SlideShare uma empresa Scribd logo
1 de 7
Horror Movie
INITIAL IDEAS
CONVENTIONS & THEMES
• The common conventions of horror films include jump scares, darkness, mystery,
suspense, eeriness, unknown, creepy music, jump cuts, loud noises, weapons, blood and
death
• The common themes of horror films include good vs evil, depression, religion, childhood
issues, revenge, supernatural, beyond death, science gone bad, nightmares, zombie
apocalypse, lust, madness, insanity, suicide and envy.
REPRESENTATION (CHARACTERS)
• The main protagonist, often the victim or hero of the movie
• The villain, often a monster, mutated freak, alien or serial killer. They tend to have a
trademark characteristic as to how they kill, e.g. weapons, and who they kill.
• The stupid/immortal teenagers that always gets killed
• Creepy children, police officers (either good or bad), ghosts, zombies, demons, stalker,
werewolf, cheerleader, weirdo, psychopaths.
FILM LANGUAGE – JUMP CUTS
• Horror films use lots of jump cuts in order to create scares for the audience. For example,
‘The Conjuring 2’ utilized jump cuts and a mirror. The protagonist was looking in a mirror,
the camera panned to the left so the mirror was out of sight and the audience could see
behind the protagonist. The camera then panned back to the mirror where there was a
nun stood behind them in the reflection. The camera then panned back to the left where
we and the protagonist saw no one behind them. The camera then panned to the right
and then the nun is stood in between the protagonist and the mirror, and then screams
loudly, frightening the audience. The use of quick jump cuts builds suspense and tension
for the audience before scaring them.
FILM LANGUAGE – JUMP SCARES
• A jump scare is a key part to every horror movie. They are what the audience want to see
when they go to see a horror film as the jump scares in a horror film is what puts the
audience on the edge of their seats and keeps them anxious. A good horror film will have
multiple jump scares, and will use them unexpectedly to surprise the audience. A good
jump scare will build tension, making it seem obvious for the audience that a jump scare
is soon approaching. However, it will then come earlier than expecting or they wont put
one in at all, lets the tension drop and then use a jump scare. This is key for good horror
films as the audience doesn’t know what is going to happen and will be scared when it
does.
STRUCTURE
• Horror films usually follow similar plot lines and conventions. They all have similar
protagonists that will face an issue they have to overcome to either save someone or be
with the person they love. However this barrier grows and grows as a problem, making it
harder for the protagonist to overcome.
• Horror movies usually have similar protagonists, and similar reasons to be scared. For
example, many horror films feature ghosts or spirits that haunt a house. The house is
usually home to a young girl who is either possessed or scared and needs protecting.
These are common conventions used in many horror films and because they work, they
are repeated and copied for many other horror movies and so the structure continues.
AUDIENCE
• The vast majority of horror films are 18’s with a few being 15’s. This is because they
contain blood and gore, and are not really suitable for younger audiences. This reduces
the potential target audience for the film, but does increase their capabilities as a
production company to make a scary film for those that do meet the age restrictions. This
means that the production company can make a good film and so can build up a good
brand image. The audience will want a very scary film, and so a low age rating would not
be sufficient to allow the production company to make a scary film. Horror films are most
watched by males between 25-40. They all want to be scared and tested to see how
tough they can be in front of others.

Mais conteúdo relacionado

Mais procurados

Horror (DISTINCT)
Horror (DISTINCT)Horror (DISTINCT)
Horror (DISTINCT)Omar Hassan
 
Meaning theory pro forma
Meaning theory pro formaMeaning theory pro forma
Meaning theory pro formakyranDurkin
 
Horror Genre Conventions
Horror Genre ConventionsHorror Genre Conventions
Horror Genre ConventionsJamesAllann
 
Horror Genre Conventions
Horror Genre ConventionsHorror Genre Conventions
Horror Genre ConventionsJamesAllann
 
Horror Character Stereotypes
Horror Character StereotypesHorror Character Stereotypes
Horror Character StereotypesMorgan-R
 
