the interior
spread) on an A5 size
paper using only 2
hues and tints of the
hues chosen
Case Study 1:
Talking Graphics
Brochure

3. presents
Graphics Graphics Graphics Graphics
Graphics Graphics Graphics Graphics
Graphics Graphics Graphics Graphics
Graphics Graphics Graphics Graphics
Graphics Graphics Graphics Graphics
Graphics Graphics Graphics Graphics
Graphics Graphics Graphics Graphics
Graphics Graphics Graphics Graphics
ta l k i n gta l k i n gta l k i n g
Further information:
To reserve a ticket please email
Jenny Clarke j.a.clarke@lcc.arts.ac.uk
Tickets are £3 (with a complimentry
beer after the lecture) cash only on
the door
Date:
2 November 2006
Time:
6.30-8.30pm
Venue:
Main Lecture
Theatre, London
College of
Communication,
Elephant and
Castle, London SE1
6SB
What’s on:
“Recently Iwas asked
what influences me.
Ihadto say that that
is always changing.
Every week it seems I’m
affected by something
else and this is driven
by what I happen to
be working on, the
people I’m working
with. It struck me that
I can’t afford to be so
influenced by any one
thing when I’m working
on many different
kinds of project at any
one time. If I am, it
is likely to make me
less open to what the
new material of a new
project has to offer –
upon which I must base
my response. Seems to
me its that that makes
the job of graphic
design so interesting.
Nevertheless, however
distracted and diverted
I might be day to day,
what I want from design
and for design over the
long term never seems
to change.”
Nick Bell
Designer
Gilmar
Wendt
discusses Hans
Peter Willberg’s
eclectic approach to
typography.
Date:
Wednesday
1 February 2012
Time:
6.30 – 8.00pm
Venue:
FdA Studio, 3rd
Floor Design
Block, London
College of
Communication,
Elephant and
Castle, London
SE1 6SB
What’s on:
Hans Peter Willberg
(1930-2003) was an
illustrator, typographer,
book designer, teacher
and writer and is one
of the most influential
figures in book design
and typography in 20th
century Germany.
He studied at
Nuremberg and
Stuttgart, beore
starting a career as
a book designer. He
became Managing
Director of the Stiftung
Buchkunst in 1968,
where he shaped the
‘best German books’
awards, one of the most
respected in the field
of typography. In 1975
he became professor
for book design and
typography at the
Fachhochschule Mainz
where he taught many
a well-known book
designer of today. His
books on the subject
of typography are
some of the best know
and most respected in
the German speaking
countries and his work
won numerous awards.
Gilmar Wendt (born
1969), studied book
design with Hans
Peter Willberg in
Mainz, Germany,
before joining
Groothuis+Malsy in
Bremen. At G+M he
designed over 100
books and jackets.
In 1999 he followed
his girlfriend
Christine to London
and joined SAS.
He became SAS’s
creative director
in 2003, Christine’s
husband in 2004,
and a shareholding
partner in 2005.
Gilmar has won
numerous industry
awards and has
collaborated with
Hans Peter Willberg
on the book
‘Schriften erkennen’.
He regularly
gives workshops
and lectures at
colleges. Gilmar is a
Fellow and council
member of the
International Society
of Typographic
Designers and a
member of D&AD.
Nick Bell
Recent Works
presents
Graphics Graphics Graphics Graphics
Graphics Graphics Graphics Graphics
Graphics Graphics Graphics Graphics
Graphics Graphics Graphics Graphics
Graphics Graphics Graphics Graphics
Graphics Graphics Graphics Graphics
Graphics Graphics Graphics Graphics
Graphics Graphics Graphics Graphics
ta l k i n gta l k i n gta l k i n g
Further information:
To reserve a ticket please email
Jenny Clarke j.a.clarke@lcc.arts.ac.uk
Tickets are £3 (with a complimentry
beer after the lecture) cash only on
the door
Date:
2 November 2006
Time:
6.30-8.30pm
Venue:
Main Lecture
Theatre, London
College of
Communication,
Elephant and
Castle, London SE1
6SB
What’s on:
“Recently Iwas asked
what influences me.
Ihadto say that that
is always changing.
Every week it seems I’m
affected by something
else and this is driven
by what I happen to
be working on, the
people I’m working
with. It struck me that
I can’t afford to be so
influenced by any one
thing when I’m working
on many different
kinds of project at any
one time. If I am, it
is likely to make me
less open to what the
new material of a new
project has to offer –
upon which I must base
my response. Seems to
me its that that makes
the job of graphic
design so interesting.
Nevertheless, however
distracted and diverted
I might be day to day,
what I want from design
and for design over the
long term never seems
to change.”
Nick Bell
Designer
Gilmar
Wendt
discusses Hans
Peter Willberg’s
eclectic approach to
typography.
Date:
Wednesday
1 February 2012
Time:
6.30 – 8.00pm
Venue:
FdA Studio, 3rd
Floor Design
Block, London
College of
Communication,
Elephant and
Castle, London
SE1 6SB
What’s on:
Hans Peter Willberg
(1930-2003) was an
illustrator, typographer,
book designer, teacher
and writer and is one
of the most influential
figures in book design
and typography in 20th
century Germany.
He studied at
Nuremberg and
Stuttgart, beore
starting a career as
a book designer. He
became Managing
Director of the Stiftung
Buchkunst in 1968,
where he shaped the
‘best German books’
awards, one of the most
respected in the field
of typography. In 1975
he became professor
for book design and
typography at the
Fachhochschule Mainz
where he taught many
a well-known book
designer of today. His
books on the subject
of typography are
some of the best know
and most respected in
the German speaking
countries and his work
won numerous awards.
Gilmar Wendt (born
1969), studied book
design with Hans
Peter Willberg in
Mainz, Germany,
before joining
Groothuis+Malsy in
Bremen. At G+M he
designed over 100
books and jackets.
In 1999 he followed
his girlfriend
Christine to London
and joined SAS.
He became SAS’s
creative director
in 2003, Christine’s
husband in 2004,
and a shareholding
partner in 2005.
Gilmar has won
numerous industry
awards and has
collaborated with
Hans Peter Willberg
on the book
‘Schriften erkennen’.
He regularly
gives workshops
and lectures at
colleges. Gilmar is a
Fellow and council
member of the
International Society
of Typographic
Designers and a
member of D&AD.
Nick Bell
Recent Works
A 6 page tri-fold brochure
flyer on an A5 size paper
using only 2 hues and tints
of the hues chosen

