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PIERRE AUGUSTE RENOIR
(History of Art)
PROJECT DOCUMENTATION
INTRODUCTION:
The final project is primarily a reconstruction of Renoir’s painting of
a bather using textile. It’s more of an experiment to play with light
and to see if textiles alone can create a painting retaining its
essence. I used scrap cloth materials discarded by the tailors and cut
them into small pieces and placed them on a white cloth (base) to
get the effect of his small and irregular brush strokes. It’s A3 size.
During the exhibition it was a work in progress and after working
approximately for five hours a week after the course was over for the
following four weeks, I finally managed to complete it. I used glue to
stick the fabrics together and even layered them to get the depth.
PICTURES OF WORK IN PROGRESS
WEEK 1
Layer-wise deconstruction on butter paper
• Grid break-up of the
image
• Painting outline on the
cloth
T
H
E
E
X
H
I
B
I
T
I
O
N
• The picture
• The initial
understanding
of Renoir’s work
• Concept note
• Visual diary
• Reconstruction
using textiles
WEEK 2
WEEK 3
WEEK 4
THANK YOU =)
AMEESHI GOENKA
FOUNDATION STUDIES PROGRAM

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Pierre auguste renoir (history of art)

  • 1. PIERRE AUGUSTE RENOIR (History of Art) PROJECT DOCUMENTATION
  • 2. INTRODUCTION: The final project is primarily a reconstruction of Renoir’s painting of a bather using textile. It’s more of an experiment to play with light and to see if textiles alone can create a painting retaining its essence. I used scrap cloth materials discarded by the tailors and cut them into small pieces and placed them on a white cloth (base) to get the effect of his small and irregular brush strokes. It’s A3 size. During the exhibition it was a work in progress and after working approximately for five hours a week after the course was over for the following four weeks, I finally managed to complete it. I used glue to stick the fabrics together and even layered them to get the depth.
  • 3. PICTURES OF WORK IN PROGRESS WEEK 1 Layer-wise deconstruction on butter paper
  • 4. • Grid break-up of the image • Painting outline on the cloth
  • 5. T H E E X H I B I T I O N • The picture • The initial understanding of Renoir’s work • Concept note • Visual diary • Reconstruction using textiles
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  • 12. THANK YOU =) AMEESHI GOENKA FOUNDATION STUDIES PROGRAM