Horror Fans
Horror FansHorror Fans
Horror FansGumbytom
 
Film enrichment crash
Film enrichment crashFilm enrichment crash
Film enrichment crashlcuk
 
Conventions of the horror genre
Conventions of the horror genreConventions of the horror genre
Conventions of the horror genreAmber2805
 
Narrative theory
Narrative theoryNarrative theory
Narrative theoryannaraisin
 
Sub genres of horror!
Sub genres of horror!Sub genres of horror!
Sub genres of horror!Shannonn_mayy
 
Lights Action
Lights ActionLights Action
Lights Actioncoolmum4u
 
Character types in horror films
Character types in horror filmsCharacter types in horror films
Character types in horror filmsrammyboville
 
Horror Genre Conventions
Horror Genre ConventionsHorror Genre Conventions
Horror Genre ConventionsJamesAllann
 
Transition Project
Transition Project Transition Project
Transition Project Harmanx
 
Conventions of a thriller
Conventions of a thrillerConventions of a thriller
Conventions of a thrillercaitlin100
 

Mais procurados (20)

Horror (DISTINCT)
Horror (DISTINCT)Horror (DISTINCT)
Horror (DISTINCT)
 
Genre Research
Genre ResearchGenre Research
Genre Research
 
Meaning theory pro forma
Meaning theory pro formaMeaning theory pro forma
Meaning theory pro forma
 
Horror Genre Conventions
Horror Genre ConventionsHorror Genre Conventions
Horror Genre Conventions
 
Purge case study
Purge case study Purge case study
Purge case study
 
Horror Genre Conventions
Horror Genre ConventionsHorror Genre Conventions
Horror Genre Conventions
 
Horror Character Stereotypes
Horror Character StereotypesHorror Character Stereotypes
Horror Character Stereotypes
 
Horror Fans
Horror FansHorror Fans
Horror Fans
 
Film enrichment crash
Film enrichment crashFilm enrichment crash
Film enrichment crash
 
Conventions of the horror genre
Conventions of the horror genreConventions of the horror genre
Conventions of the horror genre
 
Narrative theory
Narrative theoryNarrative theory
Narrative theory
 
Sub genres of horror!
Sub genres of horror!Sub genres of horror!
Sub genres of horror!
 
Lights Action
Lights ActionLights Action
Lights Action
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 
Character types in horror films
Character types in horror filmsCharacter types in horror films
Character types in horror films
 
Horror Genre Conventions
Horror Genre ConventionsHorror Genre Conventions
Horror Genre Conventions
 
Questionnaire
Questionnaire  Questionnaire
Questionnaire
 
Theory meaning pro-forma
Theory  meaning pro-formaTheory  meaning pro-forma
Theory meaning pro-forma
 
Transition Project
Transition Project Transition Project
Transition Project
 
Conventions of a thriller
Conventions of a thrillerConventions of a thriller
Conventions of a thriller
 

Destaque

Genre theory: Maltby
Genre theory: MaltbyGenre theory: Maltby
Genre theory: MaltbyAdrian Kreft
 
Horror Film Conventions
Horror Film ConventionsHorror Film Conventions
Horror Film ConventionsAdrian Kreft
 
Gathering for Hope - CURE - Full Content Calendar_proofed
Gathering for Hope - CURE - Full Content Calendar_proofedGathering for Hope - CURE - Full Content Calendar_proofed
Gathering for Hope - CURE - Full Content Calendar_proofedAlex Camp
 
Horror Film Initial Ideas
Horror Film Initial IdeasHorror Film Initial Ideas
Horror Film Initial IdeasAdrian Kreft
 

Destaque (8)

Genre theory: Maltby
Genre theory: MaltbyGenre theory: Maltby
Genre theory: Maltby
 
Horror Film Conventions
Horror Film ConventionsHorror Film Conventions
Horror Film Conventions
 
La oracion de_un_danzor
La oracion de_un_danzor La oracion de_un_danzor
La oracion de_un_danzor
 