4. It’s what makes Sydney so .... SydneyIt’s what makes Sydney so .... Sydney
An innovative visual identity
of Sydney which will be
displayed in 2 design
pieces:
1 A3 size poster and
1 book cover
Case Study 2:
Sydnicity Poster &
Book Cover

5. Sydnicity, a very good guide to Sydney is the ultimate
guide to experience the authentic Sydney, Australia’s
oldest and most vibrant city. It features Sydney’s
magnificient beaches, best surfing locations, historical
landmarks, cafes with the best coffee, gourmet
eateries that are known to all, restaurants that are
visit by the master chefs and many other insider tips
on Sydney.
Pan
Books
SYDNICITY
A very good guide to Sydney
Book Cover

6. Case Study 3:
Branding
Brand identity program for
a traditional beer brewery
in Sydney including logo,
business card, brand
labels and bottle caps for
3 different products and
point of sales poster
SYDNEY EST 1989
Handcrafted Beer
Ms Tomoko Brown
DIRECTOR
tomoko@tbrew.com
+614 444 76810
22 George Street www.tbrew.com
Sydney, NSW
Australia
TBREWTTTTTTTT EWEEEREREEREEREBRRBBRBRBREWRRBREWRRBBBBBBRRRRRRREWEEWEEEEWTTTTTTTBREWTBREW
TTTTTTTTT WWWWWWWWWWWWWBTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT WWWWWWWWWWWWWWWEWEWEWWEWEWWEWEWWEEWEWWEWEEWEEERERRRERERRERREEEEREERERRRRRRRRRRRRBRBRBBBRBBRBRBBBBBBBBBBBBBBBBBB WWWWWWWWWWWWWWWWWWRRB EWRRBBBBBBBBBBBBBBBBBBBBRRRRRRRRRRRRRRRRRRRRRRRRREWEEEEEEEWEWEEWEEEEEEEEEEWEEEEEWWWWWWWWWWWWWWWWWWEWWWWWWWWWWWWWWWWWTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTBREWTBREWSYDNEY EST 1989
Handcrafted Beer
TBREWTTTTTTTT EWEEEREREEREEREBRRBBRBRBREWRRBREWRRBBBBBBRRRRRRREWEEWEEEEWTTTTTTBREWTBREW

