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Working with Audio
Sound and Audio Engineering
Capturing Audio
• Convert changes in air pressure into electrical
voltages
• A microphone is a transducer (converts form
of energy).
• Electrical voltages are “analog.”
States of Sound
• Acoustic (Sound Waves)
• Analog (Electrical Voltages)
• Digital (Numerical Values)
• Acoustic  Analog  Digital (and back again)
– Analog to Digital Converters
– Work with audio in a non-linear way on computer,
etc.
– Send it back out through cables to speakers into
sound waves into air and into ears, etc.
Sample Rate
• Number of samples per second (also
expressed in Hz)
– 8,000 Hz – Telephone, Walkie-Talkies
– 44,100 Hz – Audio CD
– 48,000 Hz – DVD
– 96,000 Hz – HD, Blue Ray Discs
– 192,000 Hz – Highest currently available
Higher sample rates = greater accuracy
• Dynamic Range: available range of volume
between the loudest and the softest audible
sounds.
• Signal to Noise Ratio: the difference in volume
between what you want to hear (signal) and
what you don’t want to hear (noise).
Bit-Depth
• Dictates the number of discrete volume levels
that create the dynamic range available in
digital audio.
Sample Rate and Bit-Depth
• Camera Analogy: Sample rate is how many
pictures you take in a second, bit-depth is the
number of colors your camera can discern.
• Higher of each gives you better quality but
also gives you larger file sizes.
Waveform
• Visual representation of digital audio file.
Digitized audio files in Pro Tools
(editing software)
Audio File Formats
• Uncompressed
– WAV
– AIFF
– SD2
• Compressed
– MP3
– AAC
– WMA

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Audio Engineering Guide to Capturing, Processing & File Formats

  • 1. Working with Audio Sound and Audio Engineering
  • 2. Capturing Audio • Convert changes in air pressure into electrical voltages • A microphone is a transducer (converts form of energy). • Electrical voltages are “analog.”
  • 3. States of Sound • Acoustic (Sound Waves) • Analog (Electrical Voltages) • Digital (Numerical Values) • Acoustic  Analog  Digital (and back again) – Analog to Digital Converters – Work with audio in a non-linear way on computer, etc. – Send it back out through cables to speakers into sound waves into air and into ears, etc.
  • 4. Sample Rate • Number of samples per second (also expressed in Hz) – 8,000 Hz – Telephone, Walkie-Talkies – 44,100 Hz – Audio CD – 48,000 Hz – DVD – 96,000 Hz – HD, Blue Ray Discs – 192,000 Hz – Highest currently available
  • 5. Higher sample rates = greater accuracy
  • 6. • Dynamic Range: available range of volume between the loudest and the softest audible sounds. • Signal to Noise Ratio: the difference in volume between what you want to hear (signal) and what you don’t want to hear (noise).
  • 7. Bit-Depth • Dictates the number of discrete volume levels that create the dynamic range available in digital audio.
  • 8. Sample Rate and Bit-Depth • Camera Analogy: Sample rate is how many pictures you take in a second, bit-depth is the number of colors your camera can discern. • Higher of each gives you better quality but also gives you larger file sizes.
  • 9. Waveform • Visual representation of digital audio file.
  • 10. Digitized audio files in Pro Tools (editing software)
  • 11. Audio File Formats • Uncompressed – WAV – AIFF – SD2 • Compressed – MP3 – AAC – WMA