Gathering for Hope - CURE - Full Content Calendar_proofed
Gathering for Hope - CURE - Full Content Calendar_proofedGathering for Hope - CURE - Full Content Calendar_proofed
Gathering for Hope - CURE - Full Content Calendar_proofed
 
Promocion de ventas
Promocion de ventasPromocion de ventas
Promocion de ventas
 
CNS_EBrochure
CNS_EBrochureCNS_EBrochure
CNS_EBrochure
 
Horror Film Initial Ideas
Horror Film Initial IdeasHorror Film Initial Ideas
Horror Film Initial Ideas
 
Metales con memoria
Metales con memoriaMetales con memoria
Metales con memoria
 

Semelhante a Horror Film Conventions & Techniques

Horror Film initial Ideas
Horror Film initial IdeasHorror Film initial Ideas
Horror Film initial IdeasRobson Woodley
 
Horror Film Conventions
Horror Film ConventionsHorror Film Conventions
Horror Film ConventionsRobson Woodley
 
Understanding about the devils play ground
Understanding about the devils play groundUnderstanding about the devils play ground
Understanding about the devils play groundgabebest100
 
Understanding about the devils play ground
Understanding about the devils play groundUnderstanding about the devils play ground
Understanding about the devils play groundgabebest100
 
Understanding about the devils play ground
Understanding about the devils play groundUnderstanding about the devils play ground
Understanding about the devils play groundgabebest100
 
Horror film genre conversation reasearch
Horror film genre conversation reasearchHorror film genre conversation reasearch
Horror film genre conversation reasearchBai Xue
 
Horror genre research
Horror genre researchHorror genre research
Horror genre research6415964862123
 
Conventions of horror trailers
Conventions of horror trailers Conventions of horror trailers
Conventions of horror trailers 10afrmal
 
Conventions of Horror
Conventions of HorrorConventions of Horror
Conventions of HorrorSamAppleyard
 
Psychological horror iconography and conventions
Psychological horror iconography and conventionsPsychological horror iconography and conventions
Psychological horror iconography and conventionsbartlettfelix4
 
Horror Genre Iconography
Horror Genre IconographyHorror Genre Iconography
Horror Genre Iconographygbrinan
 
Fmp - lesson 1 an introduction
Fmp - lesson 1 an introductionFmp - lesson 1 an introduction
Fmp - lesson 1 an introductioniain bruce
 
Audience presentation
Audience presentationAudience presentation
Audience presentationRyan Talmage
 
Representations in horror films.pptm
Representations in horror films.pptmRepresentations in horror films.pptm
Representations in horror films.pptmbethanysymonds
 
Finished conventions
Finished conventionsFinished conventions
Finished conventions10afrmal
 
Pitch presentation
Pitch presentationPitch presentation
Pitch presentationhn4014
 

Semelhante a Horror Film Conventions & Techniques (20)

Horror Film initial Ideas
Horror Film initial IdeasHorror Film initial Ideas
Horror Film initial Ideas
 
Horror Film Conventions
Horror Film ConventionsHorror Film Conventions
Horror Film Conventions
 
Research
ResearchResearch
Research
 
Understanding about the devils play ground
Understanding about the devils play groundUnderstanding about the devils play ground
Understanding about the devils play ground
 
Understanding about the devils play ground
Understanding about the devils play groundUnderstanding about the devils play ground
Understanding about the devils play ground
 
Understanding about the devils play ground
Understanding about the devils play groundUnderstanding about the devils play ground
Understanding about the devils play ground
 
Genre research
Genre researchGenre research
Genre research
 
Horror film genre conversation reasearch
Horror film genre conversation reasearchHorror film genre conversation reasearch
Horror film genre conversation reasearch
 
Horror genre research
Horror genre researchHorror genre research
Horror genre research
 
Conventions of horror trailers
Conventions of horror trailers Conventions of horror trailers
Conventions of horror trailers
 
Conventions of Horror
Conventions of HorrorConventions of Horror
Conventions of Horror
 
Psychological horror iconography and conventions
Psychological horror iconography and conventionsPsychological horror iconography and conventions
Psychological horror iconography and conventions
 