7. Handcrafted by Tbrew’s in
Sydney, English Light Beer
is airy on attitude and
subtle on taste.
English Light Beer
pours a light golden
colour and features a sweet
bodied finish.
Tbrew
22
George Street
Sydney 2000
NSW
Australia
Phone:
02-9634 1111
www.tbrew.com
TBREWTTTTTTTT EWEEEREREREREBRRBRBRRRBREWRRBREWRBBBBBBRRRRRREWEEWEEEEWTTTTTTTBREWTBREW
BITTER
ENGLISH
BEER
BOTTLEDINSYDNEY
ESTABLISHEDIN1989
5%
ACL/VOL
TBREWTTTTTTTTT EWEEEEEEEERERRREEEEEREEEEREERRRREBRRBBRRRRRRRRRRBBRBRRBREWRRRRRBREWRRRRBBBBBBBBBBRRRRRRRRRERRRRRRRRRRRRRRRREREWEEEEEEEEEEEWEEEEWTTTTTTTBREWTBREWSYDNEY EST 1989
TBREWTTTTTTTTT EWEEEEEEEERERRRRREEEEEREREEEEEERRRREBRRBBBRRRRRRRRRRBBBRBRRBREWRRRRRBREWRRRRBBBBBBBBBBBRRRRRRRRRRRERRRRRRRRRRRRRRREREWEEEEEEEEEEEEWEEEWTTTTTTTBREWTBREWSYDNEY EST 1989
TBREWTTTTTTTTT EWEEEEEEEERERRREEEEEEREEEEREERRRREBRRBBBRRRRRRRRRRBBRBRRBREWRRRRRBREWRRRBBBBBBBBBBRRRRRRRRRERRRRRRRRRRRRRRRREREWEEEEEEEEEEEWEEEEWTTTTTTTBREWTBREWSYDNEY EST 1989
Bottle CapsEnglish Bitter Beer
English Real Beer
English Light Beer
3 brand labels for
Tbrew signature brews
TBREWTTTTTTTT EWEEERERERERERRBRRRBRRRBREWRRBREWRRBBBBBBRRRRRREWEEWEEEEWTTTTTTBREWTBREW
LIGHT
ENGLISH
BEER
BOTTLEDINSYDNEY
ESTABLISHEDIN1989
5%
ACL/VOL
REAL
ENGLISH
BEER
BOTTLEDINSYDNEY
ESTABLISHEDIN1989
TBREWTTTTTTTT EWEEEREREREREBRRBRBRRRBREWRRBREWRBBBBBBRRRRRREWEEWEEEEWTTTTTTTBREWTBREW
5%
ACL/VOL
Handcrafted by Tbrew’s in
Sydney, English Bitter Beer
is big on attitude and big on
taste. English Bitter Beer
pours a brilliant golden
colour and features a full
bodied finish.
Tbrew
22
George Street
Sydney 2000
NSW
Australia
Phone:
02-9634 1111
www.tbrew.com
Handcrafted by Tbrew’s in
Sydney, English Real Beer
is real on attitude and
taste. English Real Beer
pours a warm golden
colour and features a full
bodied finish.
Tbrew
22
George Street
Sydney 2000
NSW
Australia
Phone:
02-9634 1111
www.tbrew.com

8. DRINK
TTTTTTTTTTTTTTTT WWWWWWWWWWWWWWWWWWWWWBBBBTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT WWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWEWEEEEEWEWEEEWWEWEEWEEEWWWWWWWWWWWWWEWEWEEEEEWWEWEEWEEEEEWWWWWWWWWWWWWWWWEEEEEEWWWWWWWEEERERRRRRRRRREREEEEEREEEEEEREERERRRRRRRRRRRRRRRRRRRBRBBBBBBBBBRRRRRRRRRRRRRRRBBRBRBRBBBBBBBBBBBBBBBBBBBBBBBBBBB WWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWRRBBBBBBBBBBBB WWWWWEWWWWWWWWWWRRBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRREWEEEEEEEEEEEEEEEEWEWEEEWEWEWEEEWEEEEEEEEWEEEEEEEEEEEEEEEEWEWEEEEWEWEEWEEEEWEEEEWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWEWEWWEWEWEWWEWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWEWEWEWEWEWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTBREWTBREW
HANDCRAFTED
BEER est 1989
5%
ACL/VOL
TTTTTTTTTTTTTT WWWWWWWWBTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT WWWWWWWWWWWWWWEWEWEWEWEWEEWEWWEWEWEEERERERRRERRERERERRRRRRRRBRBBRBRBRRRBBBBRBRBRRRBBBBBBB WWWWWWWWWWWWWRRBBB EWEWEWWWWRBBBBBBBBBBBBBBBBBBBBRRRRRRRRRRRRRRRRRREEEEEEEEWEWEEWEWEEWEWEWEEEWEWEEEEEWWWWWWWWWWEWEWWWWWWWWWWWWWWWWWWWWWWWWWTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTBREWTBREW
BITTER
ENGLISH
BEER
BOTTLEDINSYDNEY
ESTABLISHEDIN1989
REAL
ENGLISH
BEER
BOTTLEDINSYDNEY
ESTABLISHEDIN1989
TTTTTTTT WWWBTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT WWWWWWWWWWWWWWWWWWEWEEWEWEEEWWWEWWEWEEEWWWEEERERRERERRERERERRRRRBRBRBRBRBBBRBRBRRRBBBB WWWWWWWWWWWWWWRRBBBBBB EWWEWWEWEWEWRBBBBBBBBBBBBBBBBBBBBBBBRRRRRRRRRRRRRRRRRRREEEEEEEEEEEWWEWEEEWEWEWWEWEWEWEEEWWWWWWWWEWEWWWWWWWWWWWWWWWWWWWWWWTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTBREWTBREW
5%
ACL/VOL
5%
ACL/VOL
TTTTTTTTTTTTT WWWWWWWWBTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT WWWWWWWWWWWWWWWWWWWEWEEWEWEEWWWEWEEWEWWWEEERERRRRRERERERERRRRRRRRRBRRRRBBBRBRBRRRBBBBB WWWWWWWWWWWWWWWRRBBBBB EWWEEWRBBBBBBBBBBBBBBBBBBBBBBRRRRRRRRRRRRRRRRREEEEEEEEEEEWEWEEEWEWEWEEEWEWEEEEWEEEEWWWWWWWEWEWWWWWWWWWWWWWWWWWWWWWWWWTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTBREWTBREW
LIGHT
ENGLISH
BEER
BOTTLEDINSYDNEY
ESTABLISHEDIN1989
5%
ACL/VOL
BITTER REAL LIGHT
5%
ACL/VOL
BOTTLED
IN SYDNEY
Genuine
ENGLISH
BREW
Finest Craft Beer
22 George Street
Sydney 2000, NSW
+612-9634 1111
www.tbrew.com.au
Point of Sales A3 size Poster