Horror Genre Iconography
Horror Genre IconographyHorror Genre Iconography
Horror Genre Iconography
 
Fmp - lesson 1 an introduction
Fmp - lesson 1 an introductionFmp - lesson 1 an introduction
Fmp - lesson 1 an introduction
 
Audience presentation
Audience presentationAudience presentation
Audience presentation
 
Representations in horror films.pptm
Representations in horror films.pptmRepresentations in horror films.pptm
Representations in horror films.pptm
 
Devils palyground 3
Devils palyground 3Devils palyground 3
Devils palyground 3
 
Finished conventions
Finished conventionsFinished conventions
Finished conventions
 
Film trailers overview
Film trailers overview Film trailers overview
Film trailers overview
 
Pitch presentation
Pitch presentationPitch presentation
Pitch presentation
 

Horror Film Conventions & Techniques

  • 2. CONVENTIONS & THEMES • The common conventions of horror films include jump scares, darkness, mystery, suspense, eeriness, unknown, creepy music, jump cuts, loud noises, weapons, blood and death • The common themes of horror films include good vs evil, depression, religion, childhood issues, revenge, supernatural, beyond death, science gone bad, nightmares, zombie apocalypse, lust, madness, insanity, suicide and envy.
  • 3. REPRESENTATION (CHARACTERS) • The main protagonist, often the victim or hero of the movie • The villain, often a monster, mutated freak, alien or serial killer. They tend to have a trademark characteristic as to how they kill, e.g. weapons, and who they kill. • The stupid/immortal teenagers that always gets killed • Creepy children, police officers (either good or bad), ghosts, zombies, demons, stalker, werewolf, cheerleader, weirdo, psychopaths.
  • 4. FILM LANGUAGE – JUMP CUTS • Horror films use lots of jump cuts in order to create scares for the audience. For example, ‘The Conjuring 2’ utilized jump cuts and a mirror. The protagonist was looking in a mirror, the camera panned to the left so the mirror was out of sight and the audience could see behind the protagonist. The camera then panned back to the mirror where there was a nun stood behind them in the reflection. The camera then panned back to the left where we and the protagonist saw no one behind them. The camera then panned to the right and then the nun is stood in between the protagonist and the mirror, and then screams loudly, frightening the audience. The use of quick jump cuts builds suspense and tension for the audience before scaring them.
  • 5. FILM LANGUAGE – JUMP SCARES • A jump scare is a key part to every horror movie. They are what the audience want to see when they go to see a horror film as the jump scares in a horror film is what puts the audience on the edge of their seats and keeps them anxious. A good horror film will have multiple jump scares, and will use them unexpectedly to surprise the audience. A good jump scare will build tension, making it seem obvious for the audience that a jump scare is soon approaching. However, it will then come earlier than expecting or they wont put one in at all, lets the tension drop and then use a jump scare. This is key for good horror films as the audience doesn’t know what is going to happen and will be scared when it does.
  • 6. STRUCTURE • Horror films usually follow similar plot lines and conventions. They all have similar protagonists that will face an issue they have to overcome to either save someone or be with the person they love. However this barrier grows and grows as a problem, making it harder for the protagonist to overcome. • Horror movies usually have similar protagonists, and similar reasons to be scared. For example, many horror films feature ghosts or spirits that haunt a house. The house is usually home to a young girl who is either possessed or scared and needs protecting. These are common conventions used in many horror films and because they work, they are repeated and copied for many other horror movies and so the structure continues.
  • 7. AUDIENCE • The vast majority of horror films are 18’s with a few being 15’s. This is because they contain blood and gore, and are not really suitable for younger audiences. This reduces the potential target audience for the film, but does increase their capabilities as a production company to make a scary film for those that do meet the age restrictions. This means that the production company can make a good film and so can build up a good brand image. The audience will want a very scary film, and so a low age rating would not be sufficient to allow the production company to make a scary film. Horror films are most watched by males between 25-40. They all want to be scared and tested to see how tough they can be in front of others.