9. Case Study 4:
Magazines
- Real Living
Design a new shopping
cover with a suitable
theme for a season and
shopping pages to follow
59real living
Shopping
60 Makeover the tween room
Create a fun yet pretty room for the
neither big nor little girl with spring
colours & flower prints
LOVE IT, BUY IT, LIVE IT
Decorate with
colour & vintage
furniture
60 www.reallivingmag.com.au
Happy Tween Room
Hanna Montana
mood board,
her favourite !
real living
Shopping
61
Between a rock
Gold lampbase with
white shade, $79
www.landofnod.com
MUST HAVE STORAGE FOR TWEEN
a favourite
art print
can provide
inspiration for
colour
family heirlom,
maybe?
Antique replica
replica brass bed , $800
Domanye
LO
VE
LOVE
LO
VE
As you wish
storage bench with feet, $350,
www.landofnod.com
The bowtie I like
Michelle Armas Prints, $350
www.michellearmas.bigcartel.com
Also in the scene
1. Jenny Lind bookcase, $299
www.landofnod.com
2. Modern clip lamp, $59
www.landofnod.com
3. Gummybear night lamp, $29
www.landofnod.com
Perfectly Perforated
Pendant Lamp, $199
www.landofnod.com
Pull up a Pouf
Pouf in aqua, $99,
www.landofnod.com
Rag to Riches
Pink rug, $129
www.landofnod.com

10. www.reallivingmag.com.au62
Garden
in the
room
real living
Shopping
63
Elegance, style & sophiscation
Replica Eames lounge chair, $1,895
www.mattblatt.com.au
Sleek & sculptural
Martini side table,
antique brass, $149
West Elm
Electic mix cushion
left: Mongolian lamb, $139
right: Sarah Campbell
Springflower, $44
below: Chevron crewel, $44
Maison Luxe -
Paulette lamp
Aqua glass table
lamp, $450
www.cococozy.com
Lush blue velvet
Teal gabtsy lounge, $2,000
Coco Republic
Fresh greens for indoor
a collection of various sizes
Flower power garden centre at
Terry hill
Danish 1960s sofa table
a vintage coffee table, $500
Angelucci 20th century
MINTY
SPRING
Highlight the room
with colourful
accents & greens
from the nursery
LO
VE
LOVE
LO
VE
Blue dreams
Pattern cushions, $35 each
www.downthatlittlelane.com.au
LO
VE
LOVE
LO
VE
Amazing blue velvet
Vintage velvet sofa, $750
www.thegoodmod.com
The golden antique
Decorative brass table/chest, $650
1stdibs
Vintage red cross flag,
$15 Salvos shop
An heirlom in the making
Rhys chair, $2,498
www.anthropologie.com
Australian wildlife
Cockatoo lamp
base, $345
Kristy Lee Interiors
Caramel seat
Handmade moroccan
leather pouf, $199
www.tabletonic.com.au
Dog in the house
Cement Dalmation, $200
Bunnings warehouse
(garden section)
HAVE FUN WITH
DECORATIVE
ORNAMENTS
DIY
create
canvas artwith the redcross flag orany vintagefabrics
64 www.reallivingmag.com.au www.reallivingmag.com.au64
“I just made me happy.
It’s crazy English grandma
meets 70s Palm Springs.”
Emily Henderson, stylist
real living
Shopping
65

11. WhimsicalWhimsical
Whimsical Whimsical
Case Study 5:
Stationery
Design
Gift TagsIphone 5 cover
Gift Wrapping Paper
Mouse